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DTSTART;VALUE=DATE:20261109
DTEND;VALUE=DATE:20261204
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
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SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-09/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261109T080000
DTEND;TZID=Asia/Singapore:20270130T220000
DTSTAMP:20260505T020446Z
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008407-1794211200-1801346400@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-11-09/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261109T100000
DTEND;TZID=Asia/Singapore:20261109T220000
DTSTAMP:20260623T023639Z
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008938-1794218400-1794261600@pluralartmag.com
SUMMARY:Earthopia Fest 2026
DESCRIPTION:Earthopia Fest 2026 returns for its second edition from 29 to 31 May 2026 at Fort Canning Green\, bringing together youth\, community groups\, green businesses\, artists and advocates for a three-day sustainability festival built around climate action\, circular living and wellness. \nOrganised by City Sprouts\, the festival will bring together 100+ content partners and engage over 5\,000 participants through hands-on workshops\, panel discussions\, a conscious marketplace curated by Sunday Social and City Sprouts’ Farmers Collective\, the Earthling Exchange showcasing green innovations and social impact work\, art installations made with repurposed materials\, and live performances by local artists. \nDesigned to move audiences from awareness to intent and action\, Earthopia Fest 2026 makes sustainability more accessible by connecting it to everyday choices — from fashion\, food and wellness to creativity\, community and conscious consumption. \nEarthopia’s art installations turn waste into visual storytelling\, creating accessible photo and video moments while making circular economy ideas tangible. Highlights include: \n\nOur Current Creatures – large floating jellyfish-like forms made from plastic\, inviting visitors to look twice at what our waste becomes.\nE-Fossil: A Warning From Our Time – animal-like fossils assembled from e-waste and industrial materials\, imagining what future generations might unearth from today’s consumption.\nSOAR – an upcycled bird installation made from discarded milk bottles\, transforming everyday waste into a symbol of recovery and lift-off.\nScarecrow Guardians – playful fashion-based guardians made from repurposed clothes\, created with youth and circular fashion partners.\nDisposable Planet – a vibrant Earth formed from colourful fabric scraps\, led by Fashion Parade\, greeting visitors with a strong circular fashion message.
URL:https://pluralartmag.com/event/earthopia-fest-2026/2026-11-09/
LOCATION:Fort Canning Green\, Fort Canning Park\, Canning Rise\, Singapore\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/05/EARTHOPIA-2026-POSTER.png
ORGANIZER;CN="City Sprouts":MAILTO:hello@citysprouts.com.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261109T170000
DTEND;TZID=Asia/Singapore:20261109T190000
DTSTAMP:20261026T140037Z
CREATED:20261026T135924Z
LAST-MODIFIED:20261026T140037Z
UID:10012001-1794243600-1794250800@pluralartmag.com
SUMMARY:Considering Matthew Shepard
DESCRIPTION:The Chorallective presents the Singapore premiere of Considering Matthew Shepard\, a groundbreaking 21st-Century fusion oratorio by Craig Hella Johnson (USA)\, originally written in response to real-life events surrounding the titular character. \n\n\n\nWith music serving as a vehicle for moving beyond tragedy and into understanding and healing\, Considering Matthew Shepard is a fusion oratorio that emphasizes on building emotional resilience through music-making as a community\, and fostering a culture of empathy that transcends differences. \nBlending classical choral writing with other genres of musical theatre\, opera\, literary arts (spoken word)\, pop\, blues and country music\, with a libretto that integrates a collection of text influenced by poetry\, journalism\, and artifacts\, Considering Matthew Shepard is a phenomenal crossover of musical styles that defies strict categorization\, and thus reflecting the “everyman” nature of the story and the lessons learnt. \n\n\n\nLed by Choy Siew Woon (Artistic Director) and Seong Hui Xuan (Stage Director)\, the performance is a gripping\, transformative exploration of universal themes — of mutual respect\, grief management\, anti-violence\, social justice and the restorative power of community. The music finds its methods of expression in deep feeling\, at once moving and galvanising. It’s everything we find we believe in time and again: the power of music and language combined and concentrated\, enough to fill the expanse of a night sky. \nCome and hear this story of us all.
URL:https://pluralartmag.com/event/considering-matthew-shepard/2026-11-09/
LOCATION:Esplanade Recital Studio\, 1 Esplanade Drive\, Singapore\, 038981\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/10/CMS-IGPOST-CP-2.png
ORGANIZER;CN="The Chorallective":MAILTO:hello@thechorallective.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261109T170000
DTEND;TZID=Asia/Singapore:20261109T190000
DTSTAMP:20261026T140037Z
CREATED:20261026T140037Z
LAST-MODIFIED:20261026T140037Z
UID:10012013-1794243600-1794250800@pluralartmag.com
SUMMARY:Considering Matthew Shepard
DESCRIPTION:The Chorallective presents the Singapore premiere of Considering Matthew Shepard\, a groundbreaking 21st-Century fusion oratorio by Craig Hella Johnson (USA)\, originally written in response to real-life events surrounding the titular character\, who was a victim of hate-crime. \nBlending classical choral writing with other genres of musical theatre\, opera\, literary arts (spoken word)\, pop\, blues and country music\, with a libretto that integrates a collection of text influenced by poetry\, journalism\, and artifacts\, Considering Matthew Shepard is a phenomenal crossover of musical styles that defies strict categorization\, and thus reflecting the “everyman” nature of the story and the lessons learnt. \nWith music serving as a vehicle for moving beyond tragedy and into understanding and healing\, Considering Matthew Shepard emphasizes on building emotional resilience through music-making as a community\, and fostering a culture of empathy that transcends differences. \nLed by Choy Siew Woon (Artistic Director) and Seong Hui Xuan (Stage Director)\, the performance is a gripping\, transformative exploration of universal themes — of mutual respect\, grief management\, anti-violence\, social justice and the restorative power of community. The music finds its methods of expression in deep feeling\, at once moving and galvanising. It’s everything we find we believe in time and again: the power of music and language combined and concentrated\, enough to fill the expanse of a night sky. \nCome and hear this story of us all.
URL:https://pluralartmag.com/event/considering-matthew-shepard-2/2026-11-09/
LOCATION:Esplanade Theatres On The Bay\, 1 Esplanade Dr\, Singapore\, Singapore\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/10/CMS-IGPOST-CP-2-1.png
ORGANIZER;CN="The Chorallective":MAILTO:hello@thechorallective.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20261109T180000
DTEND;TZID=Europe/Paris:20261122T170000
DTSTAMP:20261026T141236Z
CREATED:20261026T141236Z
LAST-MODIFIED:20261026T141236Z
UID:10010191-1794247200-1795366800@pluralartmag.com
SUMMARY:LONDON CONTEMPORARY ART FAIR 2026 - 19th EDITION
DESCRIPTION:LONDON CONTEMPORARY ART FAIR 2026 – 19th EDITION \nOctober 09 – 22\, 2026 \nELEMENTS Contemporary Art Space \n  \nITSLIQUID Group\, in collaboration with YMX Arts\, is pleased to announce the opening of the 19th edition of LONDON CONTEMPORARY ART FAIR. On view from October 09 to October 22\, 2026\, at the central ELEMENTS Contemporary Art Space\, the exhibition brings together international artists working across painting\, sculpture\, photography\, video art\, and performance\, exploring the multisensory dimensions of human consciousness. \n  \nLONDON CONTEMPORARY ART FAIR 2026 analyses the complex relationship between body and space\, investigating the continuous hybridisation between individual identities and the cultural\, physical\, and urban settings of our contemporary era. The selected artists draw inspiration from the evocative power of London\, exploring the connection between desires\, needs\, and fears through rituals that bring humankind to change\, transform and evolve their inner world. \n  \nThis inner journey opens with a meditation on perception itself through Burcu Yildirim Parlak’s “Traces of Light”\, which builds a layered terrain of gestural marks and pastel tones settling like imprints of memory\, fragments of experience surfacing through colour. Carina Rabelbauer pushes this exploration further inward with “Ajna – The Eye”\, an immersive field of blue and gold named after the third eye\, where attention turns from the outer world to the awakening of consciousness within. Read together\, the two pieces form a single arc – from the mark left by experience to the eye that learns to read it – establishing the exhibition’s central premise that awareness is felt through the senses before it is understood. \n  \nFrom this interior gaze\, the exhibition shifts outward to the body’s encounter with the city. Kijoo Bae’s “Lines of Silence” renders the rhythm of urban architecture in a striking black-and-white composition\, where repeated structural patterns become a kind of visual hush – quiet not as absence\, but as order. Lola Llinares answers this stillness with motion and noise: her “Traffic Lights” is a dense\, chromatically charged canvas that channels the pulse and friction of city life – hush and traffic become two faces of the same urban condition\, embodying the show’s inquiry into how the self is shaped\, and hybridised\, by the physical and cultural settings it moves through. \n  \nThe exhibition’s final movement turns to the human figures who inhabit this space. In “Véra\, Isabella et Julia”\, Karole Aubourg lets three distinct presences merge into a single earthy\, textured field\, suggesting how separate selves blur and layer into one another over time\, while Piotr Kulikowski’s “Light of Late Summer” captures a comparable threshold with  \n  \na vibrant\, fiery palette\, holding the fleeting moment when one season gives way to the next. Robert T. Rogers closes this sequence with “Bring It to Pass”\, a luminous work suspended between rose and blue that speaks of passage and becoming – a fitting counterpoint to Kulikowski’s seasonal turn\, both artists picturing change as something gradual\, almost atmospheric. \n  \nAcross these different practices\, a common thread emerges: the self is never fixed\, but continuously written and rewritten by light\, place\, and time.  Among the pieces on view\, the exhibition also features a selection of video artworks (see video program). \n  \nOPENING \nOctober 09\, 2026 | 06:00 PM \nRSVP: info@itsliquid.com \nFree entry – Register here \n  \nEXHIBITION DAYS \nOctober 10 – 22\, 2026 \nTuesday – Saturday | 11.00 AM – 05.00 PM \n  \nELEMENTS Contemporary Art Space \n253 Hoxton Street\, London N1 5LG \n 
URL:https://pluralartmag.com/event/london-contemporary-art-fair-2026-19th-edition/2026-11-09/
LOCATION:ELEMENTS Contemporary Art Space\, 253 Hoxton Street\, London\, N1 5LG\, United Kingdom
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/lc19_027.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261109T190000
DTEND;TZID=Asia/Singapore:20261121T220000
DTSTAMP:20260827T042513Z
CREATED:20260827T042513Z
LAST-MODIFIED:20260827T042513Z
UID:10009310-1794250800-1795298400@pluralartmag.com
SUMMARY:Checkpoint Theatre and Restaurant Nouri present A MATTER OF TASTE
DESCRIPTION:Checkpoint Theatre and Restaurant Nouri present A Matter Of Taste \n📆18—30 Aug\n📍Restaurant Nouri\, 72 Amoy Street \nA FINE DINING EXPERIENCE AND TALK\nWritten by Ivan Brehm and Huzir Sulaiman\nConceived and edited by Huzir Sulaiman\nDelivered by Ivan Brehm and Ramzie Tahar\n🍽 Reserve your seat now at the link in our bio \n——— \nA dish for every story. \nWith an impressive culinary journey that spans over two decades\, Chef Ivan Brehm has worked in — and headed — some of the world’s best kitchens. With A Matter Of Taste\, be seated at Nouri\, his Michelin-starred restaurant\, as you indulge in a feast for all senses — stories from his varied life across the globe\, a journey of self-discovery charted and reimagined on your plate with each delicious dish. \nA specially designed menu connects humorous and inspiring episodes of Chef Ivan’s life. From a childhood in Brazil immersed in his grandmother’s kitchen grilling fish\, to a lobster dish from gruelling times in Per Se’s kitchens in New York\, to his personal reclaiming of the complex dishes of Hibiscus and Fat Duck in the UK\, and finally to his own landmark culinary philosophy of Crossroads Cooking at Nouri — Ivan Brehm and Huzir Sulaiman team up to pull the curtain back on the culinary experience and the chef’s life as we know it. \nThrough 10 nourishing stories and 10 innovative dishes\, A Matter Of Taste fuses moving\, evocative storytelling with a fine dining experience of the highest calibre. \nDesign: Marc Gabriel Loh
URL:https://pluralartmag.com/event/checkpoint-theatre-and-restaurant-nouri-present-a-matter-of-taste/2026-11-09/
LOCATION:Restaurant Nouri\, 72 Amoy Street\, 72 Amoy Street\, Singapore\, Singapore\, 069891\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/08/AMOT_1000x750.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
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