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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260505T235210
CREATED:20230802T091808Z
LAST-MODIFIED:20230907T063011Z
UID:10005460-1690934400-1785542399@pluralartmag.com
SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://pluralartmag.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2023/08/Benchmarks-KV-Landscape.png
ORGANIZER;CN="Arts House Limited":MAILTO:enquiries@artshouse.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260505T235210
CREATED:20250623T035204Z
LAST-MODIFIED:20250623T035204Z
UID:10003657-1748649600-1774828799@pluralartmag.com
SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants! \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille. \nFor more information\, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html
URL:https://pluralartmag.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/05/Gallery-Childrens-Biennale-2025-Key-Visual-1.-Image-credit_-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250905
DTEND;VALUE=DATE:20260608
DTSTAMP:20260505T235210
CREATED:20250908T081107Z
LAST-MODIFIED:20250908T081107Z
UID:10007799-1757030400-1780876799@pluralartmag.com
SUMMARY:Let’s Play! The Art and Design of Asian Games
DESCRIPTION:Games are among humanity’s oldest shared experiences – a source of joy\, challenge\, and connection for thousands of years. In Asia\, they have developed in remarkably diverse ways\, from the lively\, fast-paced rhythms of mahjong and congkak to the contemplative strategy of go and chess. They have entertained and educated\, reflected power and status\, and acted as metaphors for life. \nThis exhibition explores the rich history of Asian games and the role they have played in shaping culture\, identity\, and community. Some travelled widely\, taking on new forms and meanings across borders. Others became tools for mental training or expressions of artistic ideals. Even today\, they remain at the frontier of innovation – as seen in the rise of artificial intelligence. \nMany of the games on display are also works of extraordinary beauty and craftsmanship. As you explore the exhibition\, we invite you to discover how the act of play continues to inspire\, evolve\, and connect people across time and place. \nLet’s Play! incorporates playable interactives\, outdoor installations\, collaborations with schools and local game associations\, and a diverse line-up of programmes and talks.
URL:https://pluralartmag.com/event/lets-play-the-art-and-design-of-asian-games/
LOCATION:Asian Civilisations Museum (ACM)\, 1 Empress Place\, 179555\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/Key-Visual-Lets-Play-The-Art-and-Design-of-Asian-Games.-Image-courtesy-of-Asian-Civilisations-Museum.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Asian Civilisations Museum (ACM) 1 Empress Place 179555 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Empress Place:geo:103.8513861,1.2874969
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260505T235210
CREATED:20250915T073727Z
LAST-MODIFIED:20251005T024644Z
UID:10007851-1757635200-1784505599@pluralartmag.com
SUMMARY:Talking Objects
DESCRIPTION:Singapore Art Museum (SAM) presents Talking Objects\, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection\, the exhibition explores how everyday objects – commonplace items\, familiar scenes and everyday representations — become vessels of memory\, meaning\, and emotion when seen through the lens of artists and their practices. Beyond materiality\, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists\, the ordinary takes on new significance\, inviting us to look again at the world around us. \nFeaturing works by widely recognised artists from across Asia\, including Alwin Reamillo\, Suzann Victor\, and Christine Ay Tjoe\, Talking Objects showcases a diversity of artistic voices and practices\, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down\, reflect\, and rediscover the quiet power of objects in shaping how we see and understand the world.  \nTalking Objects is housed alongside The Living Room in SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/talking-objects/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/1-a3302637.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260505T235210
CREATED:20250915T073740Z
LAST-MODIFIED:20251005T024644Z
UID:10007852-1757635200-1784505599@pluralartmag.com
SUMMARY:The Living Room
DESCRIPTION:Singapore Art Museum (SAM) presents its latest exhibition The Living Room\, as part of the final chapter of Collection Project: Communicating\, Convening\, Commoning—a long-term collaboration between SAM\, Seoul Museum of Art (SeMA)\, and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery\, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered\, reactivated\, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go\, and how might we make sense of what remains? \nFeaturing works by renowned local and international artists such as Ezzam Rahman\, Chuyia Chia\, Kim Garam\, Brian Fuata and others\, The Living Room presents a breadth of practices spanning live performances\, video\, installation\, performance traces\, re-enactments\, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence\, the exhibition invites visitors into an evolving environment that is brought to life through activation\, conversation\, and exchange. By bringing together works grounded in lived experience\, The Living Room opens new ways of understanding how performance lives on through objects\, memory\, interaction\, and shared encounters. \nThe Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/the-living-room/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/The-Living-Room.-Image-courtesy-of-Singapore-Art-Museum-1-min-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251025T100000
DTEND;TZID=Asia/Singapore:20261011T190000
DTSTAMP:20260505T235210
CREATED:20250929T091950Z
LAST-MODIFIED:20251005T024338Z
UID:10007872-1761386400-1791745200@pluralartmag.com
SUMMARY:Engage with history through art at Temple\, National Gallery Singapore’s first rooftop installation integrating kinetic motion and sound
DESCRIPTION:Embark on a meditative experience at Temple\, a new participatory artwork by Vietnamese-American artist Tuan Andrew Nguyen. Commissioned by National Gallery Singapore for its Ng Teng Fong Roof Garden Commission series and presented as part of Singapore Biennale 2025: pure intention\, Temple invites visitors to reflect on history and contemplate the impact of war through a multisensorial experience that blends kinetic motion and sound – underscoring the Gallery’s mission to connect the art of Singapore and Southeast Asia to the world and foster critical dialogue on global issues through art. \nFeaturing bells and mobiles crafted from recovered and defused unexploded ordnance (UXO) from the Vietnam War\, visitors are encouraged to strike the defused shells\, gongs\, and chimes\, creating a meditative soundscape. Through this transformation of weapons of war into instruments of peace\, Nguyen inspires ideas of karmic balance\, reincarnation\, and the memories embedded within materials\, offering a powerful lens for healing and reconciliation. \nTemple is the eighth edition of the Ng Teng Fong Roof Garden Commission.
URL:https://pluralartmag.com/event/engage-with-history-through-art-at-temple-national-gallery-singapores-first-rooftop-installation-integrating-kinetic-motion-and-sound/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/09/Rendering-of-Temple-by-Tuan-Andrew-Nguyen.-Image-courtesy-of-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251031T100000
DTEND;TZID=Asia/Singapore:20260830T190000
DTSTAMP:20260505T235210
CREATED:20250915T073812Z
LAST-MODIFIED:20251005T024433Z
UID:10007854-1761904800-1788116400@pluralartmag.com
SUMMARY:Peacock Power: Beauty and Symbolism Across Cultures
DESCRIPTION:With its dazzling feathers and spectacular tail\, the peacock has long symbolised beauty\, power\, and divinity across Asia. For centuries\, its striking form has captivated artists and devotees alike\, inspiring works that range from sacred images to everyday adornment. \nThe peacock motif travelled between cultures. Peranakan art\, shaped by the convergence of multiple influences\, is the starting point for this journey. Treasures from the National Collection and important lenders explore the bird’s presence in a broad range of artistic disciplines. Each object invites visitors to consider how a motif moved between regions and contexts\, revealing the networks that connect peoples and how artistic traditions evolve through exchange. \nThe exhibition presents these connections through colourful displays\, interactive stations\, and lively programmes. A new work by artist Ernest Goh explores the peacock in the context of its symbolism\, cultural heritage\, and ecology.
URL:https://pluralartmag.com/event/peacock-power-beauty-and-symbolism-across-cultures/
LOCATION:Peranakan Museum\, 39 Armenian Street\, Singapore\, Singapore 179941\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/Panel-belt-with-buckle-Pending.-Image-courtesy-of-Peranakan-Museum-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251213T120000
DTEND;TZID=Asia/Singapore:20260215T180000
DTSTAMP:20260505T235210
CREATED:20251215T070208Z
LAST-MODIFIED:20251215T070208Z
UID:10008033-1765627200-1771178400@pluralartmag.com
SUMMARY:Yao Qingmei: Steel Garden
DESCRIPTION:Opening Reception : 13 December 2025\, 4pm\nExhibition Period : 13 December 2025 – 15 February 2026 \nSingapore\, November 2025 — ShanghART Gallery is pleased to present Steel Garden\, a solo exhibition by Paris-based artist Yao Qingmei\, marking her first major presentation with the gallery. Known for an interdisciplinary practice that bridges performance\, video\, photography\, and installation\, Yao examines how bodies move through—and are shaped by—structures of power\, public ritual\, and the choreography of collective life. \nAt the heart of the exhibition is Steel Garden\, her latest two-channel video installation. The work draws from the grand floral displays erected annually during moments of national celebration. Through a series of precise and lingering images—close-ups of flowers\, birds foraging among cracks\, weeds growing between paving stones\, the varied postures of visitors\, and the synchronised gesture of crowds during the flag-raising ceremony—Yao reveals the subtle relationships between individual action\, collective ritual\, and the constructed natural landscape. \nThis multi-chapter video work begins with news reports on specially cultivated festival flowers and culminates in a floating\, dust-like vocal poem from the artist’s own perspective. Drawing upon the concepts of the “moving garden” and the “third landscape” by French gardener Gilles Clément\, the work also references descriptions of pain and hallucination experienced by the soldier Pavel Korchagin in the Soviet novel How the Steel Was Tempered (1934) to reveal the biopolitical framework that underlies this monumental ritual. \nThe exhibition also brings together works spanning more than 10 years\, offering a contextual understanding of Yao’s sustained inquiry into symbolic gesture\, embodied practice\, and moving-image construction. Beginning with early public space interventions and documented performances\, Yao initially used video as a means of recording her embodied actions. Over time\, she has increasingly turned toward filmic construction\, developing a more deliberate cinematic language that positions her both in front of and behind the camera. \nThis evolution is visible in works such as The Third Internationale in Monaco (2012) and Dance! Dance! Bruce Ling! (2013)\, in which Yao performs as a protagonist navigating staged situations that parody ideological choreography. In more recent projects\, including Prelude to Love (2023)\, she adopts the role of a director\, shaping narrative\, movement\, and mise-en-scène to investigate how collective identities are formed\, reinforced\, or unsettled. \nAcross her body of work\, Yao Qingmei articulates a distinctive\, incisive voice within contemporary art—one attuned to the shifting dynamics of nationalism\, memory\, and public space in the twenty-first century. Steel Garden offers a focused yet expansive lens into her practice\, foregrounding an artist whose observations of ritual\, power\, and lived experiences resonate far beyond their point of origin.
URL:https://pluralartmag.com/event/yao-qingmei-steel-garden/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/YQM-Steel-Garden-poster.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260108T080000
DTEND;TZID=Asia/Singapore:20260331T220000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008102-1767859200-1774994400@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-01-08/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260109
DTEND;VALUE=DATE:20261116
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008098-1767916800-1794787199@pluralartmag.com
SUMMARY:Fear No Power: Women Imagining Otherwise
DESCRIPTION:Discover the power of art through the perspectives of five trailblazing women artists from\nSoutheast Asia. Fear No Power: Women Imagining Otherwise foregrounds their lives\,\nperspectives\, and artistic practices\, featuring over 45 works by Amanda Heng (Singapore)\,\nDolorosa Sinaga (Indonesia)\, Imelda Cajipe Endaya (Philippines)\, Nirmala Dutt (Malaysia)\, and\nPhaptawan Suwannakudt (Thailand) – many of which are shown in Singapore for the first\ntime. \nFear No Power is National Gallery Singapore’s first major exhibition connecting and\ncomparing the practices of women artists from Southeast Asia. This landmark exhibition\nhighlights the significance of women-centred approaches in shaping modern and\ncontemporary art across the region. With artworks spanning painting\, photography\,\nsculpture\, and performance from the 1960s to 2010s alongside archival material\, Fear No\nPower honours the multi-faceted roles of these pioneering women as artists\, educators\,\nwriters and community organisers – telling a larger story of women’s empowerment in\nSoutheast Asia.
URL:https://pluralartmag.com/event/fear-no-power-women-imagining-otherwise/
LOCATION:National Gallery Singapore\, Ngee Ann Kongsi Concourse Gallery\, Concourse Level\, City Hall Wing\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/Fear-No-Power_-Women-Imagining-Otherwise-Key-Visual-3.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T170000
DTEND;TZID=Asia/Singapore:20260207T230000
DTSTAMP:20260505T235210
CREATED:20260105T092059Z
LAST-MODIFIED:20260105T092059Z
UID:10008086-1767978000-1770505200@pluralartmag.com
SUMMARY:Neural Echoes: Enter The Sleep Lab
DESCRIPTION:50-minute narrative-driven\, immersive experience with interactive puzzles. For 4-6 players. \nSomniTech promises to revolutionise rest: a future where sleep is productive\, optimised\, and monetised. Their Brain–Computer Interface and experimental dream-tracking systems map susceptibility\, guide sleep states\, and deliver auditory instructions. \nMany clinical trial participants never exited the programme. Dr. Adrian Tan\, the iconic yet controversial mind behind SomniTech\, disappeared shortly after. No one knows what drives him\, or what horrors unfold behind those closed doors. \nWill you go undercover in the clinical trials? Enter the lab\, navigate controlled assessments\, figure out what happened to the missing participants\, and uncover the true purpose of SomniTech.
URL:https://pluralartmag.com/event/neural-echoes-enter-the-sleep-lab/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Event-BannerV2_1280x500.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260111T120000
DTEND;TZID=Asia/Singapore:20260211T180000
DTSTAMP:20260505T235210
CREATED:20260105T122800Z
LAST-MODIFIED:20260105T122800Z
UID:10008054-1768132800-1770832800@pluralartmag.com
SUMMARY:City Lines
DESCRIPTION:Singapore’s urban landscape is constantly evolving. City Lines showcases ten artists whose work examines the invisible lines that connect people to their surroundings—the emotional and psychological aspects of the city that go beyond its visible architecture. From the quiet beauty of watercolour cityscapes to digital takes on architecture\, and poetic views of urban life\, City Lines showcases the rhythm of Singapore’s spaces. Beyond capturing façades—the shophouse\, housing estate and urban forms\, the exhibition tells a story of the artists’ connection with the city\, the past and the present\, real and imagined. \nARTISTS\nAndrew Huang\nHeiko Schulze\nIdris Ali\nJeffrey Wandly\nKay Saputra\nMasturah Sha’ari\nMayang Sari\nSyazana Yassin\nTerence Tan\nYeo Jian Long \nHeld at Maya Gallery from 11 January to 11 February 2026\, City Lines will be part of the Singapore Art Week.
URL:https://pluralartmag.com/event/city-lines/
LOCATION:Maya Gallery\, 57 Genting Lane\, #05-00\, Singapore 349564\, 57 Genting Lane\, #05-00 Singapore 349564\, 349564\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Banner2_City-Lines.jpg
ORGANIZER;CN="Maya Gallery":MAILTO:art@mayagallery.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260215T193000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008555-1768557600-1771183800@pluralartmag.com
SUMMARY:Funfair of Forgotten Futures
DESCRIPTION:Step right up into the Funfair of Forgotten Futures – a new pop up carnival that engages children and families on the urgency of planet action\, through the medium of play.  \nCreated by artist collective and social enterprise Ayer Ayer Project in collaboration with Temasek Shophouse\, explore community installations\, workshops\, and even participate in fun and simple games made from sustainable materials that represent the various environmental challenges.  \nUsing familiar tropes of amusement to evoke a sense of playfulness\, the transformed space creates an entrypoint for visitors to appreciate the gravity of the current environment issues that turns it into a site for reflection\, resistance\, and action. \nFind out more details at https://www.temasekshophouse.org.sg/
URL:https://pluralartmag.com/event/funfair-of-forgotten-futures/
LOCATION:Temasek Shophouse\, 28 Orchard Rd\, 238832\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Key-visual-Funfair-of-Forgotten-Futures-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260531T190000
DTSTAMP:20260505T235210
CREATED:20251215T071506Z
LAST-MODIFIED:20251215T071506Z
UID:10008043-1768557600-1780254000@pluralartmag.com
SUMMARY:Elia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest
DESCRIPTION:Artists Elia Nurvista and Bagus Pandega explore how the demands of a relentless extraction\, from plantations to electric futures\, cast a shadow on the very “breath of the Earth.” \nElia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest imagines the afterlives of materials that persist long after their use\, outlasting our time in this age of excess. Plantations\, mining sites\, and the promise of electric vehicle technologies become places where the stories of tomorrow are formed\, bound by Indonesia’s extractive economies whose resources sustain the pulse of today’s global demand. \nFrom the need for oxygen to nickel’s role in lithium-ion technologies\, from the cutting down of forests to palm oil’s many applications\, these materials represent the state of the Earth’s breath (Nafasan Bumi) today\, strained by extraction. The planet’s natural rhythms no longer move freely but are drawn into the labour of industry\, breathing through the exhaustion of a harvest that never ends. \nAcross the exhibition\, labour appears as both memory and speculation\, a rhythm shared by humans\, machines\, and the living world. Conveyor belts\, once emblems of the industrial revolution and the mechanisation of labour\, now hum to the pulse of tropical plants\, creating a continuous cycle of productivity. Nearby\, sculptures cast in palm oil wax evoke the stillness of carved stone yet resist ideals of perfection\, creating a dreamscape haunted by plantation residues. Others\, made from discarded palm waste\, hold the tension between fragility and endurance. \nTogether\, these artworks trace how human and non-human life have been enmeshed in cycles of ceaseless pursuit of productivity\, asking: What will the future shaped by these material conditions? Like the recurring haze that engulfs Indonesia\, Singapore\, and Malaysia during the southwest monsoon\, the Earth’s breath\, shadowed by an endless harvest\, lingers as a reminder of what extraction conceals and refuses to let us forget. ~
URL:https://pluralartmag.com/event/elia-nurvista-and-bagus-pandega-nafasan-bumi-an-endless-harvest/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Key-Visual-Elia-Nurvista-and-Bagus-Pandega_-Nafasan-Bumi-An-Endless-Harvest-Image-courtesy-of-Singapore-Art-Museum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260505T235210
CREATED:20260112T063309Z
LAST-MODIFIED:20260112T063309Z
UID:10008091-1768608000-1771199999@pluralartmag.com
SUMMARY:From One Sky to Another by Melissa Tan
DESCRIPTION:Haridas Contemporary is thrilled to present Melissa Tan’s (b. 1989\, Singapore) upcoming solo exhibition in which she debuts a new series of paintings. Tan is known for her intricately detailed metal and resin sculptures\, with which she explores her long-standing interests in celestial mapping and mythology. In this new chapter — inspired by an etymological understanding of the word ‘map’\, which in old Latin referred to a piece of cloth — Tan unfolds her stories from the scintillant planes of her sculptures\, and transports them to vivid new worlds on canvas\, where hidden maps of constellations hint at a shifting landscape and story. \nIn marked contrast to the elegant and steely glint characteristic of Tan’s past exhibitions\, From One Sky To Another unfolds in vivid colour. Once incised into metal\, Tan’s cast of characters and their stories now inhabit worlds of flesh\, land\, water\, and sky. The palette of this series\, ranging from earthy autumnal hues to crisp and clear blues\, brings to mind the works of Renaissance masters such as Botticelli and Titian\, both of whom Tan referenced for their representations of Greek gods and goddesses. In other works\, looser brushwork and luminous colours recall the paintings of the Symbolists\, imparting an enigmatic cast to the subject matter.
URL:https://pluralartmag.com/event/from-one-sky-to-another-by-melissa-tan/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Melissa-Tan-Do-Sleeping-Gods-Dream-2025-Acrylic-on-Canvas-115-x-85-cm-scaled.jpeg
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260505T235210
CREATED:20260112T063338Z
LAST-MODIFIED:20260112T063338Z
UID:10008093-1768608000-1771199999@pluralartmag.com
SUMMARY:Mirror Straits: A Taiwan-Singapore Joint Presentation
DESCRIPTION:In conjunction with Singapore Art Week 2026\, artcommune and Liang Gallery are delighted to present ‘Mirror Straits’\, a joint Taiwan-Singapore joint show featuring the works of 8 major Taiwanese and Singapore artists: Cheong Soo Pieng\, Chen Wen Hsi\, Lim Tze Peng\, Wong Keen\, Chen Cheng-Po\, Yang San-Lang\, Liao Shiou-Ping\, and Lee Chung-Chung. ‘Mirror Straits’ is on view at artcommune gallery from 17 January to 15 February 2026\, and will travel to Liang Gallery for its Taipei Leg in September-October 2026. \n‘Mirror Straits’ opens officially on Saturday\, 17 January\, 3pm at artcommune gallery. The opening prefaces a panel discussion titled ‘Parallel Modernities: An Examination of ‘Chinese Diaspora Aesthetics’ in Taiwan and Singapore—A Conversation between Takamori Nobuo and Kwok Kian Chow’\, that will take place between 4.30pm-5.45pm on the same day. All are welcome; RSVP required at kenix@artcommune.com.sg \nCurated by Taiwanese independent curator Takamori Nobuo (chief-curator of 2021 Asian Arts Biennial\, Phantasmapolis\, organised by National Taiwan Museum of Fine Arts\, and chief-curator of the current 2025 Green Island Biennial)\, the presentation explores the evolving identity of ethnic Chinese communities in the pre- and post-World War Il era\, tracing their diasporic histories and the ways in which artistic expression transitioned\, diverged\, and flourished across regions.
URL:https://pluralartmag.com/event/mirror-straits-a-taiwan-singapore-joint-presentation/
LOCATION:artcommune gallery\, 76 Bras Basah Road\, #01-01\, Singapore\, 189558
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/EL-E-Invite-Mirror-Straits-鏡之海峽聯展.jpg
ORGANIZER;CN="artcommune gallery":MAILTO:admin@artcommune.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260117T110000
DTEND;TZID=Asia/Singapore:20260228T190000
DTSTAMP:20260505T235210
CREATED:20260112T063547Z
LAST-MODIFIED:20260112T063547Z
UID:10008099-1768647600-1772305200@pluralartmag.com
SUMMARY:Metamorphosis: Curated by Syed Muhammad Hafiz | Featuring Jaafar Latiff\, Anniketyni Madian\, Meta Enjelita and Khairulddin Wahab
DESCRIPTION:Cuturi Gallery is delighted to present Metamorphosis\, curated by independent curator and art historian Syed Muhammad Hafiz. The exhibition brings together works by Anniketyni Madian (b. 1986\, Malaysia)\, Meta Enjelita (b. 1994\, Indonesia)\, and Khairulddin Wahab (b. 1990\, Singapore) in dialogue with the late Singaporean batik modernist Jaafar Latiff (1937–2007\, Singapore). Through new responses to Latiff’s ideas and material experiments\, Metamorphosis explores legacy as restless and evolving\, highlighting contemporary practices across the Malay Archipelago\, where art\, craft\, and tradition are constantly reimagined. \nCentral to the exhibition is Jaafar Latiff’s lifelong commitment to pushing batik beyond convention. Working on his own terms\, he expanded the medium through abstraction\, material experimentation\, and an unwavering belief in artistic autonomy. His contributions\, recognised through major institutional exhibitions and his role as an influential art educator\, position him as a pivotal figure in Singapore’s post-independence art history. \nResponding to Jaafar Latiff’s sustained innovation with batik and abstraction\, the invited artists engage with his legacy through both material and conceptual transformation. Anniketyni Madian\, known for her abstract sculptural works\, draws on Iban folklore and Sarawakian cultural memory\, embedding personal and ancestral narratives within universal forms. Latiff’s persistent exploration of abstraction offers a point of departure for her practice\, where beneath seemingly universal forms lie traces of identity\, heritage\, and tradition. Meta Enjelita work explores the entangled matters of materiality\, ecological and social structures\, and her latest textile-based installation works incorporate stylised Jawi calligraphy inspired by Latiff’s Unspoken Dialogue series. Applying her signature rust-dyeing techniques\, her works weave together traditional batik and calligraphic techniques into contemporary installation\, giving form to a mutual conversation between art and craft. Khairulddin Wahab’s practice examines post-colonial histories\, cultural geography\, and environmental narratives. Similarly drawing on cultural narratives surrounding batik traditions\, his latest work adds another dimension to his practice\, especially after his residency at Lohjinawi\, Yogyakarta\, towards the end of 2025. Instead of working with his preferred acrylic paints\, Khairulddin has decided to adopt batik-inspired techniques for his latest work – a commentary on the spice and nutmeg trade during the colonial era. \nTogether\, these new works showcase some of Southeast Asia’s most dynamic young artists\, revealing their critical engagement with art history\, tradition\, and material practice. By placing Jaafar Latiff’s works alongside those of younger artists\, the exhibition offers additional perspectives through which to consider his practice. Metamorphosis positions Latiff’s ideas as ongoing and open to reinterpretation across generations. \n \nMetamorphosis runs from 17 January to 28 February 2026 at Cuturi Gallery\, Singapore.
URL:https://pluralartmag.com/event/metamorphosis-curated-by-syed-muhammad-hafiz-featuring-jaafar-latiff-anniketyni-madian-meta-enjelita-and-khairulddin-wahab/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/600-x-1200-px-Metamorphosis-2026-KV-scaled.png
ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260117T120000
DTEND;TZID=Asia/Singapore:20260301T180000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008563-1768651200-1772388000@pluralartmag.com
SUMMARY:Boedi Widjaja: Immortal Words :: 字基
DESCRIPTION:Immortal Words :: 字基 splices poetry with genetic code\, meditating on the diasporic condition. Boedi Widjaja asks: if history is displaced\, how might it take up new space through the body? His 4-line toponymic poem spatialises as DNA nano-sculptures—lines\, circles\, cubes—released through a capsule ball machine\, with the microfluidic molecular writing process unspooled on video. A living\, participatory work realized with geneticist Eric Yap (Institute of Digital Molecular Analytics and Science).
URL:https://pluralartmag.com/event/boedi-widjaja-immortal-words-%e5%ad%97%e5%9f%ba/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/1.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260121
DTEND;VALUE=DATE:20260302
DTSTAMP:20260505T235210
CREATED:20260112T063324Z
LAST-MODIFIED:20260130T153241Z
UID:10008092-1768953600-1772409599@pluralartmag.com
SUMMARY:Rituals of Perception
DESCRIPTION:Tanoto Art Foundation’s (TAF) first major group exhibition Rituals of Perception will open on 21 January 2026 during Singapore Art Week. On view through 1 March 2026\, the exhibition gathers works born from intimate dialogues between body and matter\, unfolding through slow\, contemplative\, and iterative processes. Against the backdrop of digital acceleration and collective disenchantment\, the exhibition turns toward practices that reattune us to presence\, where every gesture and touch becomes a quiet act of resistance against an increasingly dehumanised sense of time. Staged at Singapore’s New Bahru School Hall\, the exhibition features works from the Tanoto Family Collection\, loans and new commissions by over twenty leading contemporary artists. Rituals of Perception is curated by Xiaoyu Weng\, TAF Artistic Director. During the opening reception\, artist Sriwhana Spong presented a new performance as part of her ongoing research\, presented in Singapore for the first time. \nTo learn more about Rituals of Perception here. \nLocation \nNew Bahru School Hall\, 46 Kim Yam Road\, School Block\, #02-02\, Singapore 239351 \nOpening Hours \nOpens Daily\, 11am-7pm \nSaturdays till 9pm
URL:https://pluralartmag.com/event/rituals-of-perception/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/TAF-RoP-KV-260103-PLURAL.jpg
ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260122T120000
DTEND;TZID=Asia/Singapore:20260228T180000
DTSTAMP:20260505T235210
CREATED:20260105T123344Z
LAST-MODIFIED:20260105T123344Z
UID:10008087-1769083200-1772301600@pluralartmag.com
SUMMARY:Dialogue of Differences\, presented by ART SEASONS Gallery
DESCRIPTION:Dialogue of Differences brings together artists whose practices confront the frictions shaping today’s geopolitical\, cultural\, and social landscapes. At a time when rising nationalist sentiment and renewed “war economies”— both literal and ideological\, seek to reinforce old hierarchies\, the exhibition offers a counterpoint through artistic dissent\, complexity\, and exchange. Rather than collapsing perspectives into simple binaries\, it opens a space where contradiction and nuance become modes of resistance. \nParticipating artists: Awang Damit Ahmad\, David Chan\, Lester Lee\, Umibaizurah Mahir@Ismail and Yin Chua. \nAll works are for sale.
URL:https://pluralartmag.com/event/dialogue-of-differences-presented-by-art-seasons-gallery/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Dialogue-of-Differences.jpeg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T180000
DTEND;TZID=Asia/Singapore:20260206T173000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008558-1769191200-1770399000@pluralartmag.com
SUMMARY:CANVAS INTERNATIONAL ART FAIR 2026
DESCRIPTION:CANVAS INTERNATIONAL ART FAIR 2026\nGennaio 23 – Febbraio 06\, 2026\nPalazzo Albrizzi-Capello\, Venezia \nITSLIQUID Group\, in collaborazione con ACIT Venezia – Associazione Culturale Italo- Tedesca\, è lieta di annunciare l’inaugurazione di CANVAS INTERNATIONAL ART FAIR 2026\, che si terrà dal 23 gennaio al 6 febbraio 2026 presso Palazzo Albrizzi-Capello\, nel cuore di Venezia\, in concomitanza con il magico Carnevale Veneziano. \nQuesta edizione riunisce una selezione significativa di artisti internazionali\, le cui opere attraversano temi quali memoria\, identità\, emozione e narrazione\, offrendo un’esplorazione immersiva del panorama visivo contemporaneo. \nCANVAS Art Fair si sviluppa come un dialogo tra materialità e concetto\, movimento e immobilità\, intuizione e struttura\, dando vita a un intenso scambio evocativo tra le diverse pratiche artistiche. Tra i protagonisti\, la mostra personale “Sculpting My Universe” dell’artista spagnola Blanca Martí\, curata da Luca Curci\, svela un percorso intimo all’interno del suo linguaggio artistico distintivo\, in cui colore\, texture e tecniche scultoree si fondono per trasformare storie personali e memorie in forme visive suggestive. \nL’approccio trasformativo di Bengt Linden eleva oggetti dimenticati ed elementi d’epoca a potenti dichiarazioni artistiche che intrecciano immaginazione e storia\, in risonanza con il rigore pittorico di Margus Veisveer\, il cui lavoro connette memoria e design attraverso la sperimentazione visiva. Le sue tele riflettono decenni di esperienza nella comunicazione visiva\, sovrapponendo chiarezza strutturale e gestualità espressiva\, dimostrando come la materia possa veicolare profondità narrativa e raffinatezza estetica\, invitando il pubblico a riconsiderare ciò che spesso passa inosservato nella quotidianità. \nQuesto dialogo prosegue attraverso il colore e il gesto con le composizioni di Renata Rolefes\, ispirate ai Caraibi\, che irradiano movimento e intensità emotiva\, traducendo luce\, ritmo e colore in tele pulsanti di energia e vitalità. Allo stesso modo\, Murielle Lacroix canalizza l’emozione attraverso il corpo\, utilizzando texture\, collage e segni intuitivi per dare forma a sensazioni interiori sottili\, sottolineando come la tecnica possa rendere visibili esperienze intangibili.\nLa pratica artistica di Pornobunny affonda le sue radici nella cultura queer e nella mitologia pop\, dove desiderio\, identità\, ironia e potere si incontrano e si scontrano. Attraverso sculture in resina progettate digitalmente e rifinite a mano\, l’artista trasforma il coniglio in un archetipo erotico e in un’icona contemporanea: giocosa ma radicale\, seducente e vulnerabile\, il corpo diventa una dichiarazione di libertà e autoespressione. Con una simile intensità cromatica\, Iraide Garitaonandia Bilbao affronta la pittura come uno spazio di intuizione e ritmo visivo. Le sue tele si sviluppano attraverso stratificazioni di pennellate e segni spontanei\, generando composizioni astratte cariche di energia gestuale e lirica. \nLa pittura diventa così una forma di scrittura: una traccia fisica di movimento\, emozione e risonanza interiore. La fotografia introduce un ulteriore livello di intimità con Lana Prins\, i cui studi sul nudo esplorano il corpo come presenza vissuta\, affrontando i temi della vulnerabilità e dell’autorappresentazione. L’attenzione alla luce\, all’inquadratura e all’immediatezza dialoga con le ricerche pittoriche presenti in fiera\, suggerendo come\, sia attraverso il pennello sia attraverso l’obiettivo\, la tecnica artistica media la percezione e la connessione emotiva. \nLe immagini di Prins entrano in relazione con l’intensità delle opere pittoriche di Antonio Basavilbaso\, che costruisce narrazioni urbane attraverso luci cinematografiche\, composizioni strutturate e contrasti cromatici\, dando vita a paesaggi figurativi carichi di tensione e riflessione. Nei suoi lavori\, l’interazione tra luce al neon\, architettura e narrazione crea un labirinto metaforico che riecheggia l’attenzione di Prins per la presenza e le sottigliezze percettive\, pur utilizzando strumenti espressivi profondamente diversi. \nCANVAS INTERNATIONAL ART FAIR 2026 propone un percorso coerente attraverso le pratiche visive contemporanee\, mettendo in luce il modo in cui gli artisti negoziano il visibile e l’invisibile\, il personale e il collettivo\, attraverso tecnica\, materia ed espressione. La mostra presenta inoltre un’ampia selezione di video opere \nINAUGURAZIONE\n23 Gennaio\, 2026 | 18:00\nPalazzo Albrizzi-Capello\nAssociazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venezia\nOrari di apertura | Lunedì – Venerdì. 09.30 – 17.30
URL:https://pluralartmag.com/event/canvas-international-art-fair-2026/
LOCATION:Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venice\, Cannaregio 4118\, Venice\, Veneto\, 30121\, Italy
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/canvas-venice-26_002.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260130
DTEND;VALUE=DATE:20270101
DTSTAMP:20260505T235210
CREATED:20260105T122749Z
LAST-MODIFIED:20260105T122749Z
UID:10008053-1769731200-1798761599@pluralartmag.com
SUMMARY:Momentary Pulses: Art in the Central Business District
DESCRIPTION:Date: 30 January 2026 – 31 December 2027\nVenue: Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\nAdmission: Free \nPresented by The Everyday Museum (a public art initiative by Singapore Art Museum)\, Momentary Pulses is a public art trail that invites you to slow down and encounter art in the daily flow of life. Spanning overlooked and interstitial public spaces like linkways\, open plazas and MRT passages\, seven newly commissioned installations by Singapore based artists respond to the sights\, sounds and commercial pulse of the Central Business District (CBD) — turning routine journeys into moments of reflection and imagination. \nFeaturing works by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, collaborative duo Teow Yue Han and Federico Ruberto\, Yang Jie and Immanuel Koh\, the trail reveals the textures and histories embedded within Singapore’s urban core. The works will be launched in two phases\, with the first phase featuring five installations by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, and the collaborative duo Teow Yue Han and Federico Ruberto. The remaining two works by Yang Jie and Immanuel Koh will be introduced in the later part of 2026. Each installation is sited within walking distance in the CBD\, including stops near OUE Link (Raffles Place)\, One Raffles Quay (North Tower)\, Asia Square (Tower 1)\, Shenton House\, and Tanjong Pagar MRT (Exit G). Look out for kinetic and sound-based installations\, AI-driven works\, sculptural interventions\, and site-specific gestures that reframe how we perceive the city’s everyday infrastructures. Together\, these works offer distinct lenses on movement\, memory\, technology and transformation — encouraging new ways of seeing a district in constant motion. \nAs part of the public art trail’s opening\, The Everyday Museum launches Story Scape (30 January – 8 February 2026)\, a festival organised in collaboration with StoryFest. The festival extends the trail through exciting storytelling performances\, artist talks and an evening audiovisual experience at RASA Space. Programme details will be announced on SAM’s channels.  \n 
URL:https://pluralartmag.com/event/momentary-pulses-art-in-the-central-business-district/
LOCATION:Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/WebMP1920x768.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260206
DTEND;VALUE=DATE:20260223
DTSTAMP:20260505T235210
CREATED:20251215T071425Z
LAST-MODIFIED:20251215T071425Z
UID:10008042-1770336000-1771804799@pluralartmag.com
SUMMARY:Cirque du Soleil KOOZA
DESCRIPTION:The globally acclaimed Cirque du Soleil returns to Singapore after seven years with its breathtaking Big Top production\, KOOZA. Fresh from its successful run in Hong Kong and ongoing performances in South Korea\, Singapore will once again experience Cirque du Soleil’s world of wonder when KOOZA opens at the Bayfront Event Space from 6 February to 22 February 2026. KOOZA continues Cirque du Soleil’s signature style by combining imaginative storytelling and exceptional physicality. The spectacle takes audiences into an emotional ride with edge of your seats surprises featuring flying acts\, whimsical characters\, vibrant costumes\, a hilarious trio of clowns and a powerful live score — all performed under Cirque du Soleil’s signature\, climate-controlled\, iconic Big Top beside Marina Bay Sands. Presented by Mast Entertainment\, a long-standing Cirque du Soleil partner since 2007\, and Lushington Entertainments\, a renowned regional entertainment group and affiliate of the Singapore Grand Prix\, KOOZA marks the next chapter in Cirque du Soleil’s celebrated legacy in Asia.
URL:https://pluralartmag.com/event/cirque-du-soleil-kooza/
LOCATION:Bayfront Event Space
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/12/Screenshot-2025-12-09-at-7.16.33-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260207T100000
DTEND;TZID=Asia/Singapore:20260208T180000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008566-1770458400-1770573600@pluralartmag.com
SUMMARY:Art Collective Fair SG - second-edition
DESCRIPTION:The Art Collective Fair returns for its highly anticipated 2nd Edition in Joo Chiat this February \nFollowing the success of its inaugural edition\, the Art Collective Fair returns for its 2nd Edition\, taking place 7th – 8th February in a beautifully restored heritage shophouse in Joo Chiat. Curated and founded by artist Michelle Schulz\, the boutique fair continues its mission to make original art approachable\, personal\, and collectable\, especially for first-time buyers and those not even looking. \nThe Art Collective Fair is an artist-led\, carefully curated event\, showcasing original paintings\, limited-edition prints\, and thoughtfully designed art-led products. Visitors can expect a vibrant mix of contemporary styles\, price points for every budget\, and the rare opportunity to meet and connect directly with the artists behind the work. \nSet within one of Singapore’s most culturally rich neighbourhoods\, the fair’s intimate shophouse setting encourages relaxed conversations\, discovery\, and meaningful engagement with art\, away from the formality of traditional galleries. The second edition builds on the momentum of the first\, welcoming returning collectors\, curious homeowners\, interior designers\, and anyone looking to bring personality and story into their spaces. \nMore than an art fair\, the Art Collective Fair is an invitation to explore\, connect\, and collect with confidence\, celebrating creativity\, community\, and the joy of living with art. \nWhen: 7th – 8th Feb\, 10am to 6pm \nWhere: Crane\, 432 Joo Chiat Road
URL:https://pluralartmag.com/event/art-collective-fair-sg-second-edition/
LOCATION:432 Joo Chiat Road\, CRANE\, 432 Joo Chiat Road\, 427647\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/Plural-Art-photo-requirement.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260207T160000
DTEND;TZID=Asia/Singapore:20260207T171500
DTSTAMP:20260505T235210
CREATED:20260130T144925Z
LAST-MODIFIED:20260130T144925Z
UID:10008568-1770480000-1770484500@pluralartmag.com
SUMMARY:TAF Conversation Series: Roger Nelson on Sriwhana Spong
DESCRIPTION:The public programmes for Rituals of Perception\, TAF’s inaugural exhibition curated by Artistic Director Xiaoyu Weng\, will further explore the practices and artworks of exhibiting artists. \nIn this talk\, art historian\, curator\, and educator Dr. Roger Nelson will share his ongoing research on exhibiting artist Sriwhana Spong. In particular\, Dr. Nelson will discuss the role of collaboration in Spong’s practice and her diasporic relationship with Southeast Asia and Bali. \nThis will be followed by a conversation between Dr. Nelson and TAF Associate Curator Wong Binghao on Spong’s exhibited artwork Instrument I (Sevgi and Bengisu) (2022) and Bau-bau besom cling-clang (From out the sounding cells)\, a performance that activates Instrument I and has been specially conceived for this exhibition by Spong and musician Vivian Wang. \nA live performance will take place before the programme. \nFree admission. RSVP required. \nPlease register for the talk here. \nVenue: New Bahru School Hall (Mezzanine\, level 3)
URL:https://pluralartmag.com/event/taf-conversation-series-roger-nelson-on-sriwhana-spong/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/TAF-RoP-RN-260121-RSVP-1-scaled.jpg
ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260208T140000
DTEND;TZID=Asia/Singapore:20260208T170000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008569-1770559200-1770570000@pluralartmag.com
SUMMARY:Artists@Work: Zhang Qiao and Joanna Maneckji\, presented by ART SEASONS Gallery
DESCRIPTION:Get behind the scenes with Zhang Qiao’s intaglio printing using etching; and Joanna Maneckji’s use of reclaimed materials in collage making.\n\n\n\nThis Singapore Art Week\, the paper-based works of Zhang Qiao and Joanna Maneckji left many visitors in awe with their mastery of technique and material. Join us for an intimate artist sharing as Qiao and Joanna take you behind the scenes of their distinct art practices\, offering insight into their materials\, processes\, and creative approaches. \nThe session will begin with Zhang Qiao discussing his intaglio printing practice\, focusing on etching with aluminium plates\, followed by Joanna Maneckji\, who will share her innovative use of reclaimed and repurposed materials in collage-making. Participants will then be invited to observe both artists as they immerse themselves in the creative process. \nFeel free to move between the two artists\, pause to watch their work unfold\, and take in the current exhibition Dialogue of Differences (e-catalog: qrco.de/bgZS8y). \n𝐀𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐚𝐫𝐭𝐢𝐬𝐭s\nJOANNA MANECKJI is an award-winning Singaporean author\, educator and artist who transforms seemingly random pieces of paper into expressive works of art that challenge perceptions\, spark joy\, and promote self-understanding. Her collage work “That Blessed Mood” won her the Most Promising Artist of the Year prize at the 43th UOB Painting of the Year competition. This year\, “A Place Far Away” has been exhibited at the traveling show “Postcards from Utopia” in Sarasota\, Florida and at the Illustrators’ Gallery at NAFA in the Singapore Children’s Book Festival. \nZHANG QIAO is a multidisciplinary artist whose practice bridges the worlds of art\, design\, and technology. Trained in printmaking at LASALLE College of the Arts\, Zhang has spent over a decade exploring how traditional techniques can evolve in response to contemporary concerns about accessibility and sustainability. His recent work focuses on developing eco-friendly electro-etching printmaking processes\, replacing toxic materials with environmentally responsible alternatives.
URL:https://pluralartmag.com/event/artistswork-zhang-qiao-and-joanna-maneckji-presented-by-art-seasons-gallery/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Artists-at-Work.jpg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260215T150000
DTEND;TZID=Asia/Singapore:20260215T170000
DTSTAMP:20260505T235210
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008571-1771167600-1771174800@pluralartmag.com
SUMMARY:Our Stories\, On Rotation: Mental Health Narratives
DESCRIPTION:Join an afternoon of unfolding stories and gentle conversations in a safe space to listen deeply\, engage openly\, and connect. This is your alternative Valentine’s day event to check in with yourself and the friends you love.\n\n\n\nOur Stories\, On Rotation returns with an intimate\, reflective afternoon where books\, people and conversations move—this time centering mental health narratives that hold space for vulnerability\, care and open sharing. \nThis gathering invites you to rotate among discussion tables\, each offering a short reading and conversation prompt drawn from a book that speaks to lived experiences of mental health—including struggles\, healing and resilience. With activities for decompression alongside\, a panel discussion will round out the programme 👂 \nTickets are out now ($22 SGD) at this link. \nEach admission includes a free book as well as a snack and drink specially curated for their mood-and stress-regulating properties by Bricolage: \n\nMaca root polenta cake with cordycep ragout\nTulsi (holy basil) and honey warm tea\n\nTitles on rotation will include:\n– To the Last Gram (Difference Engine)\n– How Are You Feeling? A Comics Anthology (Difference Engine)\n– Patient History (Ethos Books)\n– The Sound of SCH (Ethos Books) \nThe afternoon will also feature a panel discussion with Danielle Lim\, author of The Sound of SCH\, and Griselda Gabriele\, illustrator of Bearing Witness (from How Are You Feeling? A Comics Anthology )\, as they reflect on experiences of care for self and others.
URL:https://pluralartmag.com/event/our-stories-on-rotation-mental-health-narratives/
LOCATION:Bricolage\, 1 Old Parliament Lane\, #01-03\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/On-Rotation-poster-scaled.jpg
ORGANIZER;CN="Difference Engine":MAILTO:readcomics@differenceengine.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260223T113000
DTEND;TZID=Asia/Singapore:20260223T190000
DTSTAMP:20260505T235210
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008596-1771846200-1771873200@pluralartmag.com
SUMMARY:Guided Tours: SAY YES TO EVERYTHING
DESCRIPTION:Join our expert docents in exploring how Rirkrit Tiravanija reimagines editioning as shared making. Discover how his collaborative multiples challenge traditional notions of the value of art\, prioritising circulation and relation over rarity.\n\nThe tour includes a glimpse into the workshop where Tiravanija collaborated with the STPI team to create several of the works in SAY YES TO EVERYTHING.\n\nGuided tours at STPI are free of charge. Drop-in guests are welcome.
URL:https://pluralartmag.com/event/guided-tours-say-yes-to-everything/2026-02-23/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/guided-tour.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260228T160000
DTEND;TZID=Asia/Singapore:20260228T170000
DTSTAMP:20260505T235210
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008591-1772294400-1772298000@pluralartmag.com
SUMMARY:30 Years of Gajah: A Retrospective Curiosity and Relation – A Panel Discussion
DESCRIPTION:Curiosity and Relation is a special 30th anniversary panel discussion with Jasdeep Sandhu\, collectors John Chia & Jim Amberson\, and curator Joyce Toh. \nRooted in the Gallery’s founding philosophy of cross-generational and transnational dialogue\, the conversation will reflect on key moments\, personal journeys\, and the evolving landscape of Southeast Asian art. \n🗓 28 Feb Saturday\, 4–5pm\n📍 Gajah Gallery Singapore \nPlease RSVP to art@gajahgallery.com
URL:https://pluralartmag.com/event/30-years-of-gajah-a-retrospective-curiosity-and-relation-a-panel-discussion/
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/38c37fed-1eab-4e27-a429-31427bc49bb7.jpg
ORGANIZER;CN="Gajah Gallery":MAILTO:art@gajahgallery.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260228T160000
DTEND;TZID=Asia/Singapore:20260228T180000
DTSTAMP:20260505T235210
CREATED:20260225T155740Z
LAST-MODIFIED:20260225T155812Z
UID:10008625-1772294400-1772301600@pluralartmag.com
SUMMARY:TAF Conversation Series: Stephanie Comilang and Carolina Fusilier (With performance 'Attuning to Sonic Residue' by Carolina Fusilier and Fumitake Tamura)
DESCRIPTION:Conceived as the closing event of TAF’s inaugural exhibition Rituals of Perception\, this iteration of the TAF Conversation Series features a newly commissioned performance by Carolina Fusilier in collaboration with musician Fumitake Tamura\, followed by a conversation between Fusilier and artist Stephanie Comilang\, moderated by Xiaoyu Weng\, TAF’s Artistic Director. The program marks the culmination of TAF’s year-long research on materiality\, focusing on how contemporary artists engage the entanglement of material\, technological\, and embodied systems.Developed as an extension of Fusilier’s installation Inmortalistas (2025) and conceived specifically for the New Bahru School Hall\, the performance Attuning to Sonic Residue centers on a handcrafted device designed to capture radio waves and electromagnetic frequencies\, integrated into a wearable suit. Emitted in real time through a speaker embedded in the costume\, the sound transforms the performer’s body—and the surrounding artworks—into living antennae capable of receiving and amplifying invisible signals. The work frames the body as a technological interface\, rendering perceptible the constant exchanges between bodies\, architecture\, and technological systems\, and positioning active listening as a ritual practice. Approaching radio and technology from a narrative perspective\, Comilang’s video work Piña\, Why Is the Sky Blue? (2021)\, created with Simon Speiser\, unfolds through the voice of Piña\, a sentient AI shaped by ancestral knowledge. The work interweaves the stories of Amazonian women radio broadcasters\, Afro-Ecuadorian and Indigenous healers\, and Filipina spiritual leaders\, whose memories and ritual knowledge are “uploaded” into artificial consciousness.\n\n\n  \nFree admission. \nRegister for the talk here. \nVenue: New Bahru School Hall
URL:https://pluralartmag.com/event/taf-conversation-series-stephanie-comilang-and-carolina-fusilier-with-performance-attuning-to-sonic-residue-by-carolina-fusilier-and-fumitake-tamura/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/TAF-RoP-SCCF-260212-RSVP-1-scaled.jpg
ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
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END:VCALENDAR