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DTSTART;VALUE=DATE:20260708
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T015821
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SUMMARY:ROME INTERNATIONAL ART FAIR – 18TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is proud to announce the 18th edition of ROME INTERNATIONAL ART\nFAIR 2026\, taking place from July 08 to July 19\, 2026\, at ITSLIQUID Art Space – Rome\,\nlocated in the historic district of Trastevere. Hosted in a remarkable 15th-century palace\,\nthe exhibition brings together contemporary artistic languages from around the world\,\ncreating a dynamic platform where artistic research encounters the timeless cultural\nheritage of the Eternal City.\nExploring the relationship between body and space\, ROME INTERNATIONAL ART FAIR\n2026 reflects on the ongoing hybridization between identities and cultural\, physical\, social\,\nand urban contexts in contemporary society. Through its two curatorial sections\, MIXING\nIDENTITIES and FUTURE LANDSCAPES\, the exhibition invites visitors to investigate\nperception\, memory\, transformation\, and the evolving interaction between individuals and\nthe environments they inhabit.\nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive\njourney into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES\nexplores the concept of boundaries – between body\, mind\, and spirit; between individuals\nand the city; and between space and ground – transforming everyday surfaces into fluid\nterritories of open and evolving ideas. Within this framework\, the selected artists offer\nunique perspectives on contemporary existence through deeply personal visual narratives.\nPresented as a compelling solo exhibition\, Giovanni Tozzetti’s “LONG WALK FROM\nAUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto” masterfully opens a\nvibrant dialogue between individual narrative and collective experience. The project\nunfolds as a deeply personal yet universally resonant journey\, bridging vast geographical\ndistances with intimate roots to explore how private memories intersect with shared\ncultural identities. Through this fluid interaction\, the exhibition invites the audience to\nreflect on the universal themes of migration\, home\, and the continuous evolution of self.\nRooted in a practice that explores the relationship between painting and photography\,\nTozzetti transforms observed reality into a refined painterly language\, preserving the\nimmediacy of the original image while emphasizing its symbolic and communicative power.\nGestures\, symbols\, and shared spaces become communication vehicles\, revealing how\npersonal narratives are continuously negotiated within broader cultural and urban contexts.
URL:https://pluralartmag.com/event/rome-international-art-fair-18th-edition-2026/
LOCATION:ITSLIQUID Art Space Rome
CATEGORIES:International
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ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T080000
DTEND;TZID=Asia/Singapore:20260928T220000
DTSTAMP:20260709T015821
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
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SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-07-08/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
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ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
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DTSTART;TZID=Asia/Singapore:20260708T180000
DTEND;TZID=Asia/Singapore:20260719T190000
DTSTAMP:20260709T015821
CREATED:20260708T140813Z
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SUMMARY:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto
DESCRIPTION:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto\nA solo exhibition by Giovanni Tozzetti\nJuly 08 – 19\, 2026\nPalazzo Velli\, Rome \nITSLIQUID Group is extremely proud to present “LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto”\, the highly anticipated solo exhibition by Italian-Australian artist Giovanni Tozzetti. Hosted from July 08 to July 19\, 2026 during the ROME INTERNATIONAL ART FAIR 18th Edition at the prestigious Palazzo Velli in Rome\, this exhibition represents a profound emotional and creative homecoming\, marking the definitive Roman showcase of a brilliant contemporary figurative artist.
URL:https://pluralartmag.com/event/long-walk-from-australia-to-roma-e-ndo-so-nato-vissuto-cresciuto-e-pasciuto/
LOCATION:palazzo velli\, Piazza di S. Egidio n. 10\, Rome\, Rome\, Roma\, 00153\, Italy
CATEGORIES:International
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ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260709
DTEND;VALUE=DATE:20260727
DTSTAMP:20260709T015821
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
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SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened. Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
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SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro Opening Night
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened.Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro-opening-night/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
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