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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260404T020100
CREATED:20230802T091808Z
LAST-MODIFIED:20230907T063011Z
UID:10005460-1690934400-1785542399@pluralartmag.com
SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://pluralartmag.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2023/08/Benchmarks-KV-Landscape.png
ORGANIZER;CN="Arts House Limited":MAILTO:enquiries@artshouse.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260404T020100
CREATED:20250623T035204Z
LAST-MODIFIED:20250623T035204Z
UID:10003657-1748649600-1774828799@pluralartmag.com
SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants! \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille. \nFor more information\, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html
URL:https://pluralartmag.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/05/Gallery-Childrens-Biennale-2025-Key-Visual-1.-Image-credit_-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250905
DTEND;VALUE=DATE:20260608
DTSTAMP:20260404T020100
CREATED:20250908T081107Z
LAST-MODIFIED:20250908T081107Z
UID:10007799-1757030400-1780876799@pluralartmag.com
SUMMARY:Let’s Play! The Art and Design of Asian Games
DESCRIPTION:Games are among humanity’s oldest shared experiences – a source of joy\, challenge\, and connection for thousands of years. In Asia\, they have developed in remarkably diverse ways\, from the lively\, fast-paced rhythms of mahjong and congkak to the contemplative strategy of go and chess. They have entertained and educated\, reflected power and status\, and acted as metaphors for life. \nThis exhibition explores the rich history of Asian games and the role they have played in shaping culture\, identity\, and community. Some travelled widely\, taking on new forms and meanings across borders. Others became tools for mental training or expressions of artistic ideals. Even today\, they remain at the frontier of innovation – as seen in the rise of artificial intelligence. \nMany of the games on display are also works of extraordinary beauty and craftsmanship. As you explore the exhibition\, we invite you to discover how the act of play continues to inspire\, evolve\, and connect people across time and place. \nLet’s Play! incorporates playable interactives\, outdoor installations\, collaborations with schools and local game associations\, and a diverse line-up of programmes and talks.
URL:https://pluralartmag.com/event/lets-play-the-art-and-design-of-asian-games/
LOCATION:Asian Civilisations Museum (ACM)\, 1 Empress Place\, 179555\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/Key-Visual-Lets-Play-The-Art-and-Design-of-Asian-Games.-Image-courtesy-of-Asian-Civilisations-Museum.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Asian Civilisations Museum (ACM) 1 Empress Place 179555 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Empress Place:geo:103.8513861,1.2874969
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260404T020100
CREATED:20250915T073727Z
LAST-MODIFIED:20251005T024644Z
UID:10007851-1757635200-1784505599@pluralartmag.com
SUMMARY:Talking Objects
DESCRIPTION:Singapore Art Museum (SAM) presents Talking Objects\, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection\, the exhibition explores how everyday objects – commonplace items\, familiar scenes and everyday representations — become vessels of memory\, meaning\, and emotion when seen through the lens of artists and their practices. Beyond materiality\, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists\, the ordinary takes on new significance\, inviting us to look again at the world around us. \nFeaturing works by widely recognised artists from across Asia\, including Alwin Reamillo\, Suzann Victor\, and Christine Ay Tjoe\, Talking Objects showcases a diversity of artistic voices and practices\, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down\, reflect\, and rediscover the quiet power of objects in shaping how we see and understand the world.  \nTalking Objects is housed alongside The Living Room in SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/talking-objects/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/1-a3302637.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260404T020100
CREATED:20250915T073740Z
LAST-MODIFIED:20251005T024644Z
UID:10007852-1757635200-1784505599@pluralartmag.com
SUMMARY:The Living Room
DESCRIPTION:Singapore Art Museum (SAM) presents its latest exhibition The Living Room\, as part of the final chapter of Collection Project: Communicating\, Convening\, Commoning—a long-term collaboration between SAM\, Seoul Museum of Art (SeMA)\, and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery\, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered\, reactivated\, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go\, and how might we make sense of what remains? \nFeaturing works by renowned local and international artists such as Ezzam Rahman\, Chuyia Chia\, Kim Garam\, Brian Fuata and others\, The Living Room presents a breadth of practices spanning live performances\, video\, installation\, performance traces\, re-enactments\, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence\, the exhibition invites visitors into an evolving environment that is brought to life through activation\, conversation\, and exchange. By bringing together works grounded in lived experience\, The Living Room opens new ways of understanding how performance lives on through objects\, memory\, interaction\, and shared encounters. \nThe Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/the-living-room/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/The-Living-Room.-Image-courtesy-of-Singapore-Art-Museum-1-min-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251025T100000
DTEND;TZID=Asia/Singapore:20261011T190000
DTSTAMP:20260404T020100
CREATED:20250929T091950Z
LAST-MODIFIED:20251005T024338Z
UID:10007872-1761386400-1791745200@pluralartmag.com
SUMMARY:Engage with history through art at Temple\, National Gallery Singapore’s first rooftop installation integrating kinetic motion and sound
DESCRIPTION:Embark on a meditative experience at Temple\, a new participatory artwork by Vietnamese-American artist Tuan Andrew Nguyen. Commissioned by National Gallery Singapore for its Ng Teng Fong Roof Garden Commission series and presented as part of Singapore Biennale 2025: pure intention\, Temple invites visitors to reflect on history and contemplate the impact of war through a multisensorial experience that blends kinetic motion and sound – underscoring the Gallery’s mission to connect the art of Singapore and Southeast Asia to the world and foster critical dialogue on global issues through art. \nFeaturing bells and mobiles crafted from recovered and defused unexploded ordnance (UXO) from the Vietnam War\, visitors are encouraged to strike the defused shells\, gongs\, and chimes\, creating a meditative soundscape. Through this transformation of weapons of war into instruments of peace\, Nguyen inspires ideas of karmic balance\, reincarnation\, and the memories embedded within materials\, offering a powerful lens for healing and reconciliation. \nTemple is the eighth edition of the Ng Teng Fong Roof Garden Commission.
URL:https://pluralartmag.com/event/engage-with-history-through-art-at-temple-national-gallery-singapores-first-rooftop-installation-integrating-kinetic-motion-and-sound/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/09/Rendering-of-Temple-by-Tuan-Andrew-Nguyen.-Image-courtesy-of-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251031T100000
DTEND;TZID=Asia/Singapore:20260830T190000
DTSTAMP:20260404T020100
CREATED:20250915T073812Z
LAST-MODIFIED:20251005T024433Z
UID:10007854-1761904800-1788116400@pluralartmag.com
SUMMARY:Peacock Power: Beauty and Symbolism Across Cultures
DESCRIPTION:With its dazzling feathers and spectacular tail\, the peacock has long symbolised beauty\, power\, and divinity across Asia. For centuries\, its striking form has captivated artists and devotees alike\, inspiring works that range from sacred images to everyday adornment. \nThe peacock motif travelled between cultures. Peranakan art\, shaped by the convergence of multiple influences\, is the starting point for this journey. Treasures from the National Collection and important lenders explore the bird’s presence in a broad range of artistic disciplines. Each object invites visitors to consider how a motif moved between regions and contexts\, revealing the networks that connect peoples and how artistic traditions evolve through exchange. \nThe exhibition presents these connections through colourful displays\, interactive stations\, and lively programmes. A new work by artist Ernest Goh explores the peacock in the context of its symbolism\, cultural heritage\, and ecology.
URL:https://pluralartmag.com/event/peacock-power-beauty-and-symbolism-across-cultures/
LOCATION:Peranakan Museum\, 39 Armenian Street\, Singapore\, Singapore 179941\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/Panel-belt-with-buckle-Pending.-Image-courtesy-of-Peranakan-Museum-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251119T120000
DTEND;TZID=Asia/Singapore:20260122T180000
DTSTAMP:20260404T020100
CREATED:20250908T081037Z
LAST-MODIFIED:20250908T081037Z
UID:10007732-1763553600-1769104800@pluralartmag.com
SUMMARY:Lai Yu Tong: The Dogs
DESCRIPTION:ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery\, The Dogs\, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs\, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments\, while reflecting upon his own experiences and interactions with the dogs across several months. \nDrawing upon observations of the present\, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars\, crows\, hands\, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time\, he brings out alternative perspectives on the familiar. Recently\, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild\, untamed and shy creatures that roam under the shadows of Singapore intrigues him. \nIn a highly developed and controlled society\, the presence of these dogs introduces a degree of unpredictability\, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However\, following multiple visits where he would observe\, photograph and sometimes feed the dogs\, the fear that he felt eventually shifts into a kind of love\, as he forms a connection with these misunderstood creatures. \nStorytelling makes up a big part of Lai’s approach\, manifesting in forms such as drawing\, sculpture\, and sound. In these latest works\, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard\, wood\, and paper. He simultaneously draws and obscures the dogs\, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws\, whilst also allowing them to take on other identities and connotations. \nThrough a selection of two-dimensional works\, a sculpture\, a sound piece and a performance\, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences\, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.
URL:https://pluralartmag.com/event/lai-yu-tong-the-dogs/2025-11-19/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/TheDogs_IG-1-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251213T120000
DTEND;TZID=Asia/Singapore:20260215T180000
DTSTAMP:20260404T020100
CREATED:20251215T070208Z
LAST-MODIFIED:20251215T070208Z
UID:10008033-1765627200-1771178400@pluralartmag.com
SUMMARY:Yao Qingmei: Steel Garden
DESCRIPTION:Opening Reception : 13 December 2025\, 4pm\nExhibition Period : 13 December 2025 – 15 February 2026 \nSingapore\, November 2025 — ShanghART Gallery is pleased to present Steel Garden\, a solo exhibition by Paris-based artist Yao Qingmei\, marking her first major presentation with the gallery. Known for an interdisciplinary practice that bridges performance\, video\, photography\, and installation\, Yao examines how bodies move through—and are shaped by—structures of power\, public ritual\, and the choreography of collective life. \nAt the heart of the exhibition is Steel Garden\, her latest two-channel video installation. The work draws from the grand floral displays erected annually during moments of national celebration. Through a series of precise and lingering images—close-ups of flowers\, birds foraging among cracks\, weeds growing between paving stones\, the varied postures of visitors\, and the synchronised gesture of crowds during the flag-raising ceremony—Yao reveals the subtle relationships between individual action\, collective ritual\, and the constructed natural landscape. \nThis multi-chapter video work begins with news reports on specially cultivated festival flowers and culminates in a floating\, dust-like vocal poem from the artist’s own perspective. Drawing upon the concepts of the “moving garden” and the “third landscape” by French gardener Gilles Clément\, the work also references descriptions of pain and hallucination experienced by the soldier Pavel Korchagin in the Soviet novel How the Steel Was Tempered (1934) to reveal the biopolitical framework that underlies this monumental ritual. \nThe exhibition also brings together works spanning more than 10 years\, offering a contextual understanding of Yao’s sustained inquiry into symbolic gesture\, embodied practice\, and moving-image construction. Beginning with early public space interventions and documented performances\, Yao initially used video as a means of recording her embodied actions. Over time\, she has increasingly turned toward filmic construction\, developing a more deliberate cinematic language that positions her both in front of and behind the camera. \nThis evolution is visible in works such as The Third Internationale in Monaco (2012) and Dance! Dance! Bruce Ling! (2013)\, in which Yao performs as a protagonist navigating staged situations that parody ideological choreography. In more recent projects\, including Prelude to Love (2023)\, she adopts the role of a director\, shaping narrative\, movement\, and mise-en-scène to investigate how collective identities are formed\, reinforced\, or unsettled. \nAcross her body of work\, Yao Qingmei articulates a distinctive\, incisive voice within contemporary art—one attuned to the shifting dynamics of nationalism\, memory\, and public space in the twenty-first century. Steel Garden offers a focused yet expansive lens into her practice\, foregrounding an artist whose observations of ritual\, power\, and lived experiences resonate far beyond their point of origin.
URL:https://pluralartmag.com/event/yao-qingmei-steel-garden/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/YQM-Steel-Garden-poster.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260103
DTEND;VALUE=DATE:20260125
DTSTAMP:20260404T020100
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007894-1767398400-1769299199@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-01-03/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T130000
DTEND;TZID=Asia/Singapore:20260131T180000
DTSTAMP:20260404T020100
CREATED:20260105T092015Z
LAST-MODIFIED:20260105T122836Z
UID:10008056-1767963600-1769882400@pluralartmag.com
SUMMARY:Bouquet For You
DESCRIPTION:In the liminal spaces where time folds into timelessness and life meets mortality\, Sung Min Woo’s art takes form. Sung’s debut solo exhibition in Singapore at Gallery Ima is more than a geographic milestone—it is a passage into an in-between realm where cultures\, philosophies\, and ecological ideas converge. \n\n\nBorn in 1974\, Sung Min Woo trained in Oriental Painting at Hongik University\, earning both her BFA and MFA\, before completing a Ph.D. in Art Education at Korea National University of Education. This combined foundation of practice and theory shapes her distinctive approach. Working with silk\, natural pigments\, and powdered gold and silver\, she draws on East Asian artistic traditions while reinterpreting them through a contemporary ecological lens. Her paintings go beyond representing nature; they interrogate its conditions\, exploring what it means to emerge\, endure\, and ultimately disappear—ideas that resonate across cultures and time. \n\n\nWorking on silk\, Sung layers natural pigments and dusts her surfaces with gold and silver powder. These metallic interventions do more than embellish; they suspend time\, creating a luminous membrane where fleeting moments attain a sense of permanence. Her technique of saturation\, repetition\, and slow accumulation reflects the rhythms of germination\, growth\, decay\, and renewal. Each stroke becomes a meditative gesture linking continuity with impermanence. \n\n\nGrass is Sung’s enduring motif – modest yet resilient\, thriving in overlooked spaces. She often depicts naturalised species\, plants rooted in Korean soil but originating elsewhere\, as metaphors for movement\, adaptation\, and coexistence. Once foreign\, these species integrate into their environments\, enriching ecological diversity. Through this imagery\, Sung develops a visual lexicon of interdependence\, where ecological processes mirror social dynamics. \n\n\n\nCentral to Sung’s practice is the notion of oikos—the ancient Greek word that symbolises a foundational space of life where relationships coexist. In her work\, oikos becomes a site where individual and collective existence intertwine. Her compositions unfold as living ecosystems: dense\, shimmering fields where grasses and wildflowers weave narratives of survival\, adaptation\, and transformation. Each blade speaks of resilience and care\, reminding us that life endures through connection. \n\n\nThis resonance is particularly alive in Singapore. Like these naturalised plants\, Singapore’s identity has been shaped through migration and exchanges. Its strength lies in diversity\, resilience\, and adaptability. Sung’s work offers a quiet parallel: the beauty of integration and the unexpected harmony that emerges when disparate lives share the same ground. \n\n\nSung’s exhibition\, Bouquet For You\, invites us into a space of stillness and reflection. Shimmering surfaces and grasses rendered with exquisite precision blur the boundary between reality and dream\, urging us to pause\, look deeply\, and contemplate our place within an interconnected ecological and existential web.
URL:https://pluralartmag.com/event/bouquet-for-you/
LOCATION:Art ImA\, 14 Circular Road\, #03-02\, Singapore 058412\, Singapore\, Singapore\, 058412\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/WhatsApp-Image-2025-12-22-at-12.27.06-AM.jpeg
ORGANIZER;CN="Art ImA":MAILTO:info@artcompanyima.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T170000
DTEND;TZID=Asia/Singapore:20260207T230000
DTSTAMP:20260404T020100
CREATED:20260105T092059Z
LAST-MODIFIED:20260105T092059Z
UID:10008086-1767978000-1770505200@pluralartmag.com
SUMMARY:Neural Echoes: Enter The Sleep Lab
DESCRIPTION:50-minute narrative-driven\, immersive experience with interactive puzzles. For 4-6 players. \nSomniTech promises to revolutionise rest: a future where sleep is productive\, optimised\, and monetised. Their Brain–Computer Interface and experimental dream-tracking systems map susceptibility\, guide sleep states\, and deliver auditory instructions. \nMany clinical trial participants never exited the programme. Dr. Adrian Tan\, the iconic yet controversial mind behind SomniTech\, disappeared shortly after. No one knows what drives him\, or what horrors unfold behind those closed doors. \nWill you go undercover in the clinical trials? Enter the lab\, navigate controlled assessments\, figure out what happened to the missing participants\, and uncover the true purpose of SomniTech.
URL:https://pluralartmag.com/event/neural-echoes-enter-the-sleep-lab/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Event-BannerV2_1280x500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260111T120000
DTEND;TZID=Asia/Singapore:20260211T180000
DTSTAMP:20260404T020100
CREATED:20260105T122800Z
LAST-MODIFIED:20260105T122800Z
UID:10008054-1768132800-1770832800@pluralartmag.com
SUMMARY:City Lines
DESCRIPTION:Singapore’s urban landscape is constantly evolving. City Lines showcases ten artists whose work examines the invisible lines that connect people to their surroundings—the emotional and psychological aspects of the city that go beyond its visible architecture. From the quiet beauty of watercolour cityscapes to digital takes on architecture\, and poetic views of urban life\, City Lines showcases the rhythm of Singapore’s spaces. Beyond capturing façades—the shophouse\, housing estate and urban forms\, the exhibition tells a story of the artists’ connection with the city\, the past and the present\, real and imagined. \nARTISTS\nAndrew Huang\nHeiko Schulze\nIdris Ali\nJeffrey Wandly\nKay Saputra\nMasturah Sha’ari\nMayang Sari\nSyazana Yassin\nTerence Tan\nYeo Jian Long \nHeld at Maya Gallery from 11 January to 11 February 2026\, City Lines will be part of the Singapore Art Week.
URL:https://pluralartmag.com/event/city-lines/
LOCATION:Maya Gallery\, 57 Genting Lane\, #05-00\, Singapore 349564\, 57 Genting Lane\, #05-00 Singapore 349564\, 349564\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Banner2_City-Lines.jpg
ORGANIZER;CN="Maya Gallery":MAILTO:art@mayagallery.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260531T190000
DTSTAMP:20260404T020100
CREATED:20251215T071506Z
LAST-MODIFIED:20251215T071506Z
UID:10008043-1768557600-1780254000@pluralartmag.com
SUMMARY:Elia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest
DESCRIPTION:Artists Elia Nurvista and Bagus Pandega explore how the demands of a relentless extraction\, from plantations to electric futures\, cast a shadow on the very “breath of the Earth.” \nElia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest imagines the afterlives of materials that persist long after their use\, outlasting our time in this age of excess. Plantations\, mining sites\, and the promise of electric vehicle technologies become places where the stories of tomorrow are formed\, bound by Indonesia’s extractive economies whose resources sustain the pulse of today’s global demand. \nFrom the need for oxygen to nickel’s role in lithium-ion technologies\, from the cutting down of forests to palm oil’s many applications\, these materials represent the state of the Earth’s breath (Nafasan Bumi) today\, strained by extraction. The planet’s natural rhythms no longer move freely but are drawn into the labour of industry\, breathing through the exhaustion of a harvest that never ends. \nAcross the exhibition\, labour appears as both memory and speculation\, a rhythm shared by humans\, machines\, and the living world. Conveyor belts\, once emblems of the industrial revolution and the mechanisation of labour\, now hum to the pulse of tropical plants\, creating a continuous cycle of productivity. Nearby\, sculptures cast in palm oil wax evoke the stillness of carved stone yet resist ideals of perfection\, creating a dreamscape haunted by plantation residues. Others\, made from discarded palm waste\, hold the tension between fragility and endurance. \nTogether\, these artworks trace how human and non-human life have been enmeshed in cycles of ceaseless pursuit of productivity\, asking: What will the future shaped by these material conditions? Like the recurring haze that engulfs Indonesia\, Singapore\, and Malaysia during the southwest monsoon\, the Earth’s breath\, shadowed by an endless harvest\, lingers as a reminder of what extraction conceals and refuses to let us forget. ~
URL:https://pluralartmag.com/event/elia-nurvista-and-bagus-pandega-nafasan-bumi-an-endless-harvest/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Key-Visual-Elia-Nurvista-and-Bagus-Pandega_-Nafasan-Bumi-An-Endless-Harvest-Image-courtesy-of-Singapore-Art-Museum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T120000
DTEND;TZID=Asia/Singapore:20260127T200000
DTSTAMP:20260404T020100
CREATED:20260105T123357Z
LAST-MODIFIED:20260105T123357Z
UID:10008088-1768564800-1769544000@pluralartmag.com
SUMMARY:Turning Points III
DESCRIPTION:Now in its third year at Singapore Art Week\, Turning Points III brings together five artists with disabilities whose works capture pivotal moments of artistic transformation. Each piece reflects a turning point where adversity sparks reinvention and exploration leads to new creative horizons. \nIn this exhibition\, Aaron Yap will show clay animal figurines\, Chong Yap Qing will pay homage to his mother’s recipes in still-life studies\, Hugh Lee will present an abstract and architectural series of paintings\, Kenji Teo will present anime-inspired artworks and Zack Ling will show a series of functional ceramic wares. These are the output from a year of mentorships with mentor artists Lewis Choo\, Mary Bernadette Lee\, Joshua Yang\, Tristan Lim\, and Kim Whye Lee. \nCurated by John Tung\, the exhibition offers a tapestry of resilience\, adaptability\, and introspection\, inviting audiences to witness the creativity and complexity of change in an artist’s journey.
URL:https://pluralartmag.com/event/turning-points-iii/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Turning-Points-3.jpg
ORGANIZER;CN="ART%3ADIS":MAILTO:suzanna@artdis.org.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260404T020100
CREATED:20260112T063309Z
LAST-MODIFIED:20260112T063309Z
UID:10008091-1768608000-1771199999@pluralartmag.com
SUMMARY:From One Sky to Another by Melissa Tan
DESCRIPTION:Haridas Contemporary is thrilled to present Melissa Tan’s (b. 1989\, Singapore) upcoming solo exhibition in which she debuts a new series of paintings. Tan is known for her intricately detailed metal and resin sculptures\, with which she explores her long-standing interests in celestial mapping and mythology. In this new chapter — inspired by an etymological understanding of the word ‘map’\, which in old Latin referred to a piece of cloth — Tan unfolds her stories from the scintillant planes of her sculptures\, and transports them to vivid new worlds on canvas\, where hidden maps of constellations hint at a shifting landscape and story. \nIn marked contrast to the elegant and steely glint characteristic of Tan’s past exhibitions\, From One Sky To Another unfolds in vivid colour. Once incised into metal\, Tan’s cast of characters and their stories now inhabit worlds of flesh\, land\, water\, and sky. The palette of this series\, ranging from earthy autumnal hues to crisp and clear blues\, brings to mind the works of Renaissance masters such as Botticelli and Titian\, both of whom Tan referenced for their representations of Greek gods and goddesses. In other works\, looser brushwork and luminous colours recall the paintings of the Symbolists\, imparting an enigmatic cast to the subject matter.
URL:https://pluralartmag.com/event/from-one-sky-to-another-by-melissa-tan/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Melissa-Tan-Do-Sleeping-Gods-Dream-2025-Acrylic-on-Canvas-115-x-85-cm-scaled.jpeg
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260404T020100
CREATED:20260112T063338Z
LAST-MODIFIED:20260112T063338Z
UID:10008093-1768608000-1771199999@pluralartmag.com
SUMMARY:Mirror Straits: A Taiwan-Singapore Joint Presentation
DESCRIPTION:In conjunction with Singapore Art Week 2026\, artcommune and Liang Gallery are delighted to present ‘Mirror Straits’\, a joint Taiwan-Singapore joint show featuring the works of 8 major Taiwanese and Singapore artists: Cheong Soo Pieng\, Chen Wen Hsi\, Lim Tze Peng\, Wong Keen\, Chen Cheng-Po\, Yang San-Lang\, Liao Shiou-Ping\, and Lee Chung-Chung. ‘Mirror Straits’ is on view at artcommune gallery from 17 January to 15 February 2026\, and will travel to Liang Gallery for its Taipei Leg in September-October 2026. \n‘Mirror Straits’ opens officially on Saturday\, 17 January\, 3pm at artcommune gallery. The opening prefaces a panel discussion titled ‘Parallel Modernities: An Examination of ‘Chinese Diaspora Aesthetics’ in Taiwan and Singapore—A Conversation between Takamori Nobuo and Kwok Kian Chow’\, that will take place between 4.30pm-5.45pm on the same day. All are welcome; RSVP required at kenix@artcommune.com.sg \nCurated by Taiwanese independent curator Takamori Nobuo (chief-curator of 2021 Asian Arts Biennial\, Phantasmapolis\, organised by National Taiwan Museum of Fine Arts\, and chief-curator of the current 2025 Green Island Biennial)\, the presentation explores the evolving identity of ethnic Chinese communities in the pre- and post-World War Il era\, tracing their diasporic histories and the ways in which artistic expression transitioned\, diverged\, and flourished across regions.
URL:https://pluralartmag.com/event/mirror-straits-a-taiwan-singapore-joint-presentation/
LOCATION:artcommune gallery\, 76 Bras Basah Road\, #01-01\, Singapore\, 189558
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/EL-E-Invite-Mirror-Straits-鏡之海峽聯展.jpg
ORGANIZER;CN="artcommune gallery":MAILTO:admin@artcommune.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260117T110000
DTEND;TZID=Asia/Singapore:20260228T190000
DTSTAMP:20260404T020100
CREATED:20260112T063547Z
LAST-MODIFIED:20260112T063547Z
UID:10008099-1768647600-1772305200@pluralartmag.com
SUMMARY:Metamorphosis: Curated by Syed Muhammad Hafiz | Featuring Jaafar Latiff\, Anniketyni Madian\, Meta Enjelita and Khairulddin Wahab
DESCRIPTION:Cuturi Gallery is delighted to present Metamorphosis\, curated by independent curator and art historian Syed Muhammad Hafiz. The exhibition brings together works by Anniketyni Madian (b. 1986\, Malaysia)\, Meta Enjelita (b. 1994\, Indonesia)\, and Khairulddin Wahab (b. 1990\, Singapore) in dialogue with the late Singaporean batik modernist Jaafar Latiff (1937–2007\, Singapore). Through new responses to Latiff’s ideas and material experiments\, Metamorphosis explores legacy as restless and evolving\, highlighting contemporary practices across the Malay Archipelago\, where art\, craft\, and tradition are constantly reimagined. \nCentral to the exhibition is Jaafar Latiff’s lifelong commitment to pushing batik beyond convention. Working on his own terms\, he expanded the medium through abstraction\, material experimentation\, and an unwavering belief in artistic autonomy. His contributions\, recognised through major institutional exhibitions and his role as an influential art educator\, position him as a pivotal figure in Singapore’s post-independence art history. \nResponding to Jaafar Latiff’s sustained innovation with batik and abstraction\, the invited artists engage with his legacy through both material and conceptual transformation. Anniketyni Madian\, known for her abstract sculptural works\, draws on Iban folklore and Sarawakian cultural memory\, embedding personal and ancestral narratives within universal forms. Latiff’s persistent exploration of abstraction offers a point of departure for her practice\, where beneath seemingly universal forms lie traces of identity\, heritage\, and tradition. Meta Enjelita work explores the entangled matters of materiality\, ecological and social structures\, and her latest textile-based installation works incorporate stylised Jawi calligraphy inspired by Latiff’s Unspoken Dialogue series. Applying her signature rust-dyeing techniques\, her works weave together traditional batik and calligraphic techniques into contemporary installation\, giving form to a mutual conversation between art and craft. Khairulddin Wahab’s practice examines post-colonial histories\, cultural geography\, and environmental narratives. Similarly drawing on cultural narratives surrounding batik traditions\, his latest work adds another dimension to his practice\, especially after his residency at Lohjinawi\, Yogyakarta\, towards the end of 2025. Instead of working with his preferred acrylic paints\, Khairulddin has decided to adopt batik-inspired techniques for his latest work – a commentary on the spice and nutmeg trade during the colonial era. \nTogether\, these new works showcase some of Southeast Asia’s most dynamic young artists\, revealing their critical engagement with art history\, tradition\, and material practice. By placing Jaafar Latiff’s works alongside those of younger artists\, the exhibition offers additional perspectives through which to consider his practice. Metamorphosis positions Latiff’s ideas as ongoing and open to reinterpretation across generations. \n \nMetamorphosis runs from 17 January to 28 February 2026 at Cuturi Gallery\, Singapore.
URL:https://pluralartmag.com/event/metamorphosis-curated-by-syed-muhammad-hafiz-featuring-jaafar-latiff-anniketyni-madian-meta-enjelita-and-khairulddin-wahab/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/600-x-1200-px-Metamorphosis-2026-KV-scaled.png
ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260121
DTEND;VALUE=DATE:20260302
DTSTAMP:20260404T020100
CREATED:20260112T063324Z
LAST-MODIFIED:20260130T153241Z
UID:10008092-1768953600-1772409599@pluralartmag.com
SUMMARY:Rituals of Perception
DESCRIPTION:Tanoto Art Foundation’s (TAF) first major group exhibition Rituals of Perception will open on 21 January 2026 during Singapore Art Week. On view through 1 March 2026\, the exhibition gathers works born from intimate dialogues between body and matter\, unfolding through slow\, contemplative\, and iterative processes. Against the backdrop of digital acceleration and collective disenchantment\, the exhibition turns toward practices that reattune us to presence\, where every gesture and touch becomes a quiet act of resistance against an increasingly dehumanised sense of time. Staged at Singapore’s New Bahru School Hall\, the exhibition features works from the Tanoto Family Collection\, loans and new commissions by over twenty leading contemporary artists. Rituals of Perception is curated by Xiaoyu Weng\, TAF Artistic Director. During the opening reception\, artist Sriwhana Spong presented a new performance as part of her ongoing research\, presented in Singapore for the first time. \nTo learn more about Rituals of Perception here. \nLocation \nNew Bahru School Hall\, 46 Kim Yam Road\, School Block\, #02-02\, Singapore 239351 \nOpening Hours \nOpens Daily\, 11am-7pm \nSaturdays till 9pm
URL:https://pluralartmag.com/event/rituals-of-perception/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/TAF-RoP-KV-260103-PLURAL.jpg
ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260122T100000
DTEND;TZID=Asia/Singapore:20260131T190000
DTSTAMP:20260404T020100
CREATED:20251222T110618Z
LAST-MODIFIED:20251222T110618Z
UID:10008050-1769076000-1769886000@pluralartmag.com
SUMMARY:The Print Show Singapore 2026
DESCRIPTION:Bringing together leading print publishers and galleries from around the world\, The Print Show Singapore\, organised by STPI\, showcases the works of distinguished contemporary artists for whom printmaking is a vital part of their practice. Featuring seminal figures from Asian print histories and beyond\, the exhibition provides audiences with a rare opportunity to discover new and groundbreaking works.\n\nFeatured artists include Louise Bourgeois\, Irfan Hendrian\, Jeff Koons\, Yayoi Kusama and Rirkrit Tiravanija\, among others.
URL:https://pluralartmag.com/event/the-print-show-singapore-2026/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-TPS-1200x1200px.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260122T120000
DTEND;TZID=Asia/Singapore:20260228T180000
DTSTAMP:20260404T020100
CREATED:20260105T123344Z
LAST-MODIFIED:20260105T123344Z
UID:10008087-1769083200-1772301600@pluralartmag.com
SUMMARY:Dialogue of Differences\, presented by ART SEASONS Gallery
DESCRIPTION:Dialogue of Differences brings together artists whose practices confront the frictions shaping today’s geopolitical\, cultural\, and social landscapes. At a time when rising nationalist sentiment and renewed “war economies”— both literal and ideological\, seek to reinforce old hierarchies\, the exhibition offers a counterpoint through artistic dissent\, complexity\, and exchange. Rather than collapsing perspectives into simple binaries\, it opens a space where contradiction and nuance become modes of resistance. \nParticipating artists: Awang Damit Ahmad\, David Chan\, Lester Lee\, Umibaizurah Mahir@Ismail and Yin Chua. \nAll works are for sale.
URL:https://pluralartmag.com/event/dialogue-of-differences-presented-by-art-seasons-gallery/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Dialogue-of-Differences.jpeg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260123
DTEND;VALUE=DATE:20260126
DTSTAMP:20260404T020100
CREATED:20251215T070931Z
LAST-MODIFIED:20251215T070931Z
UID:10008039-1769126400-1769385599@pluralartmag.com
SUMMARY:S.E.A. Focus 2026: The Humane Agency
DESCRIPTION:In a world shaped by shifting borders\, changing climates\, and diaspora\, how do we choose to respond? S.E.A. Focus returns for its eighth edition under the curatorial theme The Humane Agency. \nCurated by John Z.W. Tung\, with artistic consultation by Emi Eu\, Executive Director of STPI\, the presentation highlights the quiet yet urgent force of artists who choose compassion over detachment. Instead of framing people as mere symbols of crisis\, the works foreground human connection—as a site of relation\, care and resilience. \nSpanning a variety of formats\, scale and media\, galleries and artists from across Southeast Asia and beyond reflect on three pressing global currents: the persistence of conflict and our longing for peace\, the intensifying ecological crisis\, and the movement of communities across and beyond nation-states. Together\, the works slow us down\, deepen our capacity to feel and remind us that empathy is not optional—it is a method\, an urgency and first step toward imagining a more connected\, less estranged future. \nCommissioned by the National Arts Council (NAC)\, S.E.A. Focus 2026 will be organised by and held at ART SG 2026 for the first time at the iconic Marina Bay Sands. Audiences are invited to experience how artists today act not just as observers of the world\, but as active participants in shaping it. \nMore information on S.E.A. Focus can be found at https://seafocus.sg/.
URL:https://pluralartmag.com/event/s-e-a-focus-2026-the-humane-agency/
LOCATION:Sands Expo & Convention Centre\, FLAsia Licensing Village\, Sands Expo & Convention Centre – Hall B\, BB19 10 Bayfront Ave\, Singapore 018956\, Singapore\, Singapore\, 018956\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/3.-S.E.A.-Focus-2025-Visitors-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260123
DTEND;VALUE=DATE:20260126
DTSTAMP:20260404T020100
CREATED:20251222T110455Z
LAST-MODIFIED:20251222T110455Z
UID:10008048-1769126400-1769385599@pluralartmag.com
SUMMARY:ART SG 2026
DESCRIPTION:ART SG 2026\, Southeast Asia’s global contemporary art fair\, returns for its fourth edition this January. Presented by Founding and Lead Partner UBS\, the fair is a hallmark event of Singapore Art Week\, connecting new and seasoned collectors with leading artists\, curators and partners at the centre of the region’s contemporary art movement.  \nBringing together an exceptional line-up of 106 exhibitors from more than 30 countries and territories\, ART SG 2026 offers an unparalleled opportunity to encounter works from some of the world’s leading galleries alongside today’s boldest emerging voices across three dynamic gallery sectors: GALLERIES\, FOCUS\, and FUTURES.  \nIn a first for ART SG\, Southeast Asian contemporary art platform S.E.A. Focus will be held within the fair. With a single ticket\, visitors gain seamless access to both events\, complemented by a curated programme of large-scale installations\, film\, panel discussions\, performance art and more. Offering an immersive space for discovery for visitors of all backgrounds and interests\, the integrated experience reinforces Singapore’s position as the region’s essential hub for global cultural and artistic exchange.  \nFor more information on ART SG 2026\, please visit: https://artsg.com.
URL:https://pluralartmag.com/event/art-sg-2026/
LOCATION:Marina Bay Sands\, Sands Expo & Convention Centre\, Begonia Junior Room\, 3011 & 3012\, 018956\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/ART-SG-2026-Key-Visual-1--scaled.jpg
ORGANIZER;CN="ART SG":MAILTO:marketing@artsg.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T103000
DTEND;TZID=Asia/Singapore:20260123T120000
DTSTAMP:20260404T020100
CREATED:20260105T123007Z
LAST-MODIFIED:20260105T123007Z
UID:10008078-1769164200-1769169600@pluralartmag.com
SUMMARY:STPI Symposium 2026 | The Politics of Print
DESCRIPTION:How political is print? This conversation between Wu Mo\, Kathleen Ditzig and Özge Ersoy\, moderated by Stephanie Bailey\, looks at how print has shaped modern and contemporary art across geographies and generations: from modern master Zao Wou-Ki’s revolutionary adoption of print and MoMA’s influence on print practices in Southeast Asian art in the 20th century\, to how archives of printed matter—such as catalogues and zines—are re-tracing Asia’s evolving art histories today.\n\nSG Culture Pass credits can be used to offset ticket purchases of this programme.\n\nSpeakers: Wu Mo (Sigg Curator\, M+)\, Kathleen Ditzig (Curator\, National Gallery Singapore)\, Özge Ersoy (Executive Director\, Asia Art Archive)\nModerator: Stephanie Bailey (Curator\, The Politics of Print\, and Lead Editor\, print_screen)
URL:https://pluralartmag.com/event/stpi-symposium-2026-the-politics-of-print-2/
LOCATION:72-13 Mohamed Sultan Rd\, 72-13 Mohamed Sultan Rd\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-Symposium-2026-1-scaled.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T103000
DTEND;TZID=Asia/Singapore:20260124T180000
DTSTAMP:20260404T020100
CREATED:20251222T110645Z
LAST-MODIFIED:20251222T110645Z
UID:10008051-1769164200-1769277600@pluralartmag.com
SUMMARY:STPI Symposium 2026: The Politics of Print
DESCRIPTION:How has print defined modern and contemporary art histories across geographies and generations\, shaping cultural movements in the process? Conceived as a gathering for curious discussion\, The Politics of Print invites speakers and audiences to participate in two days of lively conversations and debates.\n\nThinking about the legacies of print from the 19th century to the present\, discussions will look at the transnational legacies of print as a political form; the radical use of print to drive artistic movements across Asia; current trends in collecting prints that are revealing historic shifts in the global art market; and how memes and NFTs\, as works of art in an age of digital reproduction\, fit into the history of print.\n\nPunctuating these exchanges are artist roundtables with masters in their field\, Michael Craig-Martin\, Pinaree Sanpitak\, Salima Hashmi and Rirkrit Tiravanija\, plus the Singapore edition of Crit Club\, a contextual performance project conceived by Cem A.\, the artist behind the art world’s favourite meme account\, @freeze_magazine.\n\nOrganised by STPI\, curated by Stephanie Bailey.
URL:https://pluralartmag.com/event/stpi-symposium-2026-the-politics-of-print/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-Symposium-2026.jpeg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T133000
DTEND;TZID=Asia/Singapore:20260123T150000
DTSTAMP:20260404T020100
CREATED:20260105T123047Z
LAST-MODIFIED:20260105T123047Z
UID:10008079-1769175000-1769180400@pluralartmag.com
SUMMARY:STPI Symposium 2026 | New (Print) Markets\, New (Print) Worlds
DESCRIPTION:Are we in a new print renaissance? As prints and editions surge in popularity\, artnet’s Vivienne Chow invites leaders in the field—Molly Steiger\, Jenny Gibbs and Mazdak Sanii—to reflect on current trends and developments that are reshaping the global art market. What new art worlds and audiences are emerging amid generational and geopolitical shifts\, and how are they redrawing today’s cultural and commercial landscapes?\n\nSG Culture Pass credits can be used to offset ticket purchases of this programme.\n\nSpeakers: Molly Steiger (Senior Vice President and Senior International Specialist\, Prints & Multiples\, Sotheby’s)\, Jenny Gibbs (Executive Director\, IFPDA)\, Mazdak Sanii (Founder and CEO\, Avant Arte)\nModerator: Vivienne Chow (London Correspondent and Co-author of The Asia Pivot\, artnet)
URL:https://pluralartmag.com/event/stpi-symposium-2026-new-print-markets-new-print-worlds/
LOCATION:72-13 Mohamed Sultan Rd\, 72-13 Mohamed Sultan Rd\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-Symposium-2026-2-scaled.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T153000
DTEND;TZID=Asia/Singapore:20260123T170000
DTSTAMP:20260404T020100
CREATED:20260105T123143Z
LAST-MODIFIED:20260105T123143Z
UID:10008080-1769182200-1769187600@pluralartmag.com
SUMMARY:STPI Symposium 2026 | Keynote Conversation: Print as Practice
DESCRIPTION:“You can make art out of anything\,” says artist Michael Craig-Martin. “It is rather a question of how transformation occurs.” That profound and unruly process of artistic transformation anchors this talk\, which explores how two contemporary masters—Michael Craig-Martin and Pinaree Sanpitak—have used prints to bridge the gap between society and fine art.\n\nSG Culture Pass credits can be used to offset ticket purchases of this programme.\n\nSpeakers: Michael Craig-Martin (Artist)\, Pinaree Sanpitak (Artist)\nModerator: Adele Tan (Senior Curator and Assistant Director of Curatorial Programmes\, National Gallery Singapore)
URL:https://pluralartmag.com/event/stpi-symposium-2026-keynote-conversation-print-as-practice/
LOCATION:72-13 Mohamed Sultan Rd\, 72-13 Mohamed Sultan Rd\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-Symposium-2026-3-scaled.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260124
DTEND;VALUE=DATE:20260125
DTSTAMP:20260404T020100
CREATED:20260112T063407Z
LAST-MODIFIED:20260112T063407Z
UID:10008094-1769212800-1769299199@pluralartmag.com
SUMMARY:Shade & Sip: Fundraiser Edition
DESCRIPTION:Join us for an evening of good conversation and great wine as we make art and swap books. Online bookstore Wormhole and local artist Dirty Doodies team up for a special fundraiser edition of Shade & Sip to support ArtsWok Collaborative\, a charity that brings art-making\, community building\, and civic participation together in meaningful ways. \nAttendees get to colour an exclusive Dirty Doodies art print and take it home as a memento\, enjoy two glasses* of BoundbyWine’s thoughtfully curated selections\, take part in a book swap and get personalised book recommendations! Plus\, opt for the Special Ticket to receive a limited-edition Dirty Doodies print\, illustrated only for this event\, with the option to request your favourite book to be featured in it (very limited slots!) \nAll net proceeds go to supporting ArtsWok Collaborative. Donations of $10 and above will qualify for 250% tax deduction and its impact will be doubled by the Cultural Matching Fund. \n* Non-alcoholic beverage options available. \n 
URL:https://pluralartmag.com/event/shade-sip-fundraiser-edition/
LOCATION:Friday’s Garden\, 22 Sin Ming Lane\, #01-84\, Midview City\, Singapore\, 573969\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/1-WH-Sip-Shade-1880x410-1.png
ORGANIZER;CN="Wormhole":MAILTO:hello@wormhole.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260124T103000
DTEND;TZID=Asia/Singapore:20260124T120000
DTSTAMP:20260404T020100
CREATED:20260105T123213Z
LAST-MODIFIED:20260105T123213Z
UID:10008081-1769250600-1769256000@pluralartmag.com
SUMMARY:STPI Symposium 2026 | Radical Printmaking in Asia
DESCRIPTION:This panel focuses on radical moments\, past and present\, when print became a tool to call forth new artistic worlds and solidarities. Speakers include Japanese print specialist Nozomi Naoi; Bishal Yonjan\, who traces a story of Global South Asia through journals produced by 20th-century Nepalese artists; and Sook-Kyung Lee\, Artistic Director of the 2023 Gwangju Biennale\, which featured woodcuts memorialising the Gwangju May 18 democratic movement by Malaysian collective Pangrok Sulap.\n\nSG Culture Pass credits can be used to offset ticket purchases of this programme.\n\nSpeakers: Bishal Yonjan (Artist\, curator\, and member\, Kalā Kulo)\, Nozomi Naoi (Associate Professor\, Department of Japanese Studies\, NUS)\, Sook-Kyung Lee (Director\, The Whitworth\, and Professor\, Curatorial Practices\, The University of Manchester)\nModerator: Siddharta Perez (Curatorial Lead\, NUS Museum)
URL:https://pluralartmag.com/event/stpi-symposium-2026-radical-printmaking-in-asia/
LOCATION:72-13 Mohamed Sultan Rd\, 72-13 Mohamed Sultan Rd\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/STPI-Symposium-2026-4-scaled.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260124T110000
DTEND;TZID=Asia/Singapore:20260125T190000
DTSTAMP:20260404T020100
CREATED:20251222T110758Z
LAST-MODIFIED:20251222T110758Z
UID:10008052-1769252400-1769367600@pluralartmag.com
SUMMARY:ArtWalk@Wessex
DESCRIPTION:The artists living and working in Wessex Estate are opening their studio spaces to the public over the weekend as part of Singapore Art Week 2026. \nA leisurely stroll around the estate will take you to the studios of eight local and international artists where you will find a rich diversity of contemporary and traditional art practices including ceramic art\, painting\, printmaking\, drawing\, video and photography\, mixed media\, graphic art\, jewellery and textile work. \nJanuary’s ArtWalk@Wessex will be a unique opportunity to see the vibrant paintings from this year’s UOB Painting of the Year Bronze Winner and long-time Wessex artist\, Junko Tsujii\, as well as original hand-made jewellery from Shing Lee who is joining ArtWalk for the first time. \nThe artists will be present at their studios during this event giving visitors the opportunity to talk to them directly about their art practice\, inspiration and creative process. Artwork can also be purchased directly from the studios. \nArtists taking part in this edition of the ArtWalk@Wessex are: \nFrances Alleblas            Shing Lee                             Naomi Hanakata \nMax Kong                              Joyce Loo                             James Stewart \nJunko Tsujii                         Saya Yamaguchi \nSet against the beautiful leafy backdrop of Portsdown Road\, just off the Green Corridor at Tanglin Halt\, are the historical 1940s black and white colonial houses and walk-up apartments which make up Wessex Estate. Drawn to the big open spaces\, nature\, interesting architecture and a more alterative community\, artists have been drawn to this area for decades. \nThe first open studio event took place in 2006\, and since then there have been 23 art walks. The artist community in Wessex has seen many changes over the years\, and artists have come and gone\, however there is still an active group of artists in living and working in Wessex Estate. Currently ten studios actively participate in the ArtWalk@Wessex and open their studio spaces bi-annually to the public. \nMore information is available at \nhttps://www.facebook.com/ArtWalkWessex \nInstagram @artwalk_wessex \n(Note: Exact details of which studios are open on the two weekends can be found on the ArtWalkWessex Facebook page). \nArtWalk@Wessex is taking place as part of Singapore Art Week #SAW2026
URL:https://pluralartmag.com/event/artwalkwessex/
LOCATION:Wessex Estate\, Woking Road- Westbourne Road\, Singapore\, Singapore\, 138707\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/12/5C613ECE.png
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END:VCALENDAR