Benchmarks
2023-08-02 - 2026-07-31 | The Arts House, 1 Old Parliament Ln, Singapore 179429, Singapore, Singapore, 179429, Singapore
Experience the Civic District afresh this August 2023 onwards, with Benchmarks, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists, Lua Boon Kai, Joyce Beetuan Koh, Immanuel Koh, Yang Jie, Jeffrey Tan and Jason Wee, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district, inviting visitors to have meaningful exchanges with themselves, other visitors, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District, such as the Asian Civilisations Museum, The Arts House, The Esplanade – Theatres on the Bay and along the Singapore River.
Follow #CVDBenchmarks on:
Website: https://artshouselimited.sg/civic-district
Facebook: https://www.facebook.com/theartshouse
Instagram: https://www.instagram.com/theartshouse

Fernando Zóbel: Order is Essential
2025-05-09 00:00 - 2025-11-30 19:00 (Asia/Singapore) | National Gallery Singapore, 1 St. Andrew's Road #01-01, Singapore, 178957, Singapore
Step into the world of transcontinental artist Fernando Zóbel in Fernando Zóbel: Order is Essential, National Gallery Singapore’s first-ever solo exhibition dedicated to the cosmopolitan artist, patron, collector, and scholar.
Born in the Philippines to a prominent Spanish family, discover the remarkable journey of his artistic practice spanning across the Philippines, United States and Spain. Marvel at his iconic works including the Saeta series which features his signature method of using a syringe to control thin lines of paint.
The exhibition features over 200 pieces — including paintings, drawings, prints, photography and archival materials. It also introduces key international artists Zóbel engaged with throughout his career, such as Mark Rothko, Antoni Tàpies and Liu Kuo-sung, whose original works will also be displayed alongside Zóbel’s.
Fernando Zóbel: Order is Essential builds on Zóbel: The Future of the Past, which opened at Museo Nacional del Prado (2022) in Spain and was later restaged at the Ayala Museum (2024) in the Philippines. Expanding on key narratives, the Gallery’s distinct and fresh iteration introduces exclusive works and offers fresh insights into Zóbel’s artistic evolution and his profound influence on modernist movements worldwide.
For more information, please visit: nationalgallery.sg/OrderIsEssential.

Cultural Identity and Global Dialogues between Technology and Nature of Architecture, Taiwan Pavilion of Biennale Architettura 2025: NON-Belief: Taiwan Intelligens of Precarity
2025-05-10 11:00 - 2025-11-23 19:00 | Palazzo delle Prigioni in Venice, Italy, Palazzo delle Prigioni, Castello 4209, San Marco, 30122 Venice, Italy, Venice, Italy
Organized by the National Taiwan Museum of Fine Arts (NTMoFA), NON-Belief: Taiwan Intelligens of Precarity, curated by National Cheng Kung University (NCKU), for the 19th International Architecture Exhibition – La Biennale di Venezia, will be exhibited at Palazzo delle Prigioni in Venice, Italy, from May 10 to November 23, 2025.
The title of Biennale Architettura 2025 is “Intelligens. Natural. Artificial. Collective.” Curator Carlo Ratti uses the term “Intelligens”, highlighting the last syllable, “gens”, which means “people” in Latin, to discuss three types of intelligence—natural, artificial, and collective—and their role in architectural design amidst contemporary environmental and climate challenges. Inspired by the theme of the Biennale Architettura 2025 and Robert Smithson’s theory of ‘non-sites’, “NON-Belief: Taiwan Intelligens of Precarity” examines Taiwan’s ‘non’-beliefs on TSMC chips, high-speed, and the relentless pursuit of efficiency and control—forces that are reshaping the world’s operations in a geopolitically precarious, globalized landscape. Taiwan offers a model of embodied intelligens in its architecture, showcasing how life adapts and transforms to create a resilient, self-sustaining island republic in our collectively uncertain and fragile future.
Taiwan’s historical role as a contact zone is not only a region of political instability or ecological vulnerability created between two massive tectonic plates, but also the geographical, ecological, and cultural spaces deeply reflect a state of tension between openness and closure. It is also a contact zone between various diasporic inhabitants, nations, and corporations, generating layered and juxtaposed practices and intelligens. Featuring projects by teams of researchers, architects, designers, and a documentary director, the exhibition presents Taiwan’s built environment as comprising localized assemblages of digitally connected, democratically paradoxical contact zones. “Taiwan Intelligens of Precarity” positions these assembled worlds as a frontline in planetary resistance against authoritarian autocracy and as an adaptive response to climate change at the Venice Biennale.
Binary Dialectics on Three Main Topics: Efficiency, Technology, Control
Taiwan’s spatial governance and development strategy are heavily influenced by belief and [non]- belief. Taiwanese people can turn anything into a belief, yet we can also believe in nothing at all. The belief built upon fictional realities has enabled our societies to organize and collaborate throughout historical evolution. Under Taiwan’s rapid technological and urban development, TSMC chips symbolize the contemporary “beliefs” upheld by Taiwan’s collective dedication, prompting deep reflection on the environmental, water resource, and energy costs embedded within these beliefs.
The exhibition seeks to identify and construct a grey area within the binary dialectic of “belief” and “non-belief” unique to Taiwan, uncovering various expressions of “Intelligens” and its impact on spatial governance. The exploration will focus on three aspects:

Efficiency: NON-Belief in High-Speed explores the global trend of pursuing efficiency and high-speed development. Using Taiwan High Speed Rail as the case study, the exhibition proposes a reflection on the urban ecology within the metropolitan areas constructed by the high-speed railway and amidst Taiwan’s rural-urban gap.
Technology: NON-Belief in Chips explores the beliefs in the two polarized and contradictory mythologies of the ‘tech island’ and the ‘eco island’, as well as the hidden costs of green energy under the shade of solar panels, reflecting on research into climate justice and new energy-driven typologies.
Control: NON-Belief in Sensory-Motor explores the various subtle relationships in our everyday lives, reviewing the different kinds of ecological, cultural, and social conflicts within the extended context, encompassing non-belief in hegemonic empires, and flourishing through tactics of the in-between, based on understanding the city as a human sensori-motor system.

Roaming in the “Lagoon – Island – Archipelago – Peninsula” Exhibition Space
The concept of ‘Island’ is adopted for the design of the exhibition space, presenting the tensions between ‘Belief’ and ‘Non-Belief’ through the relationship between ‘lagoon – island – archipelago – peninsula’, and reexamining the complex relationship between technology, environment, and social space. “Island” installation is at the center supported by metal stands adopted from the traditional banquet table as piles on the uneven sunken flooring.
Multiple orthographic sectional slices illustrate a compressed cross-section of Taiwan’s precarious geological conditions, with coastal conurbations nestled in the mountainous shadow of the west-tilting fault block. Taiwan lies along a north-south fault line between the Japanese and Philippine archipelagos. The high-speed rail (HSR) line, became an embodied sensorimotor extension, cutting through these strata as a spatial/ temporal measuring tool of island landscape.
Dim light filtering through the paper slowly flows over the terrain, which is encircled by the ‘Tech Island,’ continuously flashing images of Taiwan’s landscapes on fragments of electronic paper collectively. The contrast between lightness and the heaviness of the ancient Venice Prison Palace underscores the impact of the semiconductor industry on Taiwan’s landscapes, shifting of urban heat island and environmental justice, water and energy distribution, and the tension between technology and ecology. Accompanied by 17 research projects, the installation aims to generate awareness and foster discourse on the architecture of the resilient and self-sustaining island.
The Taiwanese exhibition also showcases 12 research and operative models arranged in an encircling archipelago configuration around the rooms. The research reflects contemporary architectural challenges and ideas, inviting visitors to engage with Taiwan’s transformation in a precarious world. Upon entering the exhibition space, an exterior-facing window frames a view of a Renaissance church across the Grand Canal, while positioned perpendicular to the interactive and spiritual installation at the other end of the hall, a large installation composed of densely packed circuit boards replicates a common ‘Votive Lamp Wall’ found in local Taiwanese temples, serving as a visual and spiritual spectacle that reflects Taiwan’s unique non-belief intelligens.
NON-Belief: Taiwan Intelligens of Precarity is curated by a team from the NCKU Department of Architecture, led by curator and department chairman Cheng-Luen Hsueh, with co-curators Ping-Sheng Wu, Sung-Chang Leo Chiang, and Meng-Tsun Su. The team includes advisor Wei Tseng and international advisor and joint researcher Professor Brian McGrath from Parsons School of Design in New York. The exhibition is created in collaboration with, and partially sponsored by, E Ink Corporation, HongSen Intelligent Technology, and Xxentria Technology Materials.
During the pre-opening on May 8th and 9th, the exhibition will feature international forums addressing five key themes: architectural education, the future of living, architecture and curation, “Taiwan Intelligens of Precarity,” and spatial intelligence within geopolitical narratives. These forums will convene international architecture scholars and experts, creating a platform for cross-cultural exchange and exploring Taiwan’s position within today’s precarious global landscape. Following the Biennale Architettura 2025, the Department of Architecture of NCKU will host the Venice Architecture Summer Workshop in July. This workshop will offer students an immersive experience, delving into the exhibition’s themes while fostering discussions on architectural education, innovation, and Taiwan’s evolving role in global architectural discourse. For more information on related exhibitions and activities, please visit the NTMoFA website and the official Facebook and Instagram accounts.

Gallery Children’s Biennale 2025: Tomorrow, We’ll Be…
2025-05-31 - 2026-03-29 | National Gallery Singapore, 1 St. Andrew's Road #01-01, Singapore, 178957, Singapore
The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary, the fifth edition of the Biennale invites the young and young at heart to dream big, express their creativity, and explore a hopeful and inclusive future shaped by the core values of Joy, Kindness, Love, and Dream.
Through interactive installations by artists from Singapore and Asia, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants!
Highlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille.
For more information, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html

Between Worlds - Akio Ohmori Collection Exhibition
2025-08-04 - 2025-11-02 | I.F.Gallery, 45 Tras St, Singapore, Singapore, 078984, Singapore
I.F. Gallery is proud to present Between Worlds – Akio Ohmori Collection Exhibition. Through sculptural works charged with an untamed otherworldliness — dragons, arowanas, jackalopes— Ohmori invites viewers into a realm where the ordinary meets the extraordinary, capturing a presence that is at once mysterious, weighty, and dreamlike.
Ohmori approaches his practice foremost as a sculptor, grounded in the traditions of wood carving. Working with wood and metal, Ohmori creates sculptures that quietly breathe with presence. From animal forms to abstract mirrored surfaces, his works bridge material and mystery, inviting wild and mythical presences into domestic spaces.
Ohmori’s practice thrives in the liminal space between reality and imagination. Through meticulous craftsmanship and sensitivity to material, he creates objects that embody a sense of duality – evocative and functional, expressive yet grounded, surreal yet serene.
Between Worlds – Akio Ohmori Collection Exhibition marks the artist’s first solo exhibition in Singapore, showcasing a diverse range of works never exhibited outside Japan. The exhibition features small, contemplative pieces and larger sculptures incorporating mirrored surfaces that gently extend the presence of the carved forms. These pieces offer visitors a rare opportunity to engage with the distinctive qualities of Ohmori’s practice – an exploration of the space between worlds: quiet, reflective, and deeply present.

Lai Yu Tong: The Dogs
2025-08-30 12:00 - 2025-11-02 18:00 | ShanghART Singapore, Block 9 Lock Road #02-22, 108937, Singapore
ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery, The Dogs, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments, while reflecting upon his own experiences and interactions with the dogs across several months.
Drawing upon observations of the present, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars, crows, hands, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time, he brings out alternative perspectives on the familiar. Recently, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild, untamed and shy creatures that roam under the shadows of Singapore intrigues him.
In a highly developed and controlled society, the presence of these dogs introduces a degree of unpredictability, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However, following multiple visits where he would observe, photograph and sometimes feed the dogs, the fear that he felt eventually shifts into a kind of love, as he forms a connection with these misunderstood creatures.
Storytelling makes up a big part of Lai’s approach, manifesting in forms such as drawing, sculpture, and sound. In these latest works, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard, wood, and paper. He simultaneously draws and obscures the dogs, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws, whilst also allowing them to take on other identities and connotations.
Through a selection of two-dimensional works, a sculpture, a sound piece and a performance, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.

Let’s Play! The Art and Design of Asian Games
2025-09-05 - 2026-06-07 | Asian Civilisations Museum (ACM), 1 Empress Place, 179555, Singapore
Games are among humanity’s oldest shared experiences – a source of joy, challenge, and connection for thousands of years. In Asia, they have developed in remarkably diverse ways, from the lively, fast-paced rhythms of mahjong and congkak to the contemplative strategy of go and chess. They have entertained and educated, reflected power and status, and acted as metaphors for life.
This exhibition explores the rich history of Asian games and the role they have played in shaping culture, identity, and community. Some travelled widely, taking on new forms and meanings across borders. Others became tools for mental training or expressions of artistic ideals. Even today, they remain at the frontier of innovation – as seen in the rise of artificial intelligence.
Many of the games on display are also works of extraordinary beauty and craftsmanship. As you explore the exhibition, we invite you to discover how the act of play continues to inspire, evolve, and connect people across time and place.
Let’s Play! incorporates playable interactives, outdoor installations, collaborations with schools and local game associations, and a diverse line-up of programmes and talks.

Talking Objects
2025-09-12 - 2026-07-19 | Singapore Art Museum at Tanjong Pagar Distripark, 39 Keppel Rd, #01-02 Tanjong Pagar Distripark, Singapore 089065, Singapore, 089065, Singapore
Singapore Art Museum (SAM) presents Talking Objects, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection, the exhibition explores how everyday objects – commonplace items, familiar scenes and everyday representations — become vessels of memory, meaning, and emotion when seen through the lens of artists and their practices. Beyond materiality, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists, the ordinary takes on new significance, inviting us to look again at the world around us.
Featuring works by widely recognised artists from across Asia, including Alwin Reamillo, Suzann Victor, and Christine Ay Tjoe, Talking Objects showcases a diversity of artistic voices and practices, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down, reflect, and rediscover the quiet power of objects in shaping how we see and understand the world.
Talking Objects is housed alongside The Living Room in SAM’s collection gallery. Together, they create a reflective space where personal and collective experiences converge, offering insights into individual narratives and broader social and cultural conditions.

The Living Room
2025-09-12 - 2026-07-19 | Singapore Art Museum at Tanjong Pagar Distripark, 39 Keppel Rd, #01-02 Tanjong Pagar Distripark, Singapore 089065, Singapore, 089065, Singapore
Singapore Art Museum (SAM) presents its latest exhibition The Living Room, as part of the final chapter of Collection Project: Communicating, Convening, Commoning—a long-term collaboration between SAM, Seoul Museum of Art (SeMA), and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered, reactivated, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go, and how might we make sense of what remains?
Featuring works by renowned local and international artists such as Ezzam Rahman, Chuyia Chia, Kim Garam, Brian Fuata and others, The Living Room presents a breadth of practices spanning live performances, video, installation, performance traces, re-enactments, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence, the exhibition invites visitors into an evolving environment that is brought to life through activation, conversation, and exchange. By bringing together works grounded in lived experience, The Living Room opens new ways of understanding how performance lives on through objects, memory, interaction, and shared encounters.
The Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together, they create a reflective space where personal and collective experiences converge, offering insights into individual narratives and broader social and cultural conditions.

Italiani by Salvatore Catalano
2025-10-01 - 2025-10-30 | palazzo velli, Piazza S. Egidio n. 9, Rome, Rome, 00153, Italy
The NYC Culture Club is pleased to present “Italiani“, a solo exhibition by Salvatore Catalano, curated by Clayton Calvert, which will begin on October 01 and will run until October 30, 2025, at Palazzo Velli in Rome.
Through a series of highly detailed portraits, “Italiani” celebrates the lives and legacies of Italian personalities whose stories and achievements continue to inspire the world in the arts, sciences, politics, literature, and beyond. With over four hundred portraits, Salvatore Catalano continues to use his practice to honour identity, heritage, and excellence.
curator Clayton Calvert
organized by NYC Culture Club
exhibition management & press office ITSLIQUID Group
sponsor Goldman Sachs Gives

ITALIANI BY SALVATORE CATALANO
2025-10-01 18:00 - 2025-10-31 20:30 | palazzo velli, Piazza S. Egidio n. 9, Rome, Rome, 00153, Italy
ITALIANI
A solo exhibition by Salvatore Catalano
October 01 – 30, 2025
Palazzo Velli, Rome
NYC Culture Club is pleased to present ITALIANI, a solo exhibition by the American artist of Italian roots Salvatore Catalano, curated by Clayton Calvert, organised in collaboration with ITSLIQUID Group and sponsored by Goldman Sachs Gives. The exhibition will be held from October 1 to 30, 2025, at Palazzo Velli, in the heart of Trastevere, Rome.
Through a series of finely detailed portraits, Catalano celebrates in ITALIANI the stories and legacy of Italian personalities whose contributions to art, science, politics, and literature continue to inspire the world today. From great masters such as Leonardo, Michelangelo, and Raphael to icons of music and cinema like Verdi, Pavarotti, Bocelli, Sophia Loren, and Federico Fellini; from literary voices such as Italo Calvino and Pirandello to leading women in science and politics like Margherita Hack, Rita Levi Montalcini, Samantha Cristoforetti, and Giorgia Meloni.
At the core of the exhibition, there is Catalano’s deep connection to his Italian roots. After years of researching Italian history and literature, he discovered a contrast in how historical figures have been visually represented – especially women, whose stories often remain in the shadows of male-dominated narratives. Originally focused on highlighting these overlooked women, ITALIANI has evolved into a broader tribute to those who embody the spirit of Italian creativity, determination, and cultural impact regardless of gender.
Through Catalano’s technique, which blends classical influences with modern sensitivity, the exhibition features a selection of portraits of scientists, politicians, entrepreneurs, humanitarians, artists, and writers, whose lives tell powerful stories of courage, innovation, and cultural pride. Rhythmic lines, fine contrasts of light and shadow, and a deep psychological insight characterise the subjects who achieved excellence in their field while helping shape a richer, more inclusive vision of Italian identity.
With ITALIANI, Catalano invites viewers to consider how personal and collective memory can be preserved through portraiture, not just as documentation, but as celebration. His work becomes a mirror of a nation’s past and present, reminding us that history is not only made by those who are remembered, but also by those who are finally seen.
ITSLIQUID SRLS
Corso Vittorio Emanuele II, 33
70122 Bari, Italy
Campo Santi Filippo e Giacomo,
4341, 30122 Venezia, Italy
T. +39.0804117337
M. +39.3387574098
info@itsliquid.com
www.itsliquid.com
curator Clayton Calvert
organized by NYC Culture Club
exhibition management & press office ITSLIQUID Group
sponsor Goldman Sachs Gives
Opening
Wednesday, October 1, 2025 | 06:00 PM
Palazzo Velli, Piazza S. Egidio 10, Rome
Opening hours
Tuesday – Sunday | 10:00 AM – 01:00 PM / 03:00 PM – 07:00 PM

Museum of Hidden Objects and Feelings
2025-10-03 11:00 - 2025-11-01 20:00 | SCAPE Singapore, 2 Orchard Link, Singapore 237978, Singapore, 237978, Singapore
The Museum of Hidden Objects and Feelings is a safe, engaging space where visitors can explore facets of social connection and loneliness through an interactive exhibition. It is an open invitation for audiences to explore quieter parts of themselves as they encounter objects and stories that trace our innermost thoughts.

Across eight tech-based and analog booths, visitors will be able to embark on an introspective journey that fosters reflection, connection and hope for the future. From an artist’s old sketchbook to a childhood ChowChow, visitors can share in the experiences of everyday people that have celebrated or mourned something lost, and contribute their own stories throughout the exhibition. This living collection of memories and emotions is a warm hug of solidarity in our fast-paced, ever-evolving world. Here, participants can take a pause for their inner self: share a song, write a letter, and be vulnerable with no obligations. In a time where one can feel alone in their struggles, the exhibition encourages more people to be present and honest with themselves, as they carve out a space for their feelings and grow meaningful relationships.
The Museum of Hidden Objects and Feelings is presented by Half, a homegrown platform dedicated to designing wellness-focused experiences for meaningful engagement, personal growth and authentic connections.

Admission:

General admission, $15 for Standard Tickets on SISTIC: https://www.sistic.com.sg/events/lite_moho2025
Community partners can enjoy tickets at a special rate of $12
Free for Singaporean / PR visitors aged 18 years old and below

Rating: PG13 (Mature Themes)

Glow & Grow - A 4-Session Art Therapy Programme For Seniors
2025-10-16 16:00 - 2025-11-06 17:30 | The Red Pencil (Singapore) Creative Arts Therapy Centre, 82 Redhill Lane, #01-69, Singapore 150082, 150082, Singapore
𝐆𝐋𝐎𝐖 & 𝐆𝐑𝐎𝐖 𝐑𝐄𝐓𝐔𝐑𝐍𝐒!

Missed it in July? Glow & Grow returns — your journey of resilience, joy, and connection.

This 4-week art therapy workshop is a safe and welcoming space to:
Release stress through guided creative exercises
Rekindle joy in a circle of support (no experience needed!)
Discover fresh perspectives as colours and connections unfold

Dates: 16, 23, 30 October and 6 November 2025 (Thursdays)
Time: 4:00PM – 5:30PM
Venue: The Red Pencil (Singapore), 82 Redhill Lane #01-69 – just a short walk from Redhill MRT
Only $40 for seniors 50+ (after National Silver Academy subsidy)
SkillsFuture Credits welcome

Seniors, this is your sign to let your inner light shine brighter. Come paint, connect, and grow with us.

Glow & Grow is conducted in partnership with Council for Third Age (Agency for Integrated Care).

OPENING: BARCELONA CONTEMPORARY – 5TH EDITION 2025
2025-10-16 18:30 - 2025-10-27 17:30 | HUB/ART Barcelona, HUB / ART Barcelona, Carrer del Dr. Trueta 183, Barcelona, Spain, Barcelona, 08005, Spain
ITSLIQUID Group is pleased to announce the opening of the 6th edition of BARCELONA CONTEMPORARY 2025, which will take place in Barcelona, at ITSLIQUID Art Space – Barcelona from October 16 to October 27, 2025.
BARCELONA CONTEMPORARY 2025 brings together over 20 international artistic voices from around the world to explore identity transformation, the fluid boundaries between body, mind, and environment, and innovative ways of communicating and experiencing the spaces that surround us.
This edition offers a unique opportunity to delve into the intimate and often unseen aspects of existence through the artistic visions of over 30 artists from 20 countries.
BARCELONA CONTEMPORARY 2025 analyzes the relationship between body and space, and the hybridization between identities and cultural/physical/social/urban settings in contemporary times, through two main sections: MIXING IDENTITIES and FUTURE LANDSCAPES.
MIXING IDENTITIES analyzes the hidden parts of our identities, through an immersive experience inside the fascinating universe of the complex labyrinths of our consciousness. The human body is a changing system that connects us with other bodies and spaces to perceive the surrounding reality; a strong communication system with its language and infinite ways of expression. FUTURE LANDSCAPES are abstract, infinite and conceptual, associated with a sense of freedom and infinite extension. Primarily experienced with the mind, spaces redefine their limits and borders, transforming surfaces in an open flow of pure ideas. This section focuses on the concept of the borders and the structures between body, mind and soul, the human identity and the city, the space and the ground.
In the rooms of ITSLIQUID Art Space, Barcelona’s urban imagination, with its blend of craft, engineering, and luminous air, becomes part of the exhibition’s syntax. Rather than seeking fixed answers, BARCELONA CONTEMPORARY invites viewers to inhabit a continuum: between body and city, memory and prototype, signal and touch. Identity here is not a perimeter to defend but a space to explore, and landscape is not a backdrop but a living structure that is porous, adaptive, and breathing with us.
OPENING
October 16, 2025 | 06:00 PM
HUB/ART Barcelona | Barcelona, Spain
Carrer del Dr. Trueta 183
Opening hours | Monday – Saturday . 10:00 AM – 01:30 PM and 04:00 PM – 07:00 PM
RSVP
info@itsliquid.com
Click here to register for the event (free entry)

Engage with history through art at Temple, National Gallery Singapore’s first rooftop installation integrating kinetic motion and sound
2025-10-25 10:00 - 2026-10-11 19:00 | National Gallery Singapore, 1 St. Andrew's Road #01-01, Singapore, 178957, Singapore
Embark on a meditative experience at Temple, a new participatory artwork by Vietnamese-American artist Tuan Andrew Nguyen. Commissioned by National Gallery Singapore for its Ng Teng Fong Roof Garden Commission series and presented as part of Singapore Biennale 2025: pure intention, Temple invites visitors to reflect on history and contemplate the impact of war through a multisensorial experience that blends kinetic motion and sound – underscoring the Gallery’s mission to connect the art of Singapore and Southeast Asia to the world and foster critical dialogue on global issues through art.
Featuring bells and mobiles crafted from recovered and defused unexploded ordnance (UXO) from the Vietnam War, visitors are encouraged to strike the defused shells, gongs, and chimes, creating a meditative soundscape. Through this transformation of weapons of war into instruments of peace, Nguyen inspires ideas of karmic balance, reincarnation, and the memories embedded within materials, offering a powerful lens for healing and reconciliation.
Temple is the eighth edition of the Ng Teng Fong Roof Garden Commission.

Arty Afternoon | Weaving Colours: A Stencilling Encounter
2025-10-25 11:00 - 2025-12-13 17:00 | STPI – Creative Workshop & Gallery, 41 Robertson Quay, Singapore, 238236, Singapore
Be inspired by Pacita Abad’s vivid palettes and patterns! Create a one-of-a-kind handkerchief in this fun, hands-on session. Layer stencils and colours on fabric to mirror the playful energy of the artist’s colourful artworks. This session is a fun introduction to printmaking, and is suited for the little ones too. This is a free, drop-in event, no registration is required.

A Kiss on the Ground
2025-10-26 12:00 - 2025-11-30 18:00 | Gajah Gallery, 39 Keppel Road, #03-04, Tanjong Pagar Distripark, Singapore, 089065, Singapore
In A Kiss on the Ground (Halik sa Lupa), a solo show by acclaimed Filipino artist Leslie de Chavez, he returns to his native Quezon province as both witness and interlocutor. Curated by Joyce Toh, the exhibition unfolds as a vibrant tableau of mixed-media installations, sculptures, and paintings, drawing from Lucban’s celebrated fiestas—the Pahiyas harvest festival, Holy Week rites, and the parades of Higantes (giants). Through these culturally rooted yet visually sumptuous works, de Chavez explores how faith, excess, and endurance intertwine within the collective psyche of a people shaped by both bounty and inequity.

TAF Conversation Series: Cui Jie and Ayesha Singh
2025-10-28 17:00 - 18:30 | Mondrian Hotel Singapore, Jungle Ballroom, Level 3, 16A Duxton Hill, 089970, Singapore, Singapore, 089970, Singapore
Taking place during the opening week of the Singapore Biennale 2025 (SB2025) this October, artists Cui Jie and Ayesha Singh will join TAF Artistic Director Xiaoyu Weng in conversation. Working with different mediums, both artists’ practice examines the materiality of architecture and space, making visible the power structures and political histories embedded in the built environment and urban infrastructure – as they relate to TAF’s 2025 research theme of Materiality.Through spatial interventions that offer heterogeneous perspectives and layered viewpoints, their works invite viewers to reflect on complex relationships such as displacement, collective memory, and nation-building. During the talk, both artists will share several past projects and their works in the Biennale.[About TAF Conversation Series]Developed to manifest the foundation’s process-based and research-driven programming, TAF Conversation Series engages artists and their collaborators to respond, reflect, and shape TAF’s research concerns. Intently blurring the line between the work-in-progress and its finished form, TAF Conversation Series highlights the process and flux of artistic practice, where transformation is constant. The focus for our 2025/2026 programmes will be Materiality.📍Mondrian Hotel Singapore, Jungle Ballroom, Level 3, 16A Duxton Hill, 089970🗓 Tuesday, 28 October 2025🕤 5:00PM – 6:30PM

Puppet Origin Stories @ ONE-TWO-SIX: Only Puppets in the Building
2025-10-29 20:00 - 2025-11-02 22:00 | Cairnhill Arts Centre, 126 Cairnhill Road #01-07/09, Singapore, Singapore, S229707
SYNOPSIS
Every word from this line on is fiction and fantasy.
In 1992, some few theatre companies moved into a building. Unbeknownst to them, they were all puppets. But these puppets had a home, transient and volatile as it may be.
Some facts are present from this point on.
Curated by Core Team Member Ellison Tan, Puppet Origin Stories @ ONE-TWO-SIX: Only Puppets in the Building is an obsession about the puppets that live and breathe in the building and their vibrant yet volatile homes. It is also an invitation to reimagine the trials and celebrations of the theatre companies that first made art come alive here at ONE-TWO-SIX Cairnhill Arts Centre.

ARTISTS’ LINE UP
THE NECESSARY STRING
Written by Haresh Sharma
Directed by Tan Beng Tian
Performed by Mitchell Fang, Salif Hardie, Suhaili Safari

PENUNGGU / GUARDIAN
Written by Moli Mohter
Directed by Sindhura Kalidas
Performed by Fadhil Daud, Hairi Cromo, Rafaat Hamzah

CAT AND THE FACELESS MAIDEN
Written by Liz Sergeant Tan
Directed by Oliver Chong
Performed by Darren Guo, Periyachi Roshini, Vanessa Toh

PUPPET ORIGIN STORIES EXHIBITION
Conceptualised and curated by Ellison Tan, this exhibition focuses on the memories that still hold space within ONE-TWO-SIX Cairnhill Arts Centre. Through research and interviews with tenants and TFP Core Team Members past and current, uncover the histories, stories, and maybe tea that linger in this heritage building. Each recollection will be partnered with a puppet from the Puppet Origin Stories repository, and everyone is invited to witness how stories and memories intertwine.

THINGS TO NOTE BEFORE THE SHOW
VENUE:
Please note that the venue is not equipped with accessibility-friendly amenities. The show will require you to climb stairs and move around. We encourage patrons to consider these conditions carefully before purchasing tickets.

YOU ARE ADVISED TO BRING:

Mosquito repellent
Portable fan
Water bottle
Comfortable footwear

LATECOMERS:
Latecomers will be granted entry at an appropriate time.

A4 Art Fair 2025
2025-10-30 15:00 - 2025-11-02 20:00 | GMBB, 2, Jalan Robertson, Bukit Bintang, Kuala Lumpur, Wilayah Persekutuan Kuala Lumpur, 50150, Malaysia
Step into a space where creativity crosses every boundary, where art isn’t only meant to be seen, but lived.
From 30 October to 2 November 2025, GMBB will transform into a vibrant canvas of life for A4 Art Fair 2025. Themed “The Art of Everything”, this reimagined art fair explores how creativity moves through art, craft, culture and everyday living. Featuring more than 90 artists, artisans and designers from Malaysia, Indonesia, Singapore, Thailand, Japan, Taiwan, United States and Argentina, the fair unfolds across six experiential segments – Art x Brand, Art x Sustainable, Art x Living, Art x Artisan & New Media, Art x Pop Sculpture and Art x Prints, inviting visitors to experience creativity through new lenses.
Organised and curated by A4 Art Gallery (A4Art), a pop art gallery based within GMBB, Kuala Lumpur’s hub for artistic and cultural communities, A4 Art Fair is powered by a spirit of collaboration that celebrates creativity as a shared journey. It serves as a platform where artists, designers, brands, makers, and cultural entrepreneurs come together to exchange ideas, co-create culture and foster a deeper appreciation for art in all its forms.
Divided into six thematic experiences, the fair invites visitors to discover how art intersects with daily life – from brand collaborations, design living spaces to digital art, sustainability and collectible pop creations.
ART x BRAND
Where creative vision meets cultural identity. Presented by Singapore-based creative studio CONT9CT, this segment features a brand collaboration that blurs the lines between art, fashion and storytelling as legendary U.S graffiti pioneer STASH and Singapore pop artist Jahan Loh join forces with Malaysia’s streetwear icon Crossover to present a futuristic collection that spans canvas, sculpture and apparel.
ART x SUSTAINABLE
In collaboration with xOrdinary, the Art x Sustainable segment gathers 19 design studios and makers across the region to explore how artistry and environmental responsibility coexist. From upcycled furniture, handcrafted décor to revived traditional crafts, each piece tells a story of innovation and purpose. Line-up includes Nurtureknots Studio by Charmaine Kamal and Rotan Lot by Nana Khan – homegrown brands dedicated to revitalise the cherished tradition of rattan craftsmanship; Dad’s Woods, inspired by the ancient maritime empires and the rich history of the Malay Archipelago; and Fego, whose repurposed handmade décor pieces breathe warmth and joy into spaces.
ART X LIVING
From interior aesthetics to lifestyle objects, Art x Living invites visitors to discover works that infuse daily life with creativity and intention. In collaboration with Bad Bad Caudex Club, this segment highlights how art takes shape through plants, ceramics, fashion and collectible design. Featured creators include Taiwanese ceramics artist Robin Huang, whose sculptural plant works merge nature and imagination; Singapore’s Mr. Sabotage (SBTG) who is known for his bold and rebellious approach to sneaker and streetwear culture; and Malaysia’s YT-YF Ceramics, whose fearless experimentation redefines contemporary clay craft.
ART x ARTISAN & NEW MEDIA
Where cultural tradition meets digital expression. Curated by Malaysian artist Grasshopper a.k.a Abdul Shakir, Art x Artisan & New Media unites illustrators, motion technologists and immersive creators featuring K3@N, PUPILPILOT, Roger Ng Wei Lun and Vasflow, turning digital canvases into emotional and interactive experiences.
ART x POP SCULPTURE
A playground of colour and imagination, Art x Pop Sculpture bridges fine art and pop culture through collectible creations that fuse play and craftsmanship. Featuring Malaysia’s celebrated graffiti artist Kenji Chai with his iconic dog Chaigo; contemporary artist Shafiq Nordin whose bold visual language merges humour and social reflection and Michael Chuah who extends his comic universe Yuurei Neko Sama into sculptures. Joining the line-up includes LAOWANG1102, whose rule-defying creations connect art and pop culture and Space Dawg who translates the cinematic poetry of 2D animation into collectible art. Catch these imaginative creations inside a specially constructed hive – the ART Wave Malaysia Pavilion.
ART X PRINTS (FEATURED ARTISTS & COLLECTIVES)
A celebration of original works and imagination, Art x Print spotlights independent artists whose practices span fine art prints, paintings and pop-inspired expressions. Featuring Pablo Ientile from Argentina, Betty Qui, KATUN, Nothingwejun, from Malaysia, IqbaImstrmnd from Indonesia, NHAMM and IMP AND FRIENDS from Thailand, each re-interpreting personal narratives through vibrant visual languages.
OTHERS:

COLLABORATIVE PARTNERSHIP: A4 Art Fair collaborates with Thailand’s Mango Art Festival, the country’s most comprehensive art festival known for its groundbreaking and thought-provoking showcases. Featuring Aftertest Bangkok, Apichok Wongvanichtavee (Xinq Xinq) Bew Mara, CHORKUNG, Dojo Namwong, Meimo, Prem.Artistic and WK. Studio, the partnership echoes a shared regional vision where the art communities learn, thrive and evolve together beyond borders.
A4 ART CONFERENCE: Held on 31 October 2025 at GMBB’s Grey Box, the A4 Art Conference gathers leading creative movers across the region for a day of open dialogue between art, culture and business. From renowned international names like Alex Face, Jahan Loh and STASH, alongside regional curators Jonathan Toh (Founder of ArtCEO), Tiew (Founder of Street Star Gallery) and Zen (Founder of A4 Gallery Tokyo). This one-day forum is priced at RM88, which includes VIP opening and two-day fair access.

DETAILS OF A4 ART FAIR 2025

DATE
30th October 2025 – 2nd November 2025

TIME
A4 Art Fair 2025
30th October 2025: 3:00pm – 7:00pm31st October – 2nd November 2025: 11:00am – 8:00pm
A4 Art Conference
31st October 2025: 2:00pm – 7:00pm

VENUE
GMBB, Level 5
No.2, Jalan Robertson,
Bukit Bintang,
50150 Kuala Lumpur

ADMISSION FEE
Entry to Fair: RM 15 – RM 28
Conference + 2 Day Access: RM 88
https://www.cloudjoi.com/shows/4402-a4-art-fair-2025

The A4 Art Fair 2025 is led by A4 Art Gallery, energised by GMBB as the community partner. With special thanks to KL Illustration Fair (KLIF), CloudJoi and Filamen for making this fair possible.

A NEW CIRCLE IN THE SPIRAL OF THE MIND - A solo exhibition by RESETIVISM / Irena Vujanovic
2025-10-31 - 2025-11-06 | Medina Art Gallery Rome, 32-34-36 Via Angelo Poliziano 00184 Roma, Rome, Rome, 00184, Italy
Rome (Italy), October 31, 2025 – ITSLIQUID Group is pleased to announce the opening of the solo exhibition “A NEW CIRCLE IN THE SPIRAL OF THE MIND” by RESETIVISM / Irena Vujanović, curated by Luca Curci and coordinated by Amaride Ferrante. The opening will take place on October 31, 2025, at 6:00 PM at Medina Art Gallery in Rome. The exhibition will be on view until November 06, 2025.
Get ready to embark on a visionary and deeply emotional journey: the long-awaited solo exhibition by Irena Vujanović, Serbian-born artist and founder of the RESETIVISM movement, has finally arrived in Rome!
Through a powerful fusion of painting and digital art, Vujanović opens the door to a new dimension of imagination where memory and technology merge into poetic and evocative visual landscapes. Her works, suspended between past and present, invite viewers to “reset” their perception of time and identity, immersing themselves in inner worlds composed of color, pixels, and visual intuition.
We invite you to step into the world of RESETIVISM and follow the spirals of the mind, where each work is a new beginning: a circle closing only to open another. An intense and meditative experience, capable of awakening new forms of visual awareness and emotional resonance.
About the Artist
Irena Vujanović is a Serbian-born, U.S.-based artist and the founder of RESETIVISM, a visual and conceptual language that merges traditional painting with digital art. Her multidisciplinary practice spans more than thirty years of international exhibitions and creative exploration, focusing on memory, identity, and transformation. Her works have been shown in prestigious venues across Paris, Venice, Tokyo, and New York. She currently lives and works in Evanston, Illinois.
For press materials, interview requests, and high-resolution images, please contact:
+39 338 757 4098
info@itsliquid.com

Peacock Power: Beauty and Symbolism Across Cultures
2025-10-31 10:00 - 2026-08-30 19:00 | Peranakan Museum, 39 Armenian Street, Singapore, Singapore 179941, Singapore
With its dazzling feathers and spectacular tail, the peacock has long symbolised beauty, power, and divinity across Asia. For centuries, its striking form has captivated artists and devotees alike, inspiring works that range from sacred images to everyday adornment.
The peacock motif travelled between cultures. Peranakan art, shaped by the convergence of multiple influences, is the starting point for this journey. Treasures from the National Collection and important lenders explore the bird’s presence in a broad range of artistic disciplines. Each object invites visitors to consider how a motif moved between regions and contexts, revealing the networks that connect peoples and how artistic traditions evolve through exchange.
The exhibition presents these connections through colourful displays, interactive stations, and lively programmes. A new work by artist Ernest Goh explores the peacock in the context of its symbolism, cultural heritage, and ecology.

A NEW CIRCLE IN THE SPIRAL OF THE MIND
2025-10-31 18:00 - 2025-11-06 18:00
A NEW CIRCLE IN THE SPIRAL OF THE MIND
A solo exhibition by RESETIVISM / Irena Vujanovic
October 31 – November 06, 2025
Medina Art Gallery, Rome
ITSLIQUID Group is pleased to announce the opening of A NEW CIRCLE IN THE SPIRAL OF THE MIND,
a solo exhibition by RESETIVISM/Irena Vujanovic, curated by Luca Curci and coordinated by Amaride Ferrante, that will open in Rome, at Medina Art Gallery, on October 31 starting at 06.00 PM. The exhibition will run until November 06, 2025.
Irena Vujanović, a Serbian artist based in the United States, is a pioneer of an innovative artistic approach known as RESETIVISM, which, after being presented in her homeland, she now brings to Italy for the first time, in Rome. This exhibition offers the public an immersion into a radically contemporary visual language that blends traditional painting and digital art into a powerful and multilayered narrative. RESETIVISM is the name of the new visual and philosophical language developed by Vujanović: an expressive form that “resets” the past to transform it into the present, layering color and pixels, memory and matter, poetry and technology. Through works created with digital tools yet deeply rooted in painting, the artist redefines visual communication in the age of social media and instant information.
The series showcased in the exhibition takes its title from a poem by the artist herself – “Novi krug u spirali uma” (A New Circle in the Spiral of the Mind) – a powerful reflection on cyclical renewal, where words and images merge to articulate the ongoing evolution of identity and perception. In this poetic and visual dialogue, Vujanović explores the idea that nothing in the human experience is ever truly linear or final. Instead, life unfolds in spirals: returning, reframing, and reawakening. Each artwork in the series represents a new beginning – a palimpsest of silences, memories, and intuitions. The layering of digital and painterly elements mirrors the emotional and psychological layers we carry within us. Vujanović’s images become a form of visual poetry, capable of expressing what language alone cannot: the invisible shifts in thought, the silent echoes of memory, the subtle metamorphoses of consciousness. In this way, the series not only blurs the line between poetry and visual art but invites the viewer to enter into a meditative space – one where perception is fluid, time is elastic, and transformation is constant. It is an introspective journey through the spirals of the mind, where each “new circle” marks both a return and a departure.

Seeing Through Matter featuring works by Kanchana Gupta, Gregory Hodge and Alex Seton
2025-10-31 18:00 - 2025-12-06 20:00 | Sullivan+Strumpf Singapore, 1M Yong Siak Street, Singapore, 168641, Singapore
Curated by Yvonne Wang, Seeing Through Matter explores how material processes shape perception—how surfaces, textures, and forms negotiate the unstable thresholds between presence and absence. Across scorched lace, carved marble, and layered paint, materiality does more than convey image or form—it unsettles perception, refracts presence, and renders the act of seeing newly felt.

Civic District in Focus 2025
2025-10-31 19:00 - 2025-11-01 22:00 | Civic District, The Arts House at the Old Parliament, Chamber, Singapore, Singapore
Civic District in Focus 2025
31 October – 1 November 2025
The Civic District: The Arts House at the Old Parliament, Victoria Theatre and Victoria Concert Hall, Asian Civilisations Museum, National Gallery Singapore
Tickets: $10
Rediscover the Civic District in a whole new light with Civic District In Focus 2025, a night photography trail that invites enthusiasts and explorers to capture the precinct’s beauty after dark. Organised by Arts House Group and supported by FUJIFILM Asia Pacific, this first-ever edition blends hands-on learning with immersive exploration across four iconic monuments — each transformed into a vibrant canvas of light, culture, and creativity.
Held over two nights on 31 October and 1 November 2025, the event pairs guided photography sessions with a curated trail through the district’s architectural gems. Learn from professional photographers, capture stunning images after dark, and stand a chance to win a sleek FUJIFILM camera — all while connecting with fellow creatives and discovering the rich history, architecture, and cultural layers of the Civic District.
To stand a chance to win, participants can submit their best photos to the official Civic District In Focus 2025 microsite after the trail. From 2 to 23 November, the public will have the chance to vote for their favourite images, with exciting prizes up for grabs for both photographers and voters. Open to participants aged 12 and above, Civic District In Focus 2025 welcomes all levels of photography experience. Limited slots are available, so early registration is highly encouraged.
Event Dates & Times:
Photography Trail
Friday and Saturday, 31 October & 1 November | 7pm–10pm
Public Voting Contest
Photo Upload Period: 31 October, 9pm to 2 November, 2pm
Voting Period: 2 November, 7pm to 23 November, 11.59pm
All approved entries will be displayed on the official Civic District In Focus 2025 webpage by 2 November, 7pm.
For more updates on Civic District in Focus 2025 and to register, please visit https://www.artshousegroup.sg/civic-district/cvd-in-focus-2025 or follow Arts House Group on Facebook and Instagram.

Collagraphy | Playful Textures
2025-11-01 10:00 - 12:00 | STPI – Creative Workshop & Gallery, 41 Robertson Quay, Singapore, 238236, Singapore
Wondering what to do with the fabric scraps around your house? Give them a new burst of life through our collagraphy workshop!
Draw inspiration from Pacita Abad’s dynamic compositions and learn the art of collagraph printing. Create textured printing plates by collaging recycled fabrics and found objects. Apply ink onto the plates and arrange them into your desired composition. Transfer your design onto paper to reveal a unique print that echoes the artist’s experimental approach to colour and material.
Recommended for ages 12 and above.
Participants are encouraged to bring fabrics of different textures for this workshop.

Stranger Encounters 2025
2025-11-02 | 195 Pearl’s Hill Terrace, Singapore 168976 #02-64, 195 Pearl's Hill Terrace, 195 Pearl's Hill Terrace, Singapore 168976, Singapore, 168976, Singapore
Join us at Stranger Encounters, a one-day assembly of interactive creative experiences happening all day on 2nd Nov!
From dance performances to soundscape meditations and after-dark stories — every encounter is a doorway into connection here in Stranger Conversations.
👁️‍🗨️ Nov 2, Sunday
📍Stranger Conversations
195 Pearl’s Hill Terrace, #2-38D
🎟️ Tickets now on sale — link in bio
Arrive as strangers, become community.
_____
About Stranger Encounters 2025: A one-day assembly of interactive creative experiences.
Community development is at the heart of Stranger Encounters.
Set in the historic art hub of Pearl’s Hill Terrace, this one-day gathering blends participatory theatre, immersive art, and shared experiences that spark social connection.
Arrive as strangers, and through a series of creative sessions — spanning movement, storytelling, dance, music, technology, and ritual — and leave having shared moments of curiosity, laughter, and trust.
What begins as an encounter becomes a community.
Each session is designed as a doorway into connection: with yourself, with others, and with the vibrant creative community that calls Pearl’s Hill Terrace home.
Stranger Encounters is hosted by Stranger Conversations, a public living room that makes space for conversations that matter, and nurtures creative ideas. Be part of our community.

Guided Tour | Pacita Abad: Common Ground (Foreign Language)
2025-11-06 11:30 - 2025-12-13 17:00 | STPI – Creative Workshop & Gallery, 41 Robertson Quay, Singapore, 238236, Singapore
Join our expert docents for a guided tour and unravel the intricacies of Pacita Abad’s works. Gain a deeper understanding of her experimentations in printmaking and papermaking during her 2003 residency.
The tour will include a glimpse into our Creative Workshop, which houses the very equipment to produce Abad’s works.
Guided tours at STPI are free of charge. Drop-in guests are welcome.

Siao Char Bor Comedy: The Pole Edition
2025-11-06 20:00 - 22:30 | RASA, 9 Raffles Place #02-01, Tower, #1 Republic Plaza,, 048619, Singapore
Siao Char Bors comedy, your favourite queer & women-focussed comedy show comes back this November with a twist! This month, stand-up meets pole dance and dignity takes the night off. It’s part comedy show, part cabaret, part re-evaluation of your sexuality.
We are excited to have comics who can’t touch their toes and pole dancers who could crush your ego(& probably several body parts) between their thighs. It’s glitter, grit, giggles and a little bit of existential crisis manifested in eight-inch heels. Come laugh, gasp, and cheer for the only show where the punchlines and the pole tricks are equally dangerous!
