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DTSTART;VALUE=DATE:20260716
DTEND;VALUE=DATE:20260803
DTSTAMP:20260717T012054
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
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SUMMARY:Common Room
DESCRIPTION:When two young adults get the rare opportunity to share a living space of their own in Singapore\, it’s all too easy to fall into mundane patterns of domestic responsibility. But within these rote routines lies the magic of profound late night conversations about one’s place in the world\, spontaneous deep dives into exes and lost friends\, and musings about what the future holds. \nCommon Room by ants chua is a celebration of the emotional\, physical\, and relational work of queer living. Directors Claire Wong and ants chua reveal a rare insight into the domestic spaces that allow us to be the most vulnerable\, and the tender efforts we make to grapple with our past mistakes and our present selves. This intimate two-hander sees actors Genevieve Tan and Siti Sara Hamid delicately unfold the layers of identity\, of queerness\, and of vocation. \nAn exploration of loving\, living and dreaming amidst the relentless rhythm and rupture of daily life\, Common Room is both familiar and new; at once poetic and irreverent. Amidst the ongoing rupture and repair of friendships\, despite the impossibilities and failures of language\, how can we continue reaching toward each other?
URL:https://pluralartmag.com/event/common-room/2026-07-16/
LOCATION:Drama Centre Black Box\, National Library Building (Level 5)\, 100 Victoria Street\, #05-01 National Library Building\, Singapore 188064\, Singapore\, Singapore\, 188064\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/1920-x-1080.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260716T080000
DTEND;TZID=Asia/Singapore:20261006T220000
DTSTAMP:20260717T012054
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
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SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-07-16/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
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ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260716T180000
DTEND;TZID=Europe/Madrid:20260725T190000
DTSTAMP:20260717T012054
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
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SUMMARY:BARCELONA CONTEMPORARY - 9TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is delighted to announce the 9th edition of BARCELONA CONTEMPORARY 2026\, taking place from July 16 to July 25\, 2026\, at ITSLIQUID Art Space – Barcelona. Dedicated to contemporary artistic languages\, the exhibition brings together painting\, photography\, video art\, installation\, sculpture\, and performance art\, creating a dynamic platform where artistic research meets the vibrant cultural energy of Barcelona. \nExploring the connection between body and space\, BARCELONA CONTEMPORARY 2026 reflects on how identities evolve within today’s cultural\, social\, and urban contexts. Through its two curatorial sections\, MIXING IDENTITIES and FUTURE LANDSCAPES\, the exhibition invites us to investigate transformation\, perception\, and coexistence in the contemporary world. \nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive journey into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES explores abstract and conceptual spaces where boundaries dissolve\, opening new dialogues between body\, mind\, soul\, and environment. Within this framework\, the selected artists offer unique perspectives on memory\, transformation\, and the relationship between individuals and the spaces they inhabit.
URL:https://pluralartmag.com/event/barcelona-contemporary-9th-edition-2026/
LOCATION:HUB/ART Barcelona | Barcelona\, Spain Carrer del Dr. Trueta 183\, Carrer del Dr. Trueta 183\, Barcelona\, Spain
CATEGORIES:International
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
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DTSTART;TZID=Asia/Singapore:20260717T180000
DTEND;TZID=Asia/Singapore:20260731T170000
DTSTAMP:20260717T012054
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
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SUMMARY:VISIONS – ANIMA MUNDI 2026
DESCRIPTION:ITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\, is pleased to announce the opening of VISIONS\, the third appointment of ANIMA MUNDI 2026. The exhibition will open on July 17\, 2026\, at Palazzo Albrizzi-Capello in Venice and will remain on view until July 31\, 2026. ANIMA MUNDI is the vital energy that flows through all things\, the subtle force connecting every form of existence\, from natural to artificial\, visible to invisible. Understood since Plato’s Timaeus as the soul of a living universe\, it returns today as\nan intuitive awareness of an invisible but active network that sustains transformation\, coexistence\, and renewal across matter\, time\, and life. It is the underlying rhythm that links ecosystems\, human and non-human entities\, and balances the continuous evolution of the world. Within this framework\, artists\, designers\, and architects are invited to explore how this universal energy manifests today\, investigating the subtle\ncorrespondences between soul and body\, humanity and nature\, and organic and synthetic worlds. Among the selected artists\, Andrew R. Gibbs’s layered compositions in “Cities of Change” explore the emotional impact of transforming urban landscapes\, where architecture and collective memory intertwine to reveal the fragile relationship between place and identity. Similarly\, Hiromasa Maeda’s “City Layered” interprets the glass-and-concrete skyline as a palimpsest of reflections\, shifting perspectives\, and fleeting traces of human presence\, suggesting that cities acquire meaning only through those who inhabit them. In parallel\, Nuvy Kim (N12Y.3) and Ilinca-Ruxandra Pipelea translate inner\nexperience into material form: drawing on the precision of her background in jewellery making\, Kim’s ceramics and paintings transform fractured perfection into ambiguous\, ungendered anatomies and psychologically charged spaces. Pipelea\, by contrast\, constructs immersive environments through vibrant chromatic fields and richly layered textures\, using colour and gestural accumulation to evoke the unseen rhythms of nature\, memory\, and emotional perception. A quiet\, introspective sensibility runs through the figurative work of Dominika Łuszcz\nand Marga Garcia: Łuszcz’s elongated\, folk-inflected portraits contain restrained psychological tension and cultural traces\, and Garcia’s “Surrectio” reads the figure as an emergent\, feminine rebirth – silent\, inward\, and resilient. This intimacy of feeling appears elsewhere in Inna Stelmachowicz’s meditative images\, where silence\, material\, and light render moments of honesty and inner tension\, and in Diana Rîmbu’s intuitive paintings\, which invite reflection and healing through emotional resonance grounded in an  architectural sense of space. Movement\, rhythm\, and the transmutation of performance into image animate the photographic work of Danny Johananoff\, whose slow-shutter studies dissolve choreography into painterly currents that make tradition feel timeless; Satyajett Salokhey’s large-scale ink gestures similarly capture bodily impulse and subconscious residue\, balancing control and spontaneity. Asnaby Samuel’s canvases introduce a mythic\, mnemonic counterpart: drawing on Sahara oral traditions\, his “Djinns” series treats drums and surfaces as carriers of memory and projection\, where attention and presence activate ambiguous spiritual forces. Finally\, Filomena Parra’s “A Dança do Vidro” offers a lyrical conclusion: glass becomes suspended light and gentle choreography\, a study in fragility and fluidity that echoes the formal restraint and emotional subtlety threaded through the show. VISIONS offers a cohesive journey through contemporary visual practices\, further enriched by a great selection of video artworks.
URL:https://pluralartmag.com/event/visions-anima-mundi-2026/
LOCATION:Palazzo Albrizzi – Capello\, Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT) Cannaregio 4118\, Venice\, Italy\, Venice\, 30121\, Italy
CATEGORIES:International
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ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
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