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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260116T100000
DTEND;TZID=Asia/Singapore:20260531T190000
DTSTAMP:20260424T124828
CREATED:20251215T071506Z
LAST-MODIFIED:20251215T071506Z
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SUMMARY:Elia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest
DESCRIPTION:Artists Elia Nurvista and Bagus Pandega explore how the demands of a relentless extraction\, from plantations to electric futures\, cast a shadow on the very “breath of the Earth.” \nElia Nurvista and Bagus Pandega: Nafasan Bumi ~ An Endless Harvest imagines the afterlives of materials that persist long after their use\, outlasting our time in this age of excess. Plantations\, mining sites\, and the promise of electric vehicle technologies become places where the stories of tomorrow are formed\, bound by Indonesia’s extractive economies whose resources sustain the pulse of today’s global demand. \nFrom the need for oxygen to nickel’s role in lithium-ion technologies\, from the cutting down of forests to palm oil’s many applications\, these materials represent the state of the Earth’s breath (Nafasan Bumi) today\, strained by extraction. The planet’s natural rhythms no longer move freely but are drawn into the labour of industry\, breathing through the exhaustion of a harvest that never ends. \nAcross the exhibition\, labour appears as both memory and speculation\, a rhythm shared by humans\, machines\, and the living world. Conveyor belts\, once emblems of the industrial revolution and the mechanisation of labour\, now hum to the pulse of tropical plants\, creating a continuous cycle of productivity. Nearby\, sculptures cast in palm oil wax evoke the stillness of carved stone yet resist ideals of perfection\, creating a dreamscape haunted by plantation residues. Others\, made from discarded palm waste\, hold the tension between fragility and endurance. \nTogether\, these artworks trace how human and non-human life have been enmeshed in cycles of ceaseless pursuit of productivity\, asking: What will the future shaped by these material conditions? Like the recurring haze that engulfs Indonesia\, Singapore\, and Malaysia during the southwest monsoon\, the Earth’s breath\, shadowed by an endless harvest\, lingers as a reminder of what extraction conceals and refuses to let us forget. ~
URL:https://pluralartmag.com/event/elia-nurvista-and-bagus-pandega-nafasan-bumi-an-endless-harvest/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260111T120000
DTEND;TZID=Asia/Singapore:20260211T180000
DTSTAMP:20260424T124828
CREATED:20260105T122800Z
LAST-MODIFIED:20260105T122800Z
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SUMMARY:City Lines
DESCRIPTION:Singapore’s urban landscape is constantly evolving. City Lines showcases ten artists whose work examines the invisible lines that connect people to their surroundings—the emotional and psychological aspects of the city that go beyond its visible architecture. From the quiet beauty of watercolour cityscapes to digital takes on architecture\, and poetic views of urban life\, City Lines showcases the rhythm of Singapore’s spaces. Beyond capturing façades—the shophouse\, housing estate and urban forms\, the exhibition tells a story of the artists’ connection with the city\, the past and the present\, real and imagined. \nARTISTS\nAndrew Huang\nHeiko Schulze\nIdris Ali\nJeffrey Wandly\nKay Saputra\nMasturah Sha’ari\nMayang Sari\nSyazana Yassin\nTerence Tan\nYeo Jian Long \nHeld at Maya Gallery from 11 January to 11 February 2026\, City Lines will be part of the Singapore Art Week.
URL:https://pluralartmag.com/event/city-lines/
LOCATION:Maya Gallery\, 57 Genting Lane\, #05-00\, Singapore 349564\, 57 Genting Lane\, #05-00 Singapore 349564\, 349564\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="Maya Gallery":MAILTO:art@mayagallery.com.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T170000
DTEND;TZID=Asia/Singapore:20260207T230000
DTSTAMP:20260424T124828
CREATED:20260105T092059Z
LAST-MODIFIED:20260105T092059Z
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SUMMARY:Neural Echoes: Enter The Sleep Lab
DESCRIPTION:50-minute narrative-driven\, immersive experience with interactive puzzles. For 4-6 players. \nSomniTech promises to revolutionise rest: a future where sleep is productive\, optimised\, and monetised. Their Brain–Computer Interface and experimental dream-tracking systems map susceptibility\, guide sleep states\, and deliver auditory instructions. \nMany clinical trial participants never exited the programme. Dr. Adrian Tan\, the iconic yet controversial mind behind SomniTech\, disappeared shortly after. No one knows what drives him\, or what horrors unfold behind those closed doors. \nWill you go undercover in the clinical trials? Enter the lab\, navigate controlled assessments\, figure out what happened to the missing participants\, and uncover the true purpose of SomniTech.
URL:https://pluralartmag.com/event/neural-echoes-enter-the-sleep-lab/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260109T130000
DTEND;TZID=Asia/Singapore:20260131T180000
DTSTAMP:20260424T124828
CREATED:20260105T092015Z
LAST-MODIFIED:20260105T122836Z
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SUMMARY:Bouquet For You
DESCRIPTION:In the liminal spaces where time folds into timelessness and life meets mortality\, Sung Min Woo’s art takes form. Sung’s debut solo exhibition in Singapore at Gallery Ima is more than a geographic milestone—it is a passage into an in-between realm where cultures\, philosophies\, and ecological ideas converge. \n\n\nBorn in 1974\, Sung Min Woo trained in Oriental Painting at Hongik University\, earning both her BFA and MFA\, before completing a Ph.D. in Art Education at Korea National University of Education. This combined foundation of practice and theory shapes her distinctive approach. Working with silk\, natural pigments\, and powdered gold and silver\, she draws on East Asian artistic traditions while reinterpreting them through a contemporary ecological lens. Her paintings go beyond representing nature; they interrogate its conditions\, exploring what it means to emerge\, endure\, and ultimately disappear—ideas that resonate across cultures and time. \n\n\nWorking on silk\, Sung layers natural pigments and dusts her surfaces with gold and silver powder. These metallic interventions do more than embellish; they suspend time\, creating a luminous membrane where fleeting moments attain a sense of permanence. Her technique of saturation\, repetition\, and slow accumulation reflects the rhythms of germination\, growth\, decay\, and renewal. Each stroke becomes a meditative gesture linking continuity with impermanence. \n\n\nGrass is Sung’s enduring motif – modest yet resilient\, thriving in overlooked spaces. She often depicts naturalised species\, plants rooted in Korean soil but originating elsewhere\, as metaphors for movement\, adaptation\, and coexistence. Once foreign\, these species integrate into their environments\, enriching ecological diversity. Through this imagery\, Sung develops a visual lexicon of interdependence\, where ecological processes mirror social dynamics. \n\n\n\nCentral to Sung’s practice is the notion of oikos—the ancient Greek word that symbolises a foundational space of life where relationships coexist. In her work\, oikos becomes a site where individual and collective existence intertwine. Her compositions unfold as living ecosystems: dense\, shimmering fields where grasses and wildflowers weave narratives of survival\, adaptation\, and transformation. Each blade speaks of resilience and care\, reminding us that life endures through connection. \n\n\nThis resonance is particularly alive in Singapore. Like these naturalised plants\, Singapore’s identity has been shaped through migration and exchanges. Its strength lies in diversity\, resilience\, and adaptability. Sung’s work offers a quiet parallel: the beauty of integration and the unexpected harmony that emerges when disparate lives share the same ground. \n\n\nSung’s exhibition\, Bouquet For You\, invites us into a space of stillness and reflection. Shimmering surfaces and grasses rendered with exquisite precision blur the boundary between reality and dream\, urging us to pause\, look deeply\, and contemplate our place within an interconnected ecological and existential web.
URL:https://pluralartmag.com/event/bouquet-for-you/
LOCATION:Art ImA\, 14 Circular Road\, #03-02\, Singapore 058412\, Singapore\, Singapore\, 058412\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="Art ImA":MAILTO:info@artcompanyima.com
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251213T120000
DTEND;TZID=Asia/Singapore:20260215T180000
DTSTAMP:20260424T124828
CREATED:20251215T070208Z
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SUMMARY:Yao Qingmei: Steel Garden
DESCRIPTION:Opening Reception : 13 December 2025\, 4pm\nExhibition Period : 13 December 2025 – 15 February 2026 \nSingapore\, November 2025 — ShanghART Gallery is pleased to present Steel Garden\, a solo exhibition by Paris-based artist Yao Qingmei\, marking her first major presentation with the gallery. Known for an interdisciplinary practice that bridges performance\, video\, photography\, and installation\, Yao examines how bodies move through—and are shaped by—structures of power\, public ritual\, and the choreography of collective life. \nAt the heart of the exhibition is Steel Garden\, her latest two-channel video installation. The work draws from the grand floral displays erected annually during moments of national celebration. Through a series of precise and lingering images—close-ups of flowers\, birds foraging among cracks\, weeds growing between paving stones\, the varied postures of visitors\, and the synchronised gesture of crowds during the flag-raising ceremony—Yao reveals the subtle relationships between individual action\, collective ritual\, and the constructed natural landscape. \nThis multi-chapter video work begins with news reports on specially cultivated festival flowers and culminates in a floating\, dust-like vocal poem from the artist’s own perspective. Drawing upon the concepts of the “moving garden” and the “third landscape” by French gardener Gilles Clément\, the work also references descriptions of pain and hallucination experienced by the soldier Pavel Korchagin in the Soviet novel How the Steel Was Tempered (1934) to reveal the biopolitical framework that underlies this monumental ritual. \nThe exhibition also brings together works spanning more than 10 years\, offering a contextual understanding of Yao’s sustained inquiry into symbolic gesture\, embodied practice\, and moving-image construction. Beginning with early public space interventions and documented performances\, Yao initially used video as a means of recording her embodied actions. Over time\, she has increasingly turned toward filmic construction\, developing a more deliberate cinematic language that positions her both in front of and behind the camera. \nThis evolution is visible in works such as The Third Internationale in Monaco (2012) and Dance! Dance! Bruce Ling! (2013)\, in which Yao performs as a protagonist navigating staged situations that parody ideological choreography. In more recent projects\, including Prelude to Love (2023)\, she adopts the role of a director\, shaping narrative\, movement\, and mise-en-scène to investigate how collective identities are formed\, reinforced\, or unsettled. \nAcross her body of work\, Yao Qingmei articulates a distinctive\, incisive voice within contemporary art—one attuned to the shifting dynamics of nationalism\, memory\, and public space in the twenty-first century. Steel Garden offers a focused yet expansive lens into her practice\, foregrounding an artist whose observations of ritual\, power\, and lived experiences resonate far beyond their point of origin.
URL:https://pluralartmag.com/event/yao-qingmei-steel-garden/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250905
DTEND;VALUE=DATE:20260608
DTSTAMP:20260424T124828
CREATED:20250908T081107Z
LAST-MODIFIED:20250908T081107Z
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SUMMARY:Let’s Play! The Art and Design of Asian Games
DESCRIPTION:Games are among humanity’s oldest shared experiences – a source of joy\, challenge\, and connection for thousands of years. In Asia\, they have developed in remarkably diverse ways\, from the lively\, fast-paced rhythms of mahjong and congkak to the contemplative strategy of go and chess. They have entertained and educated\, reflected power and status\, and acted as metaphors for life. \nThis exhibition explores the rich history of Asian games and the role they have played in shaping culture\, identity\, and community. Some travelled widely\, taking on new forms and meanings across borders. Others became tools for mental training or expressions of artistic ideals. Even today\, they remain at the frontier of innovation – as seen in the rise of artificial intelligence. \nMany of the games on display are also works of extraordinary beauty and craftsmanship. As you explore the exhibition\, we invite you to discover how the act of play continues to inspire\, evolve\, and connect people across time and place. \nLet’s Play! incorporates playable interactives\, outdoor installations\, collaborations with schools and local game associations\, and a diverse line-up of programmes and talks.
URL:https://pluralartmag.com/event/lets-play-the-art-and-design-of-asian-games/
LOCATION:Asian Civilisations Museum (ACM)\, 1 Empress Place\, 179555\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/Key-Visual-Lets-Play-The-Art-and-Design-of-Asian-Games.-Image-courtesy-of-Asian-Civilisations-Museum.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20260330
DTSTAMP:20260424T124828
CREATED:20250623T035204Z
LAST-MODIFIED:20250623T035204Z
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SUMMARY:Gallery Children’s Biennale 2025: Tomorrow\, We’ll Be…
DESCRIPTION:The family-favourite Gallery Children’s Biennale 2025 is back with multi-sensory and immersive installations where art meets play! As National Gallery Singapore celebrates its 10th anniversary\, the fifth edition of the Biennale invites the young and young at heart to dream big\, express their creativity\, and explore a hopeful and inclusive future shaped by the core values of Joy\, Kindness\, Love\, and Dream. \nThrough interactive installations by artists from Singapore and Asia\, children across ages – even from as young as babies – can express themselves freely and be immersed as active participants! \nHighlights include Dance Dance Chromatics by Singaporean artist Wyn-Lyn where a seamless canvas of digital ‘paintings’ are activated via movement; and Japanese artist Hiromi Tango’s series of large-scale colourful flowers with petals carrying words of kindness engraved in Braille. \nFor more information\, please visit: https://www.nationalgallery.sg/sg/en/festivals/gallery-childrens-biennale-2025-tomorrow-well-be.html
URL:https://pluralartmag.com/event/gallery-childrens-biennale-2025-tomorrow-well-be/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
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ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
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