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DTSTART;VALUE=DATE:20260121
DTEND;VALUE=DATE:20260302
DTSTAMP:20260527T134359
CREATED:20260112T063324Z
LAST-MODIFIED:20260130T153241Z
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SUMMARY:Rituals of Perception
DESCRIPTION:Tanoto Art Foundation’s (TAF) first major group exhibition Rituals of Perception will open on 21 January 2026 during Singapore Art Week. On view through 1 March 2026\, the exhibition gathers works born from intimate dialogues between body and matter\, unfolding through slow\, contemplative\, and iterative processes. Against the backdrop of digital acceleration and collective disenchantment\, the exhibition turns toward practices that reattune us to presence\, where every gesture and touch becomes a quiet act of resistance against an increasingly dehumanised sense of time. Staged at Singapore’s New Bahru School Hall\, the exhibition features works from the Tanoto Family Collection\, loans and new commissions by over twenty leading contemporary artists. Rituals of Perception is curated by Xiaoyu Weng\, TAF Artistic Director. During the opening reception\, artist Sriwhana Spong presented a new performance as part of her ongoing research\, presented in Singapore for the first time. \nTo learn more about Rituals of Perception here. \nLocation \nNew Bahru School Hall\, 46 Kim Yam Road\, School Block\, #02-02\, Singapore 239351 \nOpening Hours \nOpens Daily\, 11am-7pm \nSaturdays till 9pm
URL:https://pluralartmag.com/event/rituals-of-perception/
LOCATION:New Bahru (School Hall)\, New Bahru\, 46 Kim Yam Rd\, New Bahru\, Singapore 239351\, Singapore\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="Tanoto Art Foundation":MAILTO:naomi_tan@tanotoartfoundation.org
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260117T120000
DTEND;TZID=Asia/Singapore:20260301T180000
DTSTAMP:20260527T134359
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
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SUMMARY:Boedi Widjaja: Immortal Words :: 字基
DESCRIPTION:Immortal Words :: 字基 splices poetry with genetic code\, meditating on the diasporic condition. Boedi Widjaja asks: if history is displaced\, how might it take up new space through the body? His 4-line toponymic poem spatialises as DNA nano-sculptures—lines\, circles\, cubes—released through a capsule ball machine\, with the microfluidic molecular writing process unspooled on video. A living\, participatory work realized with geneticist Eric Yap (Institute of Digital Molecular Analytics and Science).
URL:https://pluralartmag.com/event/boedi-widjaja-immortal-words-%e5%ad%97%e5%9f%ba/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Regional,Singapore
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ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260117T110000
DTEND;TZID=Asia/Singapore:20260228T190000
DTSTAMP:20260527T134359
CREATED:20260112T063547Z
LAST-MODIFIED:20260112T063547Z
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SUMMARY:Metamorphosis: Curated by Syed Muhammad Hafiz | Featuring Jaafar Latiff\, Anniketyni Madian\, Meta Enjelita and Khairulddin Wahab
DESCRIPTION:Cuturi Gallery is delighted to present Metamorphosis\, curated by independent curator and art historian Syed Muhammad Hafiz. The exhibition brings together works by Anniketyni Madian (b. 1986\, Malaysia)\, Meta Enjelita (b. 1994\, Indonesia)\, and Khairulddin Wahab (b. 1990\, Singapore) in dialogue with the late Singaporean batik modernist Jaafar Latiff (1937–2007\, Singapore). Through new responses to Latiff’s ideas and material experiments\, Metamorphosis explores legacy as restless and evolving\, highlighting contemporary practices across the Malay Archipelago\, where art\, craft\, and tradition are constantly reimagined. \nCentral to the exhibition is Jaafar Latiff’s lifelong commitment to pushing batik beyond convention. Working on his own terms\, he expanded the medium through abstraction\, material experimentation\, and an unwavering belief in artistic autonomy. His contributions\, recognised through major institutional exhibitions and his role as an influential art educator\, position him as a pivotal figure in Singapore’s post-independence art history. \nResponding to Jaafar Latiff’s sustained innovation with batik and abstraction\, the invited artists engage with his legacy through both material and conceptual transformation. Anniketyni Madian\, known for her abstract sculptural works\, draws on Iban folklore and Sarawakian cultural memory\, embedding personal and ancestral narratives within universal forms. Latiff’s persistent exploration of abstraction offers a point of departure for her practice\, where beneath seemingly universal forms lie traces of identity\, heritage\, and tradition. Meta Enjelita work explores the entangled matters of materiality\, ecological and social structures\, and her latest textile-based installation works incorporate stylised Jawi calligraphy inspired by Latiff’s Unspoken Dialogue series. Applying her signature rust-dyeing techniques\, her works weave together traditional batik and calligraphic techniques into contemporary installation\, giving form to a mutual conversation between art and craft. Khairulddin Wahab’s practice examines post-colonial histories\, cultural geography\, and environmental narratives. Similarly drawing on cultural narratives surrounding batik traditions\, his latest work adds another dimension to his practice\, especially after his residency at Lohjinawi\, Yogyakarta\, towards the end of 2025. Instead of working with his preferred acrylic paints\, Khairulddin has decided to adopt batik-inspired techniques for his latest work – a commentary on the spice and nutmeg trade during the colonial era. \nTogether\, these new works showcase some of Southeast Asia’s most dynamic young artists\, revealing their critical engagement with art history\, tradition\, and material practice. By placing Jaafar Latiff’s works alongside those of younger artists\, the exhibition offers additional perspectives through which to consider his practice. Metamorphosis positions Latiff’s ideas as ongoing and open to reinterpretation across generations. \n \nMetamorphosis runs from 17 January to 28 February 2026 at Cuturi Gallery\, Singapore.
URL:https://pluralartmag.com/event/metamorphosis-curated-by-syed-muhammad-hafiz-featuring-jaafar-latiff-anniketyni-madian-meta-enjelita-and-khairulddin-wahab/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260527T134359
CREATED:20250623T035204Z
LAST-MODIFIED:20250623T035204Z
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SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants! \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille. \nFor more information\, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html
URL:https://pluralartmag.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
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