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DTSTART;VALUE=DATE:20260708
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T070540
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
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SUMMARY:ROME INTERNATIONAL ART FAIR – 18TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is proud to announce the 18th edition of ROME INTERNATIONAL ART\nFAIR 2026\, taking place from July 08 to July 19\, 2026\, at ITSLIQUID Art Space – Rome\,\nlocated in the historic district of Trastevere. Hosted in a remarkable 15th-century palace\,\nthe exhibition brings together contemporary artistic languages from around the world\,\ncreating a dynamic platform where artistic research encounters the timeless cultural\nheritage of the Eternal City.\nExploring the relationship between body and space\, ROME INTERNATIONAL ART FAIR\n2026 reflects on the ongoing hybridization between identities and cultural\, physical\, social\,\nand urban contexts in contemporary society. Through its two curatorial sections\, MIXING\nIDENTITIES and FUTURE LANDSCAPES\, the exhibition invites visitors to investigate\nperception\, memory\, transformation\, and the evolving interaction between individuals and\nthe environments they inhabit.\nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive\njourney into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES\nexplores the concept of boundaries – between body\, mind\, and spirit; between individuals\nand the city; and between space and ground – transforming everyday surfaces into fluid\nterritories of open and evolving ideas. Within this framework\, the selected artists offer\nunique perspectives on contemporary existence through deeply personal visual narratives.\nPresented as a compelling solo exhibition\, Giovanni Tozzetti’s “LONG WALK FROM\nAUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto” masterfully opens a\nvibrant dialogue between individual narrative and collective experience. The project\nunfolds as a deeply personal yet universally resonant journey\, bridging vast geographical\ndistances with intimate roots to explore how private memories intersect with shared\ncultural identities. Through this fluid interaction\, the exhibition invites the audience to\nreflect on the universal themes of migration\, home\, and the continuous evolution of self.\nRooted in a practice that explores the relationship between painting and photography\,\nTozzetti transforms observed reality into a refined painterly language\, preserving the\nimmediacy of the original image while emphasizing its symbolic and communicative power.\nGestures\, symbols\, and shared spaces become communication vehicles\, revealing how\npersonal narratives are continuously negotiated within broader cultural and urban contexts.
URL:https://pluralartmag.com/event/rome-international-art-fair-18th-edition-2026/
LOCATION:ITSLIQUID Art Space Rome
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/riaf18-26-001.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T080000
DTEND;TZID=Asia/Singapore:20260928T220000
DTSTAMP:20260709T070540
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008283-1783497600-1790632800@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-07-08/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T180000
DTEND;TZID=Asia/Singapore:20260719T190000
DTSTAMP:20260709T070540
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009178-1783533600-1784487600@pluralartmag.com
SUMMARY:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto
DESCRIPTION:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto\nA solo exhibition by Giovanni Tozzetti\nJuly 08 – 19\, 2026\nPalazzo Velli\, Rome \nITSLIQUID Group is extremely proud to present “LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto”\, the highly anticipated solo exhibition by Italian-Australian artist Giovanni Tozzetti. Hosted from July 08 to July 19\, 2026 during the ROME INTERNATIONAL ART FAIR 18th Edition at the prestigious Palazzo Velli in Rome\, this exhibition represents a profound emotional and creative homecoming\, marking the definitive Roman showcase of a brilliant contemporary figurative artist.
URL:https://pluralartmag.com/event/long-walk-from-australia-to-roma-e-ndo-so-nato-vissuto-cresciuto-e-pasciuto/
LOCATION:palazzo velli\, Piazza di S. Egidio n. 10\, Rome\, Rome\, Roma\, 00153\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/solo_giovanni_tozzetti_007.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260709
DTEND;VALUE=DATE:20260727
DTSTAMP:20260709T070540
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009184-1783555200-1785110399@pluralartmag.com
SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened. Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/Hahan-Days-Left-Untouched-Invite-SG.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260710T110000
DTEND;TZID=Europe/Rome:20260723T160000
DTSTAMP:20260709T070540
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
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SUMMARY:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION
DESCRIPTION:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION\nJuly 10 – 23\, 2026\nELEMENTS Contemporary Art Space\, London\nITSLIQUID Group\, along with YMX Arts\, is excited to present the 18th edition of LONDON\nCONTEMPORARY ART FAIR 2026\, taking place from July 10 to July 23\, 2026\, at\nELEMENTS Contemporary Art Space in London. The international exhibition brings\ntogether contemporary artists from around the world\, creating a dynamic platform where\nartistic research investigates the fluid evolution of identity within the ever-changing\nlandscapes of contemporary society.\nLONDON CONTEMPORARY ART FAIR 2026 invites a profound exploration of the human\nexperience through the relationship between body and space\, reflecting on the\nhybridisation of identities within the cultural\, physical\, social\, and urban landscapes of\ncontemporary society. Inspired by London’s unique atmosphere\, the exhibition examines\nhow the city’s dynamic energy shapes personal narratives and collective experiences\,\ninfluencing how individuals perceive themselves and interact with the world around them.\nThrough diverse artistic practices\, the artists investigate the connections between desires\,\nneeds\, and fears\, revealing the transformative processes that shape human existence. In\nthis context\, the exhibition becomes a space of metamorphosis\, where memory\,\nperception\, and emotion converge\, creating a dialogue between personal identity and the\ncollective urban environment.
URL:https://pluralartmag.com/event/london-contemporary-art-fair-2026-18th-edition/
LOCATION:ELEMENTS Contemporary Art Space 253 Hoxton Street\, London N1 5LGù\, 253 Hoxton Street\, London N1 5LG\, 253 Hoxton Street\, London N1 5LG\, London\, GB\, N1 5LG\, United Kingdom
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/LONDON.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260711
DTEND;VALUE=DATE:20260802
DTSTAMP:20260709T070540
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007921-1783728000-1785628799@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-07-11/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260711T120000
DTEND;TZID=Asia/Singapore:20260912T190000
DTSTAMP:20260709T070540
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009180-1783771200-1789239600@pluralartmag.com
SUMMARY:Fo(u)r Humours: A Group Exhibition Curated by Justin Loke
DESCRIPTION:Cuturi Gallery is pleased to present Fo(u)r Humours\, a group exhibition curated by Justin Loke featuring Anna Du Toit\, Chiew Sien Kuan\, Immanuel Koh\, John Low\, Lu Ping Yuan\, and Marla Bendini. \nReimagining the ancient theory of the four humours through a contemporary lens\, the exhibition explores mood as the bridge between viewer\, artwork\, and the world. Bringing together six artists whose practices engage with atmosphere\, perception\, memory\, and materiality\, Fo(u)r Humours considers how artworks generate their own distinctive temperaments and modes of attunement within Singapore’s humid tropics. \nExhibition Opening: 11 July\, Sat | 3 – 4 pm: Curator’s Tour; 4 – 7 pm: Opening reception with traditional ice cream cart (first 150 guests enjoy a free scoop on the house!)\nRSVP for the Opending Day activities here. \nGallery Opening Hours : 12pm – 7pm\, Tues – Sat (Closed on Sunday\, Monday and Public Holidays) \nVenue: Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937
URL:https://pluralartmag.com/event/four-humours-a-group-exhibition-curated-by-justin-loke/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/1640-x-856.jpg
ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260716
DTEND;VALUE=DATE:20260803
DTSTAMP:20260709T070540
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
UID:10008737-1784160000-1785715199@pluralartmag.com
SUMMARY:Common Room
DESCRIPTION:When two young adults get the rare opportunity to share a living space of their own in Singapore\, it’s all too easy to fall into mundane patterns of domestic responsibility. But within these rote routines lies the magic of profound late night conversations about one’s place in the world\, spontaneous deep dives into exes and lost friends\, and musings about what the future holds. \nCommon Room by ants chua is a celebration of the emotional\, physical\, and relational work of queer living. Directors Claire Wong and ants chua reveal a rare insight into the domestic spaces that allow us to be the most vulnerable\, and the tender efforts we make to grapple with our past mistakes and our present selves. This intimate two-hander sees actors Genevieve Tan and Siti Sara Hamid delicately unfold the layers of identity\, of queerness\, and of vocation. \nAn exploration of loving\, living and dreaming amidst the relentless rhythm and rupture of daily life\, Common Room is both familiar and new; at once poetic and irreverent. Amidst the ongoing rupture and repair of friendships\, despite the impossibilities and failures of language\, how can we continue reaching toward each other?
URL:https://pluralartmag.com/event/common-room/2026-07-16/
LOCATION:Drama Centre Black Box\, National Library Building (Level 5)\, 100 Victoria Street\, #05-01 National Library Building\, Singapore 188064\, Singapore\, Singapore\, 188064\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/1920-x-1080.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260716T180000
DTEND;TZID=Europe/Madrid:20260725T190000
DTSTAMP:20260709T070540
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009182-1784224800-1785006000@pluralartmag.com
SUMMARY:BARCELONA CONTEMPORARY - 9TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is delighted to announce the 9th edition of BARCELONA CONTEMPORARY 2026\, taking place from July 16 to July 25\, 2026\, at ITSLIQUID Art Space – Barcelona. Dedicated to contemporary artistic languages\, the exhibition brings together painting\, photography\, video art\, installation\, sculpture\, and performance art\, creating a dynamic platform where artistic research meets the vibrant cultural energy of Barcelona. \nExploring the connection between body and space\, BARCELONA CONTEMPORARY 2026 reflects on how identities evolve within today’s cultural\, social\, and urban contexts. Through its two curatorial sections\, MIXING IDENTITIES and FUTURE LANDSCAPES\, the exhibition invites us to investigate transformation\, perception\, and coexistence in the contemporary world. \nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive journey into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES explores abstract and conceptual spaces where boundaries dissolve\, opening new dialogues between body\, mind\, soul\, and environment. Within this framework\, the selected artists offer unique perspectives on memory\, transformation\, and the relationship between individuals and the spaces they inhabit.
URL:https://pluralartmag.com/event/barcelona-contemporary-9th-edition-2026/
LOCATION:HUB/ART Barcelona | Barcelona\, Spain Carrer del Dr. Trueta 183\, Carrer del Dr. Trueta 183\, Barcelona\, Spain
CATEGORIES:International
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260717T180000
DTEND;TZID=Asia/Singapore:20260731T170000
DTSTAMP:20260709T070540
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
UID:10009195-1784311200-1785517200@pluralartmag.com
SUMMARY:VISIONS – ANIMA MUNDI 2026
DESCRIPTION:ITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\, is pleased to announce the opening of VISIONS\, the third appointment of ANIMA MUNDI 2026. The exhibition will open on July 17\, 2026\, at Palazzo Albrizzi-Capello in Venice and will remain on view until July 31\, 2026. ANIMA MUNDI is the vital energy that flows through all things\, the subtle force connecting every form of existence\, from natural to artificial\, visible to invisible. Understood since Plato’s Timaeus as the soul of a living universe\, it returns today as\nan intuitive awareness of an invisible but active network that sustains transformation\, coexistence\, and renewal across matter\, time\, and life. It is the underlying rhythm that links ecosystems\, human and non-human entities\, and balances the continuous evolution of the world. Within this framework\, artists\, designers\, and architects are invited to explore how this universal energy manifests today\, investigating the subtle\ncorrespondences between soul and body\, humanity and nature\, and organic and synthetic worlds. Among the selected artists\, Andrew R. Gibbs’s layered compositions in “Cities of Change” explore the emotional impact of transforming urban landscapes\, where architecture and collective memory intertwine to reveal the fragile relationship between place and identity. Similarly\, Hiromasa Maeda’s “City Layered” interprets the glass-and-concrete skyline as a palimpsest of reflections\, shifting perspectives\, and fleeting traces of human presence\, suggesting that cities acquire meaning only through those who inhabit them. In parallel\, Nuvy Kim (N12Y.3) and Ilinca-Ruxandra Pipelea translate inner\nexperience into material form: drawing on the precision of her background in jewellery making\, Kim’s ceramics and paintings transform fractured perfection into ambiguous\, ungendered anatomies and psychologically charged spaces. Pipelea\, by contrast\, constructs immersive environments through vibrant chromatic fields and richly layered textures\, using colour and gestural accumulation to evoke the unseen rhythms of nature\, memory\, and emotional perception. A quiet\, introspective sensibility runs through the figurative work of Dominika Łuszcz\nand Marga Garcia: Łuszcz’s elongated\, folk-inflected portraits contain restrained psychological tension and cultural traces\, and Garcia’s “Surrectio” reads the figure as an emergent\, feminine rebirth – silent\, inward\, and resilient. This intimacy of feeling appears elsewhere in Inna Stelmachowicz’s meditative images\, where silence\, material\, and light render moments of honesty and inner tension\, and in Diana Rîmbu’s intuitive paintings\, which invite reflection and healing through emotional resonance grounded in an  architectural sense of space. Movement\, rhythm\, and the transmutation of performance into image animate the photographic work of Danny Johananoff\, whose slow-shutter studies dissolve choreography into painterly currents that make tradition feel timeless; Satyajett Salokhey’s large-scale ink gestures similarly capture bodily impulse and subconscious residue\, balancing control and spontaneity. Asnaby Samuel’s canvases introduce a mythic\, mnemonic counterpart: drawing on Sahara oral traditions\, his “Djinns” series treats drums and surfaces as carriers of memory and projection\, where attention and presence activate ambiguous spiritual forces. Finally\, Filomena Parra’s “A Dança do Vidro” offers a lyrical conclusion: glass becomes suspended light and gentle choreography\, a study in fragility and fluidity that echoes the formal restraint and emotional subtlety threaded through the show. VISIONS offers a cohesive journey through contemporary visual practices\, further enriched by a great selection of video artworks.
URL:https://pluralartmag.com/event/visions-anima-mundi-2026/
LOCATION:Palazzo Albrizzi – Capello\, Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT) Cannaregio 4118\, Venice\, Italy\, Venice\, 30121\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/2026_visions_950-1-scaled.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T090000
DTEND;TZID=Asia/Singapore:20260725T170000
DTSTAMP:20260709T070540
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009192-1784365200-1784998800@pluralartmag.com
SUMMARY:Writing and Performing Your Personal Story
DESCRIPTION:Checkpoint Theatre is pleased to offer a SkillsFuture Credit-eligible course led by Associate Artists Adib Kosnan and Lucas Ho. \nAimed at participants with minimal or no prior experience of writing or performing\, this course will teach you to craft and deliver a short self-written story about your personal life. \nParticipants will be given the tools to distil and craft their stories in a polished manner on the page\, and then be equipped with effective communication techniques to present their story in an accomplished manner. \nYou will write a monologue over the course of this session\, and deliver it at the end\, with guidance and feedback from the instructors. \nBy the end of the course\, you will have gained practical experience in the writing and performing of your personal story. The writing and speaking skills acquired will be effective in various personal\, social\, and professional situations such as job interviews\, wedding speeches\, networking sessions\, and even first dates! \nCourse Outline\nWriting (2.5hrs) \n\nElements of a personal story\n– Strengths and challenges of your personal journey\n– Making it memorable\n– Reading and discussing examples of well-written personal stories\nSharing your personal story\n– Knowing your audience: personal\, social and/or professional\n– Identifying moments in your personal journey to share in your story\nWriting your personal story\n– Blending honesty and craft: shaping your personal story into something accessible and relatable\n\nDelivering (2.5hrs) \n\nTelling your story\n– Using narratives for self-expression and confidence building\n– Connecting with your audiences\nPutting it all together\n– Exploring physicality and vocal variety through exercises which will help establish presence and focus as you share your stories.\n\nSharing (2hrs) \n\nDelivering your story\n– 5 – 7 mins per participant\nFeedback\n– Participants will be given feedback and space to refine their work to a presentation that is articulate and relatable.\n\nCourse Runs\nDATES (Choose one): Saturday 18th or 25th July 2026\nTIME: 9am – 5pm (with a 1 hour lunch break)\nLOCATION: The White Space at *SCAPE (2 Orchard Link\, Singapore 237978) \n*Do note that lunch is not provided \nCourse Fees\n$350 (SkillsFuture claimable) \nRegistration\nTo register for this course\, please click on the link below and fill out the registration form: \nRegistration Form: https://forms.gle/XttuTfRHsSnRMift9 \nFor more info: https://tinyurl.com/skillsfutureworkshop \nWhen filling out the form\, please select whether you would like to use your SkillsFuture credits — either in full\, or partially\, or not at all.  \nIf you wish to use your SkillsFuture credits to completely offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment and submitting a claim on the MySkillsFuture portal. \nIf you wish to use your SkillsFuture credits to only partially offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on submitting a claim on the MySkillsFuture portal\, as well as for payment to the company for the remainder of your course fee. \nIf you do not wish to use your SkillsFuture credits at all\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment directly to the company. \nPlease note that credits under “SkillsFuture Credit (Mid-Career)” are not eligible to be used for this course. \nRegistration will only be confirmed when: \n\nFor participants using SkillsFuture Credits to offset all or part of the course fee — Payment has been made to Checkpoint Theatre Limited for the remaining course fee if the course fee is partially offset by SkillsFuture credits\, and once you have submitted a claim on the MySkillsFuture portal.\nFor participants not using SkillsFuture Credits — Full payment has been made directly to Checkpoint Theatre Limited.\n\nPlease ensure that you are able to attend the entirety of the session. Refunds will not be given if you are not able to attend the session\, or if you have to leave early during the session. \n\nAbout The Instructors \nAdib Kosnan \nAdib is an actor\, writer\, director\, educator\, and an Associate Artist with Checkpoint Theatre. He is also a National Arts Council (NAC) scholar with a MA in Arts Pedagogy and Practice from Goldsmiths\, University of London\, UK.  \nAdib has performed in numerous productions for the English and Malay-language stage since 2003\, and writes and directs extensively in both languages. His play 28.8 (2017) was nominated for Best Original Script at The Straits Times Life! Theatre Awards 2018. He is also a founding member of Singaporean playwright collective Main Tulis Group.  \nAdib views theatre as a space to shape thought and life through socially engaged work. As a co-lead artist for Both Sides\, Now: Mengukir Harapan (2021–2022)\, Adib spearheaded engagement around end-of-life conversations within the Malay-Muslim community.  He also worked on Air (2024)\, a verbatim theatre project amplifying Orang Seletar voices on displacement and identity. Adib also teaches forum theatre and facilitation as an Adjunct Lecturer at LASALLE College of the Arts. \nAs an educator\, Adib conducts and facilitates Checkpoint Theatre’s school and public  workshops and programmes. He especially enjoys the collaborative nature of theatre and sharing what he has discovered from wearing his multiple hats. \n  \nLucas Ho \nLucas Ho is a writer\, director\, and educator; and an Associate Artist with Checkpoint Theatre in Singapore. In 2023\, Lucas received the National Arts Council Postgraduate Scholarship\, and attended the Royal Central School of Speech and Drama in London\, UK\, where he completed an MFA in Writing for the Stage and Broadcast Media\, with distinction. \nHis full-length plays include FRAGO (2017)\, The Heart Comes to Mind (2020)\, and Tender Submission (2023) which was nominated for Best Original Script at the Straits Times Life! Theatre Awards 2024. \nLucas has taught the introductory and advanced playwriting seminars at the National University of Singapore\, and was part of the faculty of Literary Arts at School of the Arts\, Singapore (SOTA). While at SOTA\, he created Singapore’s first 7-hours-a-week\, 8-week-long playwriting programme for 13-year-olds. \nLucas also serves as a script reader\, moderator\, and playwriting resource person for Centre 42\, an incubatory space committed to the development\, documentation and promotion of Singapore theatre. He has led table reads and mentored playwrights as part of this platform. \nHe has also edited various play anthologies by Checkpoint Theatre\, including Faith Ng: Plays Volume 1 (2016) and Joel Tan: Plays Volume 1 (2015). Lucas continues to direct and facilitate Checkpoint Theatre’s school and public workshops and programmes — where original Singaporean writing is presented\, and where participants are guided to create their own works.
URL:https://pluralartmag.com/event/writing-and-performing-your-personal-story/
LOCATION:The White Space at *SCAPE\, 2 Orchard Link\, Singapore 237978\, Singapore\, 237978\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
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DTSTART;TZID=Asia/Singapore:20260718T170000
DTEND;TZID=Asia/Singapore:20260816T170000
DTSTAMP:20260709T070540
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009190-1784394000-1786899600@pluralartmag.com
SUMMARY:Intermission by Esmond Loh
DESCRIPTION:Haridas Contemporary is thrilled to present Esmond Loh’s (b. 1995) latest solo exhibition with the gallery. Titled Intermission\, Loh explores the pauses that emerge within the ongoing performance of everyday life. Intermission features 17 new paintings. \nSet against a backdrop of rural and urban landscapes that appear ambiguous yet intimately familiar\, this series of new works conjures figurative scenes of individuals caught between roles. Within such precious pockets of time\, in a society shaped by perpetual momentum and productivity\, Loh draws our attention to the suspense that envelops these private vignettes of rest\, waiting\, or escape.
URL:https://pluralartmag.com/event/intermission-by-esmond-loh/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/07/FB-Intermission.png
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
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