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TZID:Asia/Singapore
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260215T150000
DTEND;TZID=Asia/Singapore:20260215T170000
DTSTAMP:20260505T111846
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008571-1771167600-1771174800@pluralartmag.com
SUMMARY:Our Stories\, On Rotation: Mental Health Narratives
DESCRIPTION:Join an afternoon of unfolding stories and gentle conversations in a safe space to listen deeply\, engage openly\, and connect. This is your alternative Valentine’s day event to check in with yourself and the friends you love.\n\n\n\nOur Stories\, On Rotation returns with an intimate\, reflective afternoon where books\, people and conversations move—this time centering mental health narratives that hold space for vulnerability\, care and open sharing. \nThis gathering invites you to rotate among discussion tables\, each offering a short reading and conversation prompt drawn from a book that speaks to lived experiences of mental health—including struggles\, healing and resilience. With activities for decompression alongside\, a panel discussion will round out the programme 👂 \nTickets are out now ($22 SGD) at this link. \nEach admission includes a free book as well as a snack and drink specially curated for their mood-and stress-regulating properties by Bricolage: \n\nMaca root polenta cake with cordycep ragout\nTulsi (holy basil) and honey warm tea\n\nTitles on rotation will include:\n– To the Last Gram (Difference Engine)\n– How Are You Feeling? A Comics Anthology (Difference Engine)\n– Patient History (Ethos Books)\n– The Sound of SCH (Ethos Books) \nThe afternoon will also feature a panel discussion with Danielle Lim\, author of The Sound of SCH\, and Griselda Gabriele\, illustrator of Bearing Witness (from How Are You Feeling? A Comics Anthology )\, as they reflect on experiences of care for self and others.
URL:https://pluralartmag.com/event/our-stories-on-rotation-mental-health-narratives/
LOCATION:Bricolage\, 1 Old Parliament Lane\, #01-03\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/On-Rotation-poster-scaled.jpg
ORGANIZER;CN="Difference Engine":MAILTO:readcomics@differenceengine.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260208T140000
DTEND;TZID=Asia/Singapore:20260208T170000
DTSTAMP:20260505T111846
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008569-1770559200-1770570000@pluralartmag.com
SUMMARY:Artists@Work: Zhang Qiao and Joanna Maneckji\, presented by ART SEASONS Gallery
DESCRIPTION:Get behind the scenes with Zhang Qiao’s intaglio printing using etching; and Joanna Maneckji’s use of reclaimed materials in collage making.\n\n\n\nThis Singapore Art Week\, the paper-based works of Zhang Qiao and Joanna Maneckji left many visitors in awe with their mastery of technique and material. Join us for an intimate artist sharing as Qiao and Joanna take you behind the scenes of their distinct art practices\, offering insight into their materials\, processes\, and creative approaches. \nThe session will begin with Zhang Qiao discussing his intaglio printing practice\, focusing on etching with aluminium plates\, followed by Joanna Maneckji\, who will share her innovative use of reclaimed and repurposed materials in collage-making. Participants will then be invited to observe both artists as they immerse themselves in the creative process. \nFeel free to move between the two artists\, pause to watch their work unfold\, and take in the current exhibition Dialogue of Differences (e-catalog: qrco.de/bgZS8y). \n𝐀𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐚𝐫𝐭𝐢𝐬𝐭s\nJOANNA MANECKJI is an award-winning Singaporean author\, educator and artist who transforms seemingly random pieces of paper into expressive works of art that challenge perceptions\, spark joy\, and promote self-understanding. Her collage work “That Blessed Mood” won her the Most Promising Artist of the Year prize at the 43th UOB Painting of the Year competition. This year\, “A Place Far Away” has been exhibited at the traveling show “Postcards from Utopia” in Sarasota\, Florida and at the Illustrators’ Gallery at NAFA in the Singapore Children’s Book Festival. \nZHANG QIAO is a multidisciplinary artist whose practice bridges the worlds of art\, design\, and technology. Trained in printmaking at LASALLE College of the Arts\, Zhang has spent over a decade exploring how traditional techniques can evolve in response to contemporary concerns about accessibility and sustainability. His recent work focuses on developing eco-friendly electro-etching printmaking processes\, replacing toxic materials with environmentally responsible alternatives.
URL:https://pluralartmag.com/event/artistswork-zhang-qiao-and-joanna-maneckji-presented-by-art-seasons-gallery/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Artists-at-Work.jpg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260207T160000
DTEND;TZID=Asia/Singapore:20260207T171500
DTSTAMP:20260505T111846
CREATED:20260130T144925Z
LAST-MODIFIED:20260130T144925Z
UID:10008568-1770480000-1770484500@pluralartmag.com
SUMMARY:TAF Conversation Series: Roger Nelson on Sriwhana Spong
DESCRIPTION:The public programmes for Rituals of Perception\, TAF’s inaugural exhibition curated by Artistic Director Xiaoyu Weng\, will further explore the practices and artworks of exhibiting artists. \nIn this talk\, art historian\, curator\, and educator Dr. Roger Nelson will share his ongoing research on exhibiting artist Sriwhana Spong. In particular\, Dr. Nelson will discuss the role of collaboration in Spong’s practice and her diasporic relationship with Southeast Asia and Bali. \nThis will be followed by a conversation between Dr. Nelson and TAF Associate Curator Wong Binghao on Spong’s exhibited artwork Instrument I (Sevgi and Bengisu) (2022) and Bau-bau besom cling-clang (From out the sounding cells)\, a performance that activates Instrument I and has been specially conceived for this exhibition by Spong and musician Vivian Wang. \nA live performance will take place before the programme. \nFree admission. RSVP required. \nPlease register for the talk here. \nVenue: New Bahru School Hall (Mezzanine\, level 3)
URL:https://pluralartmag.com/event/taf-conversation-series-roger-nelson-on-sriwhana-spong/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/TAF-RoP-RN-260121-RSVP-1-scaled.jpg
ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260207T100000
DTEND;TZID=Asia/Singapore:20260208T180000
DTSTAMP:20260505T111846
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008566-1770458400-1770573600@pluralartmag.com
SUMMARY:Art Collective Fair SG - second-edition
DESCRIPTION:The Art Collective Fair returns for its highly anticipated 2nd Edition in Joo Chiat this February \nFollowing the success of its inaugural edition\, the Art Collective Fair returns for its 2nd Edition\, taking place 7th – 8th February in a beautifully restored heritage shophouse in Joo Chiat. Curated and founded by artist Michelle Schulz\, the boutique fair continues its mission to make original art approachable\, personal\, and collectable\, especially for first-time buyers and those not even looking. \nThe Art Collective Fair is an artist-led\, carefully curated event\, showcasing original paintings\, limited-edition prints\, and thoughtfully designed art-led products. Visitors can expect a vibrant mix of contemporary styles\, price points for every budget\, and the rare opportunity to meet and connect directly with the artists behind the work. \nSet within one of Singapore’s most culturally rich neighbourhoods\, the fair’s intimate shophouse setting encourages relaxed conversations\, discovery\, and meaningful engagement with art\, away from the formality of traditional galleries. The second edition builds on the momentum of the first\, welcoming returning collectors\, curious homeowners\, interior designers\, and anyone looking to bring personality and story into their spaces. \nMore than an art fair\, the Art Collective Fair is an invitation to explore\, connect\, and collect with confidence\, celebrating creativity\, community\, and the joy of living with art. \nWhen: 7th – 8th Feb\, 10am to 6pm \nWhere: Crane\, 432 Joo Chiat Road
URL:https://pluralartmag.com/event/art-collective-fair-sg-second-edition/
LOCATION:432 Joo Chiat Road\, CRANE\, 432 Joo Chiat Road\, 427647\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/Plural-Art-photo-requirement.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260124
DTEND;VALUE=DATE:20260215
DTSTAMP:20260505T111846
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007897-1769212800-1771113599@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-01-24/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260123T180000
DTEND;TZID=Asia/Singapore:20260206T173000
DTSTAMP:20260505T111846
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008558-1769191200-1770399000@pluralartmag.com
SUMMARY:CANVAS INTERNATIONAL ART FAIR 2026
DESCRIPTION:CANVAS INTERNATIONAL ART FAIR 2026\nGennaio 23 – Febbraio 06\, 2026\nPalazzo Albrizzi-Capello\, Venezia \nITSLIQUID Group\, in collaborazione con ACIT Venezia – Associazione Culturale Italo- Tedesca\, è lieta di annunciare l’inaugurazione di CANVAS INTERNATIONAL ART FAIR 2026\, che si terrà dal 23 gennaio al 6 febbraio 2026 presso Palazzo Albrizzi-Capello\, nel cuore di Venezia\, in concomitanza con il magico Carnevale Veneziano. \nQuesta edizione riunisce una selezione significativa di artisti internazionali\, le cui opere attraversano temi quali memoria\, identità\, emozione e narrazione\, offrendo un’esplorazione immersiva del panorama visivo contemporaneo. \nCANVAS Art Fair si sviluppa come un dialogo tra materialità e concetto\, movimento e immobilità\, intuizione e struttura\, dando vita a un intenso scambio evocativo tra le diverse pratiche artistiche. Tra i protagonisti\, la mostra personale “Sculpting My Universe” dell’artista spagnola Blanca Martí\, curata da Luca Curci\, svela un percorso intimo all’interno del suo linguaggio artistico distintivo\, in cui colore\, texture e tecniche scultoree si fondono per trasformare storie personali e memorie in forme visive suggestive. \nL’approccio trasformativo di Bengt Linden eleva oggetti dimenticati ed elementi d’epoca a potenti dichiarazioni artistiche che intrecciano immaginazione e storia\, in risonanza con il rigore pittorico di Margus Veisveer\, il cui lavoro connette memoria e design attraverso la sperimentazione visiva. Le sue tele riflettono decenni di esperienza nella comunicazione visiva\, sovrapponendo chiarezza strutturale e gestualità espressiva\, dimostrando come la materia possa veicolare profondità narrativa e raffinatezza estetica\, invitando il pubblico a riconsiderare ciò che spesso passa inosservato nella quotidianità. \nQuesto dialogo prosegue attraverso il colore e il gesto con le composizioni di Renata Rolefes\, ispirate ai Caraibi\, che irradiano movimento e intensità emotiva\, traducendo luce\, ritmo e colore in tele pulsanti di energia e vitalità. Allo stesso modo\, Murielle Lacroix canalizza l’emozione attraverso il corpo\, utilizzando texture\, collage e segni intuitivi per dare forma a sensazioni interiori sottili\, sottolineando come la tecnica possa rendere visibili esperienze intangibili.\nLa pratica artistica di Pornobunny affonda le sue radici nella cultura queer e nella mitologia pop\, dove desiderio\, identità\, ironia e potere si incontrano e si scontrano. Attraverso sculture in resina progettate digitalmente e rifinite a mano\, l’artista trasforma il coniglio in un archetipo erotico e in un’icona contemporanea: giocosa ma radicale\, seducente e vulnerabile\, il corpo diventa una dichiarazione di libertà e autoespressione. Con una simile intensità cromatica\, Iraide Garitaonandia Bilbao affronta la pittura come uno spazio di intuizione e ritmo visivo. Le sue tele si sviluppano attraverso stratificazioni di pennellate e segni spontanei\, generando composizioni astratte cariche di energia gestuale e lirica. \nLa pittura diventa così una forma di scrittura: una traccia fisica di movimento\, emozione e risonanza interiore. La fotografia introduce un ulteriore livello di intimità con Lana Prins\, i cui studi sul nudo esplorano il corpo come presenza vissuta\, affrontando i temi della vulnerabilità e dell’autorappresentazione. L’attenzione alla luce\, all’inquadratura e all’immediatezza dialoga con le ricerche pittoriche presenti in fiera\, suggerendo come\, sia attraverso il pennello sia attraverso l’obiettivo\, la tecnica artistica media la percezione e la connessione emotiva. \nLe immagini di Prins entrano in relazione con l’intensità delle opere pittoriche di Antonio Basavilbaso\, che costruisce narrazioni urbane attraverso luci cinematografiche\, composizioni strutturate e contrasti cromatici\, dando vita a paesaggi figurativi carichi di tensione e riflessione. Nei suoi lavori\, l’interazione tra luce al neon\, architettura e narrazione crea un labirinto metaforico che riecheggia l’attenzione di Prins per la presenza e le sottigliezze percettive\, pur utilizzando strumenti espressivi profondamente diversi. \nCANVAS INTERNATIONAL ART FAIR 2026 propone un percorso coerente attraverso le pratiche visive contemporanee\, mettendo in luce il modo in cui gli artisti negoziano il visibile e l’invisibile\, il personale e il collettivo\, attraverso tecnica\, materia ed espressione. La mostra presenta inoltre un’ampia selezione di video opere \nINAUGURAZIONE\n23 Gennaio\, 2026 | 18:00\nPalazzo Albrizzi-Capello\nAssociazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venezia\nOrari di apertura | Lunedì – Venerdì. 09.30 – 17.30
URL:https://pluralartmag.com/event/canvas-international-art-fair-2026/
LOCATION:Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venice\, Cannaregio 4118\, Venice\, Veneto\, 30121\, Italy
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/canvas-venice-26_002.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260505T111846
CREATED:20260112T063338Z
LAST-MODIFIED:20260112T063338Z
UID:10008093-1768608000-1771199999@pluralartmag.com
SUMMARY:Mirror Straits: A Taiwan-Singapore Joint Presentation
DESCRIPTION:In conjunction with Singapore Art Week 2026\, artcommune and Liang Gallery are delighted to present ‘Mirror Straits’\, a joint Taiwan-Singapore joint show featuring the works of 8 major Taiwanese and Singapore artists: Cheong Soo Pieng\, Chen Wen Hsi\, Lim Tze Peng\, Wong Keen\, Chen Cheng-Po\, Yang San-Lang\, Liao Shiou-Ping\, and Lee Chung-Chung. ‘Mirror Straits’ is on view at artcommune gallery from 17 January to 15 February 2026\, and will travel to Liang Gallery for its Taipei Leg in September-October 2026. \n‘Mirror Straits’ opens officially on Saturday\, 17 January\, 3pm at artcommune gallery. The opening prefaces a panel discussion titled ‘Parallel Modernities: An Examination of ‘Chinese Diaspora Aesthetics’ in Taiwan and Singapore—A Conversation between Takamori Nobuo and Kwok Kian Chow’\, that will take place between 4.30pm-5.45pm on the same day. All are welcome; RSVP required at kenix@artcommune.com.sg \nCurated by Taiwanese independent curator Takamori Nobuo (chief-curator of 2021 Asian Arts Biennial\, Phantasmapolis\, organised by National Taiwan Museum of Fine Arts\, and chief-curator of the current 2025 Green Island Biennial)\, the presentation explores the evolving identity of ethnic Chinese communities in the pre- and post-World War Il era\, tracing their diasporic histories and the ways in which artistic expression transitioned\, diverged\, and flourished across regions.
URL:https://pluralartmag.com/event/mirror-straits-a-taiwan-singapore-joint-presentation/
LOCATION:artcommune gallery\, 76 Bras Basah Road\, #01-01\, Singapore\, 189558
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/EL-E-Invite-Mirror-Straits-鏡之海峽聯展.jpg
ORGANIZER;CN="artcommune gallery":MAILTO:admin@artcommune.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260505T111846
CREATED:20260112T063309Z
LAST-MODIFIED:20260112T063309Z
UID:10008091-1768608000-1771199999@pluralartmag.com
SUMMARY:From One Sky to Another by Melissa Tan
DESCRIPTION:Haridas Contemporary is thrilled to present Melissa Tan’s (b. 1989\, Singapore) upcoming solo exhibition in which she debuts a new series of paintings. Tan is known for her intricately detailed metal and resin sculptures\, with which she explores her long-standing interests in celestial mapping and mythology. In this new chapter — inspired by an etymological understanding of the word ‘map’\, which in old Latin referred to a piece of cloth — Tan unfolds her stories from the scintillant planes of her sculptures\, and transports them to vivid new worlds on canvas\, where hidden maps of constellations hint at a shifting landscape and story. \nIn marked contrast to the elegant and steely glint characteristic of Tan’s past exhibitions\, From One Sky To Another unfolds in vivid colour. Once incised into metal\, Tan’s cast of characters and their stories now inhabit worlds of flesh\, land\, water\, and sky. The palette of this series\, ranging from earthy autumnal hues to crisp and clear blues\, brings to mind the works of Renaissance masters such as Botticelli and Titian\, both of whom Tan referenced for their representations of Greek gods and goddesses. In other works\, looser brushwork and luminous colours recall the paintings of the Symbolists\, imparting an enigmatic cast to the subject matter.
URL:https://pluralartmag.com/event/from-one-sky-to-another-by-melissa-tan/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Melissa-Tan-Do-Sleeping-Gods-Dream-2025-Acrylic-on-Canvas-115-x-85-cm-scaled.jpeg
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260215T193000
DTSTAMP:20260505T111846
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008555-1768557600-1771183800@pluralartmag.com
SUMMARY:Funfair of Forgotten Futures
DESCRIPTION:Step right up into the Funfair of Forgotten Futures – a new pop up carnival that engages children and families on the urgency of planet action\, through the medium of play.  \nCreated by artist collective and social enterprise Ayer Ayer Project in collaboration with Temasek Shophouse\, explore community installations\, workshops\, and even participate in fun and simple games made from sustainable materials that represent the various environmental challenges.  \nUsing familiar tropes of amusement to evoke a sense of playfulness\, the transformed space creates an entrypoint for visitors to appreciate the gravity of the current environment issues that turns it into a site for reflection\, resistance\, and action. \nFind out more details at https://www.temasekshophouse.org.sg/
URL:https://pluralartmag.com/event/funfair-of-forgotten-futures/
LOCATION:Temasek Shophouse\, 28 Orchard Rd\, 238832\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Key-visual-Funfair-of-Forgotten-Futures-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260111T120000
DTEND;TZID=Asia/Singapore:20260211T180000
DTSTAMP:20260505T111846
CREATED:20260105T122800Z
LAST-MODIFIED:20260105T122800Z
UID:10008054-1768132800-1770832800@pluralartmag.com
SUMMARY:City Lines
DESCRIPTION:Singapore’s urban landscape is constantly evolving. City Lines showcases ten artists whose work examines the invisible lines that connect people to their surroundings—the emotional and psychological aspects of the city that go beyond its visible architecture. From the quiet beauty of watercolour cityscapes to digital takes on architecture\, and poetic views of urban life\, City Lines showcases the rhythm of Singapore’s spaces. Beyond capturing façades—the shophouse\, housing estate and urban forms\, the exhibition tells a story of the artists’ connection with the city\, the past and the present\, real and imagined. \nARTISTS\nAndrew Huang\nHeiko Schulze\nIdris Ali\nJeffrey Wandly\nKay Saputra\nMasturah Sha’ari\nMayang Sari\nSyazana Yassin\nTerence Tan\nYeo Jian Long \nHeld at Maya Gallery from 11 January to 11 February 2026\, City Lines will be part of the Singapore Art Week.
URL:https://pluralartmag.com/event/city-lines/
LOCATION:Maya Gallery\, 57 Genting Lane\, #05-00\, Singapore 349564\, 57 Genting Lane\, #05-00 Singapore 349564\, 349564\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Banner2_City-Lines.jpg
ORGANIZER;CN="Maya Gallery":MAILTO:art@mayagallery.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T170000
DTEND;TZID=Asia/Singapore:20260207T230000
DTSTAMP:20260505T111846
CREATED:20260105T092059Z
LAST-MODIFIED:20260105T092059Z
UID:10008086-1767978000-1770505200@pluralartmag.com
SUMMARY:Neural Echoes: Enter The Sleep Lab
DESCRIPTION:50-minute narrative-driven\, immersive experience with interactive puzzles. For 4-6 players. \nSomniTech promises to revolutionise rest: a future where sleep is productive\, optimised\, and monetised. Their Brain–Computer Interface and experimental dream-tracking systems map susceptibility\, guide sleep states\, and deliver auditory instructions. \nMany clinical trial participants never exited the programme. Dr. Adrian Tan\, the iconic yet controversial mind behind SomniTech\, disappeared shortly after. No one knows what drives him\, or what horrors unfold behind those closed doors. \nWill you go undercover in the clinical trials? Enter the lab\, navigate controlled assessments\, figure out what happened to the missing participants\, and uncover the true purpose of SomniTech.
URL:https://pluralartmag.com/event/neural-echoes-enter-the-sleep-lab/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Event-BannerV2_1280x500.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251214T120000
DTEND;TZID=Asia/Singapore:20260216T180000
DTSTAMP:20260505T111846
CREATED:20250908T081037Z
LAST-MODIFIED:20250908T081037Z
UID:10007736-1765713600-1771264800@pluralartmag.com
SUMMARY:Lai Yu Tong: The Dogs
DESCRIPTION:ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery\, The Dogs\, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs\, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments\, while reflecting upon his own experiences and interactions with the dogs across several months. \nDrawing upon observations of the present\, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars\, crows\, hands\, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time\, he brings out alternative perspectives on the familiar. Recently\, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild\, untamed and shy creatures that roam under the shadows of Singapore intrigues him. \nIn a highly developed and controlled society\, the presence of these dogs introduces a degree of unpredictability\, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However\, following multiple visits where he would observe\, photograph and sometimes feed the dogs\, the fear that he felt eventually shifts into a kind of love\, as he forms a connection with these misunderstood creatures. \nStorytelling makes up a big part of Lai’s approach\, manifesting in forms such as drawing\, sculpture\, and sound. In these latest works\, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard\, wood\, and paper. He simultaneously draws and obscures the dogs\, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws\, whilst also allowing them to take on other identities and connotations. \nThrough a selection of two-dimensional works\, a sculpture\, a sound piece and a performance\, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences\, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.
URL:https://pluralartmag.com/event/lai-yu-tong-the-dogs/2025-12-14/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/TheDogs_IG-1-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251213T120000
DTEND;TZID=Asia/Singapore:20260215T180000
DTSTAMP:20260505T111846
CREATED:20251215T070208Z
LAST-MODIFIED:20251215T070208Z
UID:10008033-1765627200-1771178400@pluralartmag.com
SUMMARY:Yao Qingmei: Steel Garden
DESCRIPTION:Opening Reception : 13 December 2025\, 4pm\nExhibition Period : 13 December 2025 – 15 February 2026 \nSingapore\, November 2025 — ShanghART Gallery is pleased to present Steel Garden\, a solo exhibition by Paris-based artist Yao Qingmei\, marking her first major presentation with the gallery. Known for an interdisciplinary practice that bridges performance\, video\, photography\, and installation\, Yao examines how bodies move through—and are shaped by—structures of power\, public ritual\, and the choreography of collective life. \nAt the heart of the exhibition is Steel Garden\, her latest two-channel video installation. The work draws from the grand floral displays erected annually during moments of national celebration. Through a series of precise and lingering images—close-ups of flowers\, birds foraging among cracks\, weeds growing between paving stones\, the varied postures of visitors\, and the synchronised gesture of crowds during the flag-raising ceremony—Yao reveals the subtle relationships between individual action\, collective ritual\, and the constructed natural landscape. \nThis multi-chapter video work begins with news reports on specially cultivated festival flowers and culminates in a floating\, dust-like vocal poem from the artist’s own perspective. Drawing upon the concepts of the “moving garden” and the “third landscape” by French gardener Gilles Clément\, the work also references descriptions of pain and hallucination experienced by the soldier Pavel Korchagin in the Soviet novel How the Steel Was Tempered (1934) to reveal the biopolitical framework that underlies this monumental ritual. \nThe exhibition also brings together works spanning more than 10 years\, offering a contextual understanding of Yao’s sustained inquiry into symbolic gesture\, embodied practice\, and moving-image construction. Beginning with early public space interventions and documented performances\, Yao initially used video as a means of recording her embodied actions. Over time\, she has increasingly turned toward filmic construction\, developing a more deliberate cinematic language that positions her both in front of and behind the camera. \nThis evolution is visible in works such as The Third Internationale in Monaco (2012) and Dance! Dance! Bruce Ling! (2013)\, in which Yao performs as a protagonist navigating staged situations that parody ideological choreography. In more recent projects\, including Prelude to Love (2023)\, she adopts the role of a director\, shaping narrative\, movement\, and mise-en-scène to investigate how collective identities are formed\, reinforced\, or unsettled. \nAcross her body of work\, Yao Qingmei articulates a distinctive\, incisive voice within contemporary art—one attuned to the shifting dynamics of nationalism\, memory\, and public space in the twenty-first century. Steel Garden offers a focused yet expansive lens into her practice\, foregrounding an artist whose observations of ritual\, power\, and lived experiences resonate far beyond their point of origin.
URL:https://pluralartmag.com/event/yao-qingmei-steel-garden/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/YQM-Steel-Garden-poster.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
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