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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260505T235535
CREATED:20230802T091808Z
LAST-MODIFIED:20230907T063011Z
UID:10005460-1690934400-1785542399@pluralartmag.com
SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://pluralartmag.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2023/08/Benchmarks-KV-Landscape.png
ORGANIZER;CN="Arts House Limited":MAILTO:enquiries@artshouse.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260505T235535
CREATED:20250623T035204Z
LAST-MODIFIED:20250623T035204Z
UID:10003657-1748649600-1774828799@pluralartmag.com
SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants! \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille. \nFor more information\, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html
URL:https://pluralartmag.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/05/Gallery-Childrens-Biennale-2025-Key-Visual-1.-Image-credit_-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250905
DTEND;VALUE=DATE:20260608
DTSTAMP:20260505T235535
CREATED:20250908T081107Z
LAST-MODIFIED:20250908T081107Z
UID:10007799-1757030400-1780876799@pluralartmag.com
SUMMARY:Let’s Play! The Art and Design of Asian Games
DESCRIPTION:Games are among humanity’s oldest shared experiences – a source of joy\, challenge\, and connection for thousands of years. In Asia\, they have developed in remarkably diverse ways\, from the lively\, fast-paced rhythms of mahjong and congkak to the contemplative strategy of go and chess. They have entertained and educated\, reflected power and status\, and acted as metaphors for life. \nThis exhibition explores the rich history of Asian games and the role they have played in shaping culture\, identity\, and community. Some travelled widely\, taking on new forms and meanings across borders. Others became tools for mental training or expressions of artistic ideals. Even today\, they remain at the frontier of innovation – as seen in the rise of artificial intelligence. \nMany of the games on display are also works of extraordinary beauty and craftsmanship. As you explore the exhibition\, we invite you to discover how the act of play continues to inspire\, evolve\, and connect people across time and place. \nLet’s Play! incorporates playable interactives\, outdoor installations\, collaborations with schools and local game associations\, and a diverse line-up of programmes and talks.
URL:https://pluralartmag.com/event/lets-play-the-art-and-design-of-asian-games/
LOCATION:Asian Civilisations Museum (ACM)\, 1 Empress Place\, 179555\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/Key-Visual-Lets-Play-The-Art-and-Design-of-Asian-Games.-Image-courtesy-of-Asian-Civilisations-Museum.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260505T235535
CREATED:20250915T073727Z
LAST-MODIFIED:20251005T024644Z
UID:10007851-1757635200-1784505599@pluralartmag.com
SUMMARY:Talking Objects
DESCRIPTION:Singapore Art Museum (SAM) presents Talking Objects\, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection\, the exhibition explores how everyday objects – commonplace items\, familiar scenes and everyday representations — become vessels of memory\, meaning\, and emotion when seen through the lens of artists and their practices. Beyond materiality\, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists\, the ordinary takes on new significance\, inviting us to look again at the world around us. \nFeaturing works by widely recognised artists from across Asia\, including Alwin Reamillo\, Suzann Victor\, and Christine Ay Tjoe\, Talking Objects showcases a diversity of artistic voices and practices\, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down\, reflect\, and rediscover the quiet power of objects in shaping how we see and understand the world.  \nTalking Objects is housed alongside The Living Room in SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/talking-objects/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/1-a3302637.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260505T235535
CREATED:20250915T073740Z
LAST-MODIFIED:20251005T024644Z
UID:10007852-1757635200-1784505599@pluralartmag.com
SUMMARY:The Living Room
DESCRIPTION:Singapore Art Museum (SAM) presents its latest exhibition The Living Room\, as part of the final chapter of Collection Project: Communicating\, Convening\, Commoning—a long-term collaboration between SAM\, Seoul Museum of Art (SeMA)\, and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery\, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered\, reactivated\, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go\, and how might we make sense of what remains? \nFeaturing works by renowned local and international artists such as Ezzam Rahman\, Chuyia Chia\, Kim Garam\, Brian Fuata and others\, The Living Room presents a breadth of practices spanning live performances\, video\, installation\, performance traces\, re-enactments\, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence\, the exhibition invites visitors into an evolving environment that is brought to life through activation\, conversation\, and exchange. By bringing together works grounded in lived experience\, The Living Room opens new ways of understanding how performance lives on through objects\, memory\, interaction\, and shared encounters. \nThe Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/the-living-room/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/The-Living-Room.-Image-courtesy-of-Singapore-Art-Museum-1-min-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251025T100000
DTEND;TZID=Asia/Singapore:20261011T190000
DTSTAMP:20260505T235535
CREATED:20250929T091950Z
LAST-MODIFIED:20251005T024338Z
UID:10007872-1761386400-1791745200@pluralartmag.com
SUMMARY:Engage with history through art at Temple\, National Gallery Singapore’s first rooftop installation integrating kinetic motion and sound
DESCRIPTION:Embark on a meditative experience at Temple\, a new participatory artwork by Vietnamese-American artist Tuan Andrew Nguyen. Commissioned by National Gallery Singapore for its Ng Teng Fong Roof Garden Commission series and presented as part of Singapore Biennale 2025: pure intention\, Temple invites visitors to reflect on history and contemplate the impact of war through a multisensorial experience that blends kinetic motion and sound – underscoring the Gallery’s mission to connect the art of Singapore and Southeast Asia to the world and foster critical dialogue on global issues through art. \nFeaturing bells and mobiles crafted from recovered and defused unexploded ordnance (UXO) from the Vietnam War\, visitors are encouraged to strike the defused shells\, gongs\, and chimes\, creating a meditative soundscape. Through this transformation of weapons of war into instruments of peace\, Nguyen inspires ideas of karmic balance\, reincarnation\, and the memories embedded within materials\, offering a powerful lens for healing and reconciliation. \nTemple is the eighth edition of the Ng Teng Fong Roof Garden Commission.
URL:https://pluralartmag.com/event/engage-with-history-through-art-at-temple-national-gallery-singapores-first-rooftop-installation-integrating-kinetic-motion-and-sound/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/09/Rendering-of-Temple-by-Tuan-Andrew-Nguyen.-Image-courtesy-of-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251031T100000
DTEND;TZID=Asia/Singapore:20260830T190000
DTSTAMP:20260505T235535
CREATED:20250915T073812Z
LAST-MODIFIED:20251005T024433Z
UID:10007854-1761904800-1788116400@pluralartmag.com
SUMMARY:Peacock Power: Beauty and Symbolism Across Cultures
DESCRIPTION:With its dazzling feathers and spectacular tail\, the peacock has long symbolised beauty\, power\, and divinity across Asia. For centuries\, its striking form has captivated artists and devotees alike\, inspiring works that range from sacred images to everyday adornment. \nThe peacock motif travelled between cultures. Peranakan art\, shaped by the convergence of multiple influences\, is the starting point for this journey. Treasures from the National Collection and important lenders explore the bird’s presence in a broad range of artistic disciplines. Each object invites visitors to consider how a motif moved between regions and contexts\, revealing the networks that connect peoples and how artistic traditions evolve through exchange. \nThe exhibition presents these connections through colourful displays\, interactive stations\, and lively programmes. A new work by artist Ernest Goh explores the peacock in the context of its symbolism\, cultural heritage\, and ecology.
URL:https://pluralartmag.com/event/peacock-power-beauty-and-symbolism-across-cultures/
LOCATION:Peranakan Museum\, 39 Armenian Street\, Singapore\, Singapore 179941\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/Panel-belt-with-buckle-Pending.-Image-courtesy-of-Peranakan-Museum-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260108T080000
DTEND;TZID=Asia/Singapore:20260331T220000
DTSTAMP:20260505T235535
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008102-1767859200-1774994400@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-01-08/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260109
DTEND;VALUE=DATE:20261116
DTSTAMP:20260505T235535
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008098-1767916800-1794787199@pluralartmag.com
SUMMARY:Fear No Power: Women Imagining Otherwise
DESCRIPTION:Discover the power of art through the perspectives of five trailblazing women artists from\nSoutheast Asia. Fear No Power: Women Imagining Otherwise foregrounds their lives\,\nperspectives\, and artistic practices\, featuring over 45 works by Amanda Heng (Singapore)\,\nDolorosa Sinaga (Indonesia)\, Imelda Cajipe Endaya (Philippines)\, Nirmala Dutt (Malaysia)\, and\nPhaptawan Suwannakudt (Thailand) – many of which are shown in Singapore for the first\ntime. \nFear No Power is National Gallery Singapore’s first major exhibition connecting and\ncomparing the practices of women artists from Southeast Asia. This landmark exhibition\nhighlights the significance of women-centred approaches in shaping modern and\ncontemporary art across the region. With artworks spanning painting\, photography\,\nsculpture\, and performance from the 1960s to 2010s alongside archival material\, Fear No\nPower honours the multi-faceted roles of these pioneering women as artists\, educators\,\nwriters and community organisers – telling a larger story of women’s empowerment in\nSoutheast Asia.
URL:https://pluralartmag.com/event/fear-no-power-women-imagining-otherwise/
LOCATION:National Gallery Singapore\, Ngee Ann Kongsi Concourse Gallery\, Concourse Level\, City Hall Wing\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/Fear-No-Power_-Women-Imagining-Otherwise-Key-Visual-3.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260111T120000
DTEND;TZID=Asia/Singapore:20260316T180000
DTSTAMP:20260505T235535
CREATED:20250908T081037Z
LAST-MODIFIED:20250908T081037Z
UID:10007741-1768132800-1773684000@pluralartmag.com
SUMMARY:Lai Yu Tong: The Dogs
DESCRIPTION:ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery\, The Dogs\, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs\, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments\, while reflecting upon his own experiences and interactions with the dogs across several months. \nDrawing upon observations of the present\, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars\, crows\, hands\, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time\, he brings out alternative perspectives on the familiar. Recently\, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild\, untamed and shy creatures that roam under the shadows of Singapore intrigues him. \nIn a highly developed and controlled society\, the presence of these dogs introduces a degree of unpredictability\, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However\, following multiple visits where he would observe\, photograph and sometimes feed the dogs\, the fear that he felt eventually shifts into a kind of love\, as he forms a connection with these misunderstood creatures. \nStorytelling makes up a big part of Lai’s approach\, manifesting in forms such as drawing\, sculpture\, and sound. In these latest works\, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard\, wood\, and paper. He simultaneously draws and obscures the dogs\, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws\, whilst also allowing them to take on other identities and connotations. \nThrough a selection of two-dimensional works\, a sculpture\, a sound piece and a performance\, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences\, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.
URL:https://pluralartmag.com/event/lai-yu-tong-the-dogs/2026-01-11/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/TheDogs_IG-1-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260531T190000
DTSTAMP:20260505T235535
CREATED:20251215T071506Z
LAST-MODIFIED:20251215T071506Z
UID:10008043-1768557600-1780254000@pluralartmag.com
SUMMARY:Elia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest
DESCRIPTION:Artists Elia Nurvista and Bagus Pandega explore how the demands of a relentless extraction\, from plantations to electric futures\, cast a shadow on the very “breath of the Earth.” \nElia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest imagines the afterlives of materials that persist long after their use\, outlasting our time in this age of excess. Plantations\, mining sites\, and the promise of electric vehicle technologies become places where the stories of tomorrow are formed\, bound by Indonesia’s extractive economies whose resources sustain the pulse of today’s global demand. \nFrom the need for oxygen to nickel’s role in lithium-ion technologies\, from the cutting down of forests to palm oil’s many applications\, these materials represent the state of the Earth’s breath (Nafasan Bumi) today\, strained by extraction. The planet’s natural rhythms no longer move freely but are drawn into the labour of industry\, breathing through the exhaustion of a harvest that never ends. \nAcross the exhibition\, labour appears as both memory and speculation\, a rhythm shared by humans\, machines\, and the living world. Conveyor belts\, once emblems of the industrial revolution and the mechanisation of labour\, now hum to the pulse of tropical plants\, creating a continuous cycle of productivity. Nearby\, sculptures cast in palm oil wax evoke the stillness of carved stone yet resist ideals of perfection\, creating a dreamscape haunted by plantation residues. Others\, made from discarded palm waste\, hold the tension between fragility and endurance. \nTogether\, these artworks trace how human and non-human life have been enmeshed in cycles of ceaseless pursuit of productivity\, asking: What will the future shaped by these material conditions? Like the recurring haze that engulfs Indonesia\, Singapore\, and Malaysia during the southwest monsoon\, the Earth’s breath\, shadowed by an endless harvest\, lingers as a reminder of what extraction conceals and refuses to let us forget. ~
URL:https://pluralartmag.com/event/elia-nurvista-and-bagus-pandega-nafasan-bumi-an-endless-harvest/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/Key-Visual-Elia-Nurvista-and-Bagus-Pandega_-Nafasan-Bumi-An-Endless-Harvest-Image-courtesy-of-Singapore-Art-Museum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260130
DTEND;VALUE=DATE:20270101
DTSTAMP:20260505T235535
CREATED:20260105T122749Z
LAST-MODIFIED:20260105T122749Z
UID:10008053-1769731200-1798761599@pluralartmag.com
SUMMARY:Momentary Pulses: Art in the Central Business District
DESCRIPTION:Date: 30 January 2026 – 31 December 2027\nVenue: Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\nAdmission: Free \nPresented by The Everyday Museum (a public art initiative by Singapore Art Museum)\, Momentary Pulses is a public art trail that invites you to slow down and encounter art in the daily flow of life. Spanning overlooked and interstitial public spaces like linkways\, open plazas and MRT passages\, seven newly commissioned installations by Singapore based artists respond to the sights\, sounds and commercial pulse of the Central Business District (CBD) — turning routine journeys into moments of reflection and imagination. \nFeaturing works by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, collaborative duo Teow Yue Han and Federico Ruberto\, Yang Jie and Immanuel Koh\, the trail reveals the textures and histories embedded within Singapore’s urban core. The works will be launched in two phases\, with the first phase featuring five installations by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, and the collaborative duo Teow Yue Han and Federico Ruberto. The remaining two works by Yang Jie and Immanuel Koh will be introduced in the later part of 2026. Each installation is sited within walking distance in the CBD\, including stops near OUE Link (Raffles Place)\, One Raffles Quay (North Tower)\, Asia Square (Tower 1)\, Shenton House\, and Tanjong Pagar MRT (Exit G). Look out for kinetic and sound-based installations\, AI-driven works\, sculptural interventions\, and site-specific gestures that reframe how we perceive the city’s everyday infrastructures. Together\, these works offer distinct lenses on movement\, memory\, technology and transformation — encouraging new ways of seeing a district in constant motion. \nAs part of the public art trail’s opening\, The Everyday Museum launches Story Scape (30 January – 8 February 2026)\, a festival organised in collaboration with StoryFest. The festival extends the trail through exciting storytelling performances\, artist talks and an evening audiovisual experience at RASA Space. Programme details will be announced on SAM’s channels.  \n 
URL:https://pluralartmag.com/event/momentary-pulses-art-in-the-central-business-district/
LOCATION:Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/WebMP1920x768.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260214
DTEND;VALUE=DATE:20260308
DTSTAMP:20260505T235535
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007900-1771027200-1772927999@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-02-14/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260305T100000
DTEND;TZID=Asia/Singapore:20260418T180000
DTSTAMP:20260505T235535
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008630-1772704800-1776535200@pluralartmag.com
SUMMARY:Between Line and Form
DESCRIPTION:Between Line and Form features new works by Kirsten Coelho and Tiffany Loy in a quiet dialogue shaped by discipline and material precision. Coelho’s architectural ceramic vessels explore narrative and memory\, while Loy’s woven geometries investigate light\, depth\, and structure. Together\, the exhibition considers how repetition and restraint give rise to presence and form.
URL:https://pluralartmag.com/event/between-line-and-form/
LOCATION:Sullivan+Strumpf Singapore\, 1M Yong Siak Street\, Singapore\, 168641\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/KC2026-07-image-scaled.jpg
ORGANIZER;CN="Sullivan+Strumpf":MAILTO:art@sullivanstrumpf.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260306
DTEND;VALUE=DATE:20260321
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008576-1772755200-1774051199@pluralartmag.com
SUMMARY:OPENING CONTEMPORARY VENICE – 18th EDITION 2026
DESCRIPTION:ITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\, is pleased to invite you to the opening of CONTEMPORARY VENICE 2026 – 18th edition\, a new international exhibition at Palazzo Albrizzi-Capello. From March 06 to 20\, 2026\, the show will highlight the artistic research of international creators\, reflecting on how new identities transform within contemporary spaces.
URL:https://pluralartmag.com/event/opening-contemporary-venice-18th-edition-2026/
LOCATION:Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venice\, Cannaregio 4118\, Venice\, Veneto\, 30121\, Italy
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/contemporary-venice.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T080000
DTEND;TZID=Asia/Singapore:20260307T170000
DTSTAMP:20260505T235535
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008640-1772870400-1772902800@pluralartmag.com
SUMMARY:Between Monsoons - A Slice of Contemporary Art from Taiwan
DESCRIPTION:Co-organised by Nanyang Academy of Fine Arts (NAFA)\, University of the Arts Singapore\, and the National Taiwan University of Arts\, Between Monsoons: A Slice of Contemporary Art from Taiwan features works by sixteen artists from NTUA’s College of Fine Arts. The exhibition explores how the monsoon\, as both climate and metaphor\, shapes contemporary artistic perspectives.
URL:https://pluralartmag.com/event/between-monsoons-a-slice-of-contemporary-art-from-taiwan/2026-03-07/1/
LOCATION:NAFA Campus 1\, The Ngee Ann Kongsi Galleries 1 & 2\, 80 Bencoolen Street\, 189655\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/03/Between-Monsoons_w1920.png
ORGANIZER;CN="Nanyang Academy of Fine Arts":MAILTO:seaARTforum@nafa.edu.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T100000
DTEND;TZID=Asia/Singapore:20260509T190000
DTSTAMP:20260505T235535
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008624-1772877600-1778353200@pluralartmag.com
SUMMARY:Rirkrit Tiravanija: SAY YES TO EVERYTHING
DESCRIPTION:STPI presents Rirkrit Tiravanija: SAY YES TO EVERYTHING\, a solo exhibition by the internationally acclaimed Argentine born Thai artist. One of the most widely celebrated figures in the contemporary art world\, Tiravanija has pioneered participatory practices that reshaped how institutions consider audience\, social connection\, and art objects themselves.
URL:https://pluralartmag.com/event/rirkrit-tiravanija-say-yes-to-everything/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/Rirkrit-Tiravanija-untitled-lunch-box-1996-scaled.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T100000
DTEND;TZID=Asia/Singapore:20260509T190000
DTSTAMP:20260505T235535
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008595-1772877600-1778353200@pluralartmag.com
SUMMARY:SAY YES TO EVERYTHING: Origami
DESCRIPTION:Create simple origami forms inspired by Rirkrit Tiravanija’s works\, Tomorrow is another fine day (2015) and untitled 2020 (extinction series) (2023).\n\nThis interactive activity\, like the artist’s other participatory works\, centres the shared time and experience between participants\, presenting art as a social exchange between people\, rather than an object.\n\nRecommended for all ages.
URL:https://pluralartmag.com/event/say-yes-to-everything-origami/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/Rirkrit-Outreach-2026-24.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T120000
DTEND;TZID=Asia/Singapore:20260509T190000
DTSTAMP:20260505T235535
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008628-1772884800-1778353200@pluralartmag.com
SUMMARY:Palma: The Conference of the Palm Trees | Featuring Mehdi-Georges Lahlou\, Curated by Virginie Puertolas-Syn
DESCRIPTION:Cuturi Gallery is delighted to present Palma: The Conference of the Palm Trees. Curated by London-based French curator Virginie Puertolas-Syn\, this exhibition marks the first presentation in Singapore and Asia of Mehdi-Georges Lahlou (b. 1983\, Les Sables-d’Olonne)\, a French and Moroccan artist whose multidisciplinary practice spans drawing\, sculpture\, installation\, photography\, and performance. Over the past two decades\, Mehdi-Georges Lahlou has developed a poetic and critical visual language addressing questions of identity\, hybridity\, belief systems\, and the politics of representation. \nFor his inaugural presentation at Cuturi Gallery\, Mehdi-Georges Lahlou presents a body of work previously shown internationally and here recontextualised within Singapore’s cultural\, historical\, and ecological landscape. The project draws inspiration from The Conference of the Birds\, the 12th-century Sufi allegory by Farid ud-Din Attar\, reimagined through the figure of the palm tree\, one of the world’s oldest cultivated plant species. \nPresented in Singapore\, where palm trees are integral to the city’s urban identity and “garden city” image\, the exhibition introduces a critical distance from their decorative and symbolic function. Through drawings\, sculptures\, photographs\, and installations\, Mehdi-Georges Lahlou isolates and re-frames the palm as both subject and archive\, revealing tensions between nature and control\, visibility and erasure\, ecology and exploitation. \nPalma: The Conference of the Palm Trees will be on view at 61 Aliwal Street\, Singapore 199937\, from 7 March to 9 May 2026.
URL:https://pluralartmag.com/event/palma-the-conference-of-the-palm-trees-featuring-mehdi-georges-lahlou-curated-by-virginie-puertolas-syn/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/02/1200-x-600-px-Palma-KV_1.png
ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T150000
DTEND;TZID=Asia/Singapore:20260307T160000
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008579-1772895600-1772899200@pluralartmag.com
SUMMARY:A Shared Meal with Rirkrit Tiravanija
DESCRIPTION:Share food and conversation with Rirkrit Tiravanija on the opening day of his exhibition\, SAY YES TO EVERYTHING. As part of Tiravanija’s practice of communal meals\, he has specially selected a dessert to be enjoyed by visitors.\n\nThis is a free\, standing programme. Participation is limited to 30 pax and offered on a first-come\, first-served basis.\n\nPlease note that dietary requests cannot be accommodated\, and that the food may contain meat\, peanuts\, shellfish\, soy and eggs.
URL:https://pluralartmag.com/event/a-shared-meal-with-rirkrit-tiravanija/
LOCATION:STPI\, 41 Robertson Quay\, Singapore 238236\, Singaapore\, Singapore\, 238236\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/2-1e8440d0-scaled.jpg
ORGANIZER;CN="STPI":MAILTO:communications@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T150000
DTEND;TZID=Asia/Singapore:20260307T170000
DTSTAMP:20260505T235535
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008550-1772895600-1772902800@pluralartmag.com
SUMMARY:In Our Own Frame: Artists in Conversation & Guided Tour
DESCRIPTION:Artist talk and guided tour accompanying In Our Own Frame.\nFeaturing Benjamin Tan\, Donna Chiu\, Kantaya New\, Farah Natasya Roslee (WiSSG)\, and Yap Yen (WiSSG). \nFree admission. Registration required \n 
URL:https://pluralartmag.com/event/in-our-own-frame-artists-in-conversation-guided-tour/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Almost-1000-750.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260307T170000
DTEND;TZID=Asia/Singapore:20260405T170000
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008581-1772902800-1775408400@pluralartmag.com
SUMMARY:Echoes of Undergrowth by John Marie Andrada
DESCRIPTION:Haridas Contemporary is excited to announce John Marie Andrada (b. 2001) upcoming solo exhibition with the gallery. \nHow often have we tried to mark our ideas of growth? It is a process that eludes and empowers\, albeit one we have tried to demarcate and demystify. Growth exists in abundance; teems in flourishing moments. Yet\, it also lurks at cavernous loss and despair. While we adapt or struggle to present a mirage of reality\, an undergrowth persists in our psychology. \nBuilt on the melding of ethereal and corporeal facets of natural phenomena and human anatomy\, Echoes of Undergrowth marks Andrada’s second solo at Haridas Contemporary. Featuring sixteen new works comprising of fourteen paintings and two multi-media installations\, Andrada seeks to lull the viewer into botanical dreamscapes as they piece together newfound focal points in nature and the physical body.
URL:https://pluralartmag.com/event/echoes-of-undergrowth-by-john-marie-andrada/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/02/FB-Echoes-of-Undergrowth.png
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260308T100000
DTEND;TZID=Asia/Singapore:20260308T190000
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008575-1772964000-1772996400@pluralartmag.com
SUMMARY:Celebrate International Women’s Day at National Gallery Singapore
DESCRIPTION:Celebrate International Women’s Day at National Gallery Singapore \nIn celebration of International Women’s Day\, National Gallery Singapore is curating a line-up of events and activities thoughtfully designed to inspire\, energise\, and uplift. Through guided sessions\, gentle moments of reflection\, and time set aside to enjoy art and culture\, these programmes invite you to find space to rest\, participate\, and reconnect – with yourself\, and with the community around you.  \nWhat’s more\, all women are entitled to free General Admission tickets\, allowing them access to all exhibitions at National Gallery Singapore.  \nFor more details on the International Women’s Day activities and programmes taking place at the Gallery\, please refer to the information below:  \nThe Powers That Shape Us  \nThursday\, 5 March 2026  \n6.30 – 8pm  \nThe Ngee Ann Kongsi Auditorium & Foyer\, Level B1\, City Hall Wing\, National Gallery Singapore  \n$5/pax | $2 for Gallery Insiders\, registration required  \nInspired by our exhibition Fear No Power: Women Imagining Otherwise\, The Powers that Shape Us is a panel co-organised with Association of Women for Action and Research (AWARE)\, looking at how policies affecting women’s lives in Singapore have shifted and manifested over the years. This is the first in a series of panels on the Gallery’s ongoing exhibitions.  \nWe will be joined with perspectives from Founding Member of AWARE and Singapore’s first female Nominated Member of Parliament\, Dr. Kanwaljit Soin; Executive Director of AWARE\, Lim Shoon Yin; Founder of the Fellowship of Men Singapore\, Benjamin Ang; and moderated by Chancellor of Bath University\, Shanranjit Leyl. They will explore how structures can both open and close doors\, and what it takes to build a society that protects women’s rights. \nInternational Women’s Day at the Gallery  \nSunday\, 8 March 2026  \n10am – 7pm  \nAll around the Gallery  \nThe Gallery transforms into a space that celebrates women on International Women’s Day itself. From morning to evening\, visitors can move freely between exhibitions and experiences – discovering art alongside activities more often found beyond a museum setting\, in ways that feel playful\, refreshing and unexpected.  \nHere’s a snapshot of what’s happening across the day:  \nLimited-capacity ticketed workshops and sessions are available at the following timeslots: \nStrength and Suppleness Yoga \n10am – 11am  \nPadang Atrium\, Level B1\, City Hall Wing\, National Gallery Singapore  \n$30/pax\, registration required | Gallery Insiders enjoy 20% off Open to all levels\, refreshments provided \nBanner Upcycling Workshop \n2 – 4pm  \nGlass Room\, Level 5\, Supreme Court Wing\, National Gallery Singapore  \n$20/pax\, registration required | Gallery Insiders enjoy 20% off \nSculpting Her World: The Art of Dora Gordine \n3 – 4.30pm  \nThe Ngee Ann Kongsi Auditorium\, Level B1\, City Hall Wing\, National Gallery Singapore  \n$10/pax\, registration required | $7/pax for Gallery Insiders \nSunset Yoga & Sound Bath \n5 – 6pm  \nNg Teng Fong Roof Garden Gallery\, Level 5\, City Hall Wing\, National Gallery Singapore \n$20/pax\, registration required | Gallery Insiders enjoys 20% off  \nOpen to all levels  \nComplementing these ticketed activities\, the first 50 visitors to Fear No Power: Women Imagining Otherwise on that day can enjoy a complimentary power card reading or colour analysis session – a special treat to deepen your experience.  \nVisitors to Fear No Power can also take part in our Instagram lucky draw. Simply follow us\, comment on our post\, and share an Instagram story about the exhibition to stand to win $150 worth of gift vouchers from both Anya Active and Curious Creatures each.  \nIn addition\, visitors who sign up for the Gallery’s Insider membership on the day will receive a complimentary lunch bag with every new sign-up. Gallery Insiders also enjoy exclusive discounts on ticketed activities and special programmes throughout the year.  \nMore information is available on our website. Slots for ticketed activities are limited\, so we encourage early registration to avoid disappointment.
URL:https://pluralartmag.com/event/celebrate-international-womens-day-at-national-gallery-singapore/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/02/International-Womens-Day_Key-Visual_FA_1920x1080-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260310T130000
DTEND;TZID=Asia/Singapore:20260411T180000
DTSTAMP:20260505T235535
CREATED:20260505T082803Z
LAST-MODIFIED:20260505T082803Z
UID:10008644-1773147600-1775930400@pluralartmag.com
SUMMARY:Journey of Dreamers
DESCRIPTION:Journey of Dreamers presents the works of four contemporary Korean artists—Hong Won Pyo\, Lee Doo Won\, Park Young Whan\, and Seo Won Mi—whose distinct artistic practices converge in a shared exploration of life’s journeys\, dreams\, and personal narratives. \nThough each artist works through a unique visual language\, their practices are united by a reflective engagement with everyday experiences. Drawing from personal memories\, emotional landscapes\, and observations of daily life\, the artists transform intimate moments into visual narratives that speak to broader themes of identity\, aspiration\, and human connection. \nRather than presenting a singular interpretation\, Journey of Dreamers highlights the evolving paths of four artists whose creative journeys unfold through years of reflection\, experimentation\, and dedication. The works are not simply images on canvas\, but traces of lived experiences—records of thought\, growth\, and artistic devotion. Together\, they form a quiet dialogue that invites viewers to pause and reflect on their own paths. \nBy bringing these artists together\, the exhibition creates a space for dialogue across different artistic approaches and sensibilities. Journey of Dreamers invites audiences to reflect on the shared human experience of searching\, growing\, and moving forward—reminding us that every life\, like every artistic practice\, is an unfolding journey.
URL:https://pluralartmag.com/event/journey-of-dreamers/
LOCATION:Art ImA\, 14 Circular Road\, #03-02\, Singapore 058412\, Singapore\, Singapore\, 058412\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/03/A4-scaled.jpg
ORGANIZER;CN="Art ImA":MAILTO:info@artcompanyima.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260311T150000
DTEND;TZID=Asia/Singapore:20260312T203000
DTSTAMP:20260505T235535
CREATED:20260505T082803Z
LAST-MODIFIED:20260505T082803Z
UID:10008638-1773241200-1773347400@pluralartmag.com
SUMMARY:Blueprints of Tomorrow: Singapore Polytechnic’s 2026 Graduation Showcases Celebrate Visionary Design
DESCRIPTION:Looking for something different to do this March? Step into a celebration of ideas\, imagination and immersive experiences at Singapore Polytechnic’s (SP) 2026 Graduation Showcases by the Media\, Arts & Design School (MAD). \nNEXUS: MAD Grad Experience & Concert 2026 is a two-day immersive experience celebrating student work across design\, animation\, music\, digital media and creative entrepreneurship. \n  \nKey highlights include: \n\nFlea market and artist stalls featuring MAD alumni and student creators (T21 Level 3) \nLaunch of new creative spaces — Immersive Games Studio (MAD x So Drama!) at T21 Level 1 and Riot Factory (MAD x Bloomr.SG) at T21 Level 3\nSpecial Guest Panel (11 March\, 4pm\, MLT12): The Transdisciplinary Edge: Skills for the New Design Economy — featuring creative industry leaders including Jackson Tan (Co-founder & Creative Director of Black Design)\, Esther Wong (Design Lead at Changi Airport Group) and more\nIndustry Opening Night (11 March\, 7pm\, T19 Foyer) will highlight MOUs with industry partners such as Design Business Chamber Singapore\, COL Group\, and more as well as recognition of outstanding student projects through the Best of MAD Awards\nDJ performance by Løvkëy & DYSTORT (11 March\, 7.45pm\, T19 Foyer)\nMediacorp 987 pop-up (12 March) with Sonia Chew and Joakim Gomez (T19 Level 1)\nMAD Grad Concert (12 March\, 7pm\, T19 Carpark) hosted by Mediacorp DJ Louisa Kan with performances by graduating students\nFree ice cream\, fries\, churros and more\, plus live food stations!\n\nVisitors can also explore nominated works\, transdisciplinary projects\, creative start-ups and portfolio showcases. \nVisitors are encouraged to check the campus map for directions to both events: https://www.sp.edu.sg/about-sp/campus-map-and-facilities/wayfinding-around-campus.   \n– END – \nAbout Singapore Polytechnic \nEstablished in 1954\, Singapore Polytechnic (SP) is Singapore’s first polytechnic. It has 10 schools that offer 30 full-time diploma courses and four common entry programmes for more than 12\,800 students. Pedagogical innovation is foremost at SP. We have implemented institution-wide Flipped Learning and are at the forefront of using Analytics in Education. SP also leads the global CDIO (Conceive-Design-Implement-Operate) Collaborative in the region. By ensuring our curriculum is just in time with industry developments\, we can offer a solution-driven internship programme to our industry partners. \nAt SP\, we are committed to nurturing self-directed\, versatile graduates who are also imbued with sound values so that they can be life ready\, work ready\, world ready\, and be of service to industry and society. We have more than 240\,000 graduates; among them are successful entrepreneurs\, top executives in multi-national and public-listed corporations\, industry leaders and professionals across various industries\, and leaders in government. \nSP clinched the inaugural ASEAN People’s Award in 2015 for contributing to the region’s community-building efforts. We are also the first polytechnic to be awarded the President’s Award for the Environment in 2010\, the President’s Social Service Award in 2011\, and the President’s Award for Teachers in 2017\, 2018\, 2020\, 2023 and 2024. \nFor more information\, visit www.sp.edu.sg. Follow SP on Facebook and YouTube @SingaporePolytechnic and Instagram and TikTok at @SingaporePoly.
URL:https://pluralartmag.com/event/blueprints-of-tomorrow-singapore-polytechnics-2026-graduation-showcases-celebrate-visionary-design/
LOCATION:Media\, Arts & Design School (Block T19)\, Singapore Polytechnic\, 500 Dover Rd\, Singapore 139651\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/03/NEXUS-MAD-Grad-Experience-Concert-2026.jpg
ORGANIZER;CN="Singapore Polytechnic":MAILTO:shey@mutant.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260313T080000
DTEND;TZID=Asia/Singapore:20260321T170000
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008577-1773388800-1774112400@pluralartmag.com
SUMMARY:“… AND WE HIRED A BLOKE TO FIX THE WALL”
DESCRIPTION:“… AND WE HIRED A BLOKE TO FIX THE WALL”\nSOLO EXHIBITION BY BEAST\nMarch 13 – 21\, 2026\nELEMENTS Contemporary Art Space\, London \nITSLIQUID Group is pleased to present “…and we hired a bloke to fix the wall”\, a solo exhibition by Italian street artist Beast\, curated by Luca Curci\, on view in London from March13 until 21 March\, 2026 at ELEMENTS Contemporary Art Space\, in London. The exhibition brings together a selection of works from Beast’s most recent series\, exploring the relationship between memory\, history\, and the physical traces of time embedded in urban surfaces. Active since 2009\, Beast has realised over 200 urban installations across more than 40 cities in Europe\, the United States and Japan. His early practice focused on political and social themes\, often presented through satirical mash-ups of contemporary figures framed in gold and placed directly in public space. Over time\, his work expanded in scale\, moving towards large-format paste-ups and monumental interventions on abandoned buildings. Throughout this evolution\, the street has remained central to his practice\, conceived as an open and democratic space for artistic dialogue. In recent years\, Beast has turned his attention towards history and memory\, developing an ongoing body of work that places portraits of cultural figures on the walls of abandoned historical centres. These locations – often damaged\, neglected or left to decay – are not treated as neutral backdrops\, but as integral components of the work itself.The series “…and we hired a bloke to fix the wall”\, which also gives its title to the exhibition\, presents portraits of influential figures from culture\, philosophy\, literature\, art and psychology. Among those featured are Carl Gustav Jung\, Philip Roth\, Jackson Pollock\, Albert Camus and Noam Chomsky. Rather than functioning as celebratory images\, these works present the subjects as enduring presences emerging from the material history of the places they inhabit. The technique behind the works is central to their meaning. Each piece begins with the wall itself\, which is first photographed in detail. The texture of the surface—its cracks\, stains and signs of erosion – is digitally overlaid onto the portrait of the chosen subject. The resulting image is then printed and installed on the same wall\, aligning imperfections so that the figure appears to surface from within the architecture. Image and wall merge\, creating the impression that memory is embedded in the structure itself. The conceptual foundation of the series is inspired by a statement from historian Howard Zinn: “If you don’t know history it is as if you were born yesterday. And if you were born yesterday\, anybody up there in a position of power can tell you anything\, and you have no way of checking up on it.” \nFor Beast\, historical awareness represents a form of resistance against manipulation and collective amnesia. The title of the exhibition introduces a subtle but deliberate irony. “…and we hired a bloke to fix the wall” evokes the idea of a practical solution to decay\, suggesting that damage can simply be repaired or concealed. In contrast\, Beast exposes the wall rather than fixing it\, treating cracks and erosion as carriers of meaning rather than flaws to be corrected. Installed within the gallery space\, the works retain their connection to the street and to the abandoned environments from which they originate. Fragile and materially charged\, they invite reflection on the relationship between physical decay and intellectual endurance\, and on the role of memory in shaping our understanding of the present. \nOPENING\nMarch 13\, 2026 | 06:00 PM\nELEMENTS Contemporary Art Space\n253 Hoxton Street\, N1 5LG\, London\, UK\nOpening hours | Tuesday – Saturday . 11:00 AM – 05:00 PM \nRSVP\ninfo@itsliquid.com\nClick here to register for the event (free entry)
URL:https://pluralartmag.com/event/and-we-hired-a-bloke-to-fix-the-wall/
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/colophon-2026-beast-70x100-optimized.jpg
ORGANIZER;CN="ELEMENTS Contemporary Art Space":MAILTO:info@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260313T123000
DTEND;TZID=Asia/Singapore:20260313T133000
DTSTAMP:20260505T235535
CREATED:20260505T020447Z
LAST-MODIFIED:20260505T020447Z
UID:10008582-1773405000-1773408600@pluralartmag.com
SUMMARY:A Shared Meal
DESCRIPTION:Experience an artwork in action!\n\nJoin us for a complimentary Thai lunch in the gallery as we activate Rirkrit Tiravanija’s ‘untitled (lunch box)’ (1996). This programme invites 8 visitors to share a freshly prepared meal from a local Thai restaurant\, served out of traditional tiffin carriers.\n\nThrough this experience\, the shared meal becomes the artwork itself\, unfolding through conversation\, chance encounters and the temporary community formed around the table.\n\nPlease note that participation is walk-in only. Advance bookings and dietary requests cannot be accommodated due to the nature of the work. The food may contain meat\, peanuts\, shellfish\, soy and eggs.
URL:https://pluralartmag.com/event/a-shared-meal/2026-03-13/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/2-1e8440d0-1.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260313T180000
DTEND;TZID=Asia/Singapore:20260321T170000
DTSTAMP:20260505T235535
CREATED:20260505T082912Z
LAST-MODIFIED:20260505T082912Z
UID:10008627-1773424800-1774112400@pluralartmag.com
SUMMARY:“... AND WE HIRED A BLOKE TO FIX THE WALL”
DESCRIPTION:ITSLIQUID Group is pleased to present “…and we hired a bloke to fix the wall”\, a solo exhibition by Italian street artist Beast\, curated by Luca Curci\, on view in London from March13 until 21 March\, 2026 at ELEMENTS Contemporary Art Space\, in London. \nThe exhibition brings together a selection of works from Beast’s most recent series\, exploring the relationship between memory\, history\, and the physical traces of time embedded in urban surfaces. Active since 2009\, Beast has realised over 200 urban installations across more than 40 cities in Europe\, the United States and Japan. His early practice focused on political and social themes\, often presented through satirical mash-ups of contemporary figures framed in gold and placed directly in public space. Over time\, his work expanded in scale\, moving towards large-format paste-ups and monumental interventions on abandoned buildings. \nThroughout this evolution\, the street has remained central to his practice\, conceived as an open and democratic space for artistic dialogue. In recent years\, Beast has turned his attention towards history and memory\, developing an ongoing body of work that places portraits of cultural figures on the walls of abandoned historical centres. These locations – often damaged\, neglected or left to decay – are not treated as neutral backdrops\, but as integral components of the work itself. \nThe series “…and we hired a bloke to fix the wall”\, which also gives its title to the exhibition\, presents portraits of influential figures from culture\, philosophy\, literature\, art and psychology. Among those featured are Carl Gustav Jung\, Philip Roth\, Jackson Pollock\, Albert Camus and Noam Chomsky. Rather than functioning as celebratory images\, these works present the subjects as enduring presences emerging from the material history of the places they inhabit. \nThe technique behind the works is central to their meaning. Each piece begins with the wall itself\, which is first photographed in detail. The texture of the surface—its cracks\, stains and signs of erosion – is digitally overlaid onto the portrait of the chosen subject. The resulting image is then printed and installed on the same wall\, aligning imperfections so that the figure appears to surface from within the architecture. Image and wall merge\, creating the impression that memory is embedded in the structure itself. The conceptual foundation of the series is inspired by a statement from historian Howard Zinn: “If you don’t know history it is as if you were born yesterday. And if you were born yesterday\, anybody up there in a position of power can tell you anything\, and you have no way of checking up on it.” \nFor Beast\, historical awareness represents a form of resistance against manipulation and collective amnesia. The title of the exhibition introduces a subtle but deliberate irony. “…and we hired a bloke to fix the wall” evokes the idea of a practical solution to decay\, suggesting that damage can simply be repaired or concealed. In contrast\, Beast exposes the wall rather than fixing it\, treating cracks and erosion as carriers of meaning rather than flaws to be corrected. Installed within the gallery space\, the works retain their connection to the street and to the abandoned environments from which they originate. Fragile and materially charged\, they invite reflection on the relationship between physical decay and intellectual endurance\, and on the role of memory in shaping our understanding of the present. \nOPENING\nMarch 13\, 2026 | 06:00 PM\nELEMENTS Contemporary Art Space\n253 Hoxton Street\, N1 5LG\, London\, UK\nOpening hours | Tuesday – Saturday . 11:00 AM – 05:00 PM \nRSVP\ninfo@itsliquid.com\nClick here to register for the event (free entry)
URL:https://pluralartmag.com/event/and-we-hired-a-bloke-to-fix-the-wall-2/
LOCATION:ELEMENTS Contemporary Art Space\, 253 Hoxton Street London N1 5LG United Kingdom\, London\, London\, N1 5LG\, United Kingdom
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/colophon-2026-beast-70x100-optimized-1.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260313T180000
DTEND;TZID=Asia/Singapore:20260321T170000
DTSTAMP:20260505T235535
CREATED:20260505T082912Z
LAST-MODIFIED:20260505T082912Z
UID:10008631-1773424800-1774112400@pluralartmag.com
SUMMARY:“... AND WE HIRED A BLOKE TO FIX THE WALL”
DESCRIPTION:ITSLIQUID Group is pleased to present “…and we hired a bloke to fix the wall”\, a solo exhibition by Italian street artist Beast\, curated by Luca Curci\, on view in London from March13 until 21 March\, 2026 at ELEMENTS Contemporary Art Space\, in London. \nThe exhibition brings together a selection of works from Beast’s most recent series\, exploring the relationship between memory\, history\, and the physical traces of time embedded in urban surfaces. Active since 2009\, Beast has realised over 200 urban installations across more than 40 cities in Europe\, the United States and Japan. His early practice focused on political and social themes\, often presented through satirical mash-ups of contemporary figures framed in gold and placed directly in public space. Over time\, his work expanded in scale\, moving towards large-format paste-ups and monumental interventions on abandoned buildings. \nThroughout this evolution\, the street has remained central to his practice\, conceived as an open and democratic space for artistic dialogue. In recent years\, Beast has turned his attention towards history and memory\, developing an ongoing body of work that places portraits of cultural figures on the walls of abandoned historical centres. These locations – often damaged\, neglected or left to decay – are not treated as neutral backdrops\, but as integral components of the work itself. \nThe series “…and we hired a bloke to fix the wall”\, which also gives its title to the exhibition\, presents portraits of influential figures from culture\, philosophy\, literature\, art and psychology. Among those featured are Carl Gustav Jung\, Philip Roth\, Jackson Pollock\, Albert Camus and Noam Chomsky. Rather than functioning as celebratory images\, these works present the subjects as enduring presences emerging from the material history of the places they inhabit. \nThe technique behind the works is central to their meaning. Each piece begins with the wall itself\, which is first photographed in detail. The texture of the surface—its cracks\, stains and signs of erosion – is digitally overlaid onto the portrait of the chosen subject. The resulting image is then printed and installed on the same wall\, aligning imperfections so that the figure appears to surface from within the architecture. Image and wall merge\, creating the impression that memory is embedded in the structure itself. The conceptual foundation of the series is inspired by a statement from historian Howard Zinn: “If you don’t know history it is as if you were born yesterday. And if you were born yesterday\, anybody up there in a position of power can tell you anything\, and you have no way of checking up on it.” \nFor Beast\, historical awareness represents a form of resistance against manipulation and collective amnesia. The title of the exhibition introduces a subtle but deliberate irony. “…and we hired a bloke to fix the wall” evokes the idea of a practical solution to decay\, suggesting that damage can simply be repaired or concealed. In contrast\, Beast exposes the wall rather than fixing it\, treating cracks and erosion as carriers of meaning rather than flaws to be corrected. Installed within the gallery space\, the works retain their connection to the street and to the abandoned environments from which they originate. Fragile and materially charged\, they invite reflection on the relationship between physical decay and intellectual endurance\, and on the role of memory in shaping our understanding of the present. \nOPENING\nMarch 13\, 2026 | 06:00 PM\nELEMENTS Contemporary Art Space\n253 Hoxton Street\, N1 5LG\, London\, UK\nOpening hours | Tuesday – Saturday . 11:00 AM – 05:00 PM \nRSVP\ninfo@itsliquid.com\nClick here to register for the event (free entry) \n 
URL:https://pluralartmag.com/event/and-we-hired-a-bloke-to-fix-the-wall-3/
LOCATION:ELEMENTS Contemporary Art Space\, 253 Hoxton Street London N1 5LG United Kingdom\, London\, London\, N1 5LG\, United Kingdom
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/02/colophon-2026-beast-70x100-optimized-2.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260313T180000
DTEND;TZID=Asia/Singapore:20260331T200000
DTSTAMP:20260505T235535
CREATED:20260505T082912Z
LAST-MODIFIED:20260505T082912Z
UID:10008642-1773424800-1774987200@pluralartmag.com
SUMMARY:Second Skin
DESCRIPTION:Mavenira Gallery presents Second Skin\, a compelling group exhibition bringing together six contemporary artists whose works explore the body as a site of transformation\, identity\, and expression. Opening on 13th of March at Curio Home\, Dempsey Hill\, the exhibition gathers Singapore’s stalwart artists Kumari Nahappan\, Ezzam Rahman\, Andy Yang\, Aryan Arora\, German photographer Alina Gross\, and Filipino artist EL Taganas\, each contributing distinct artistic perspectives that collectively examine the idea of the body as a ‘second skin.’
URL:https://pluralartmag.com/event/second-skin/
LOCATION:Curio Home\, Curio Home 01-15 dempsy Hill\, Singapore\, Singapore\, 249674\, Singapore
CATEGORIES:International,Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/03/jhkjbg.png
ORGANIZER;CN="Mavendoer":MAILTO:Contact@Mavendoer.com
END:VEVENT
END:VCALENDAR