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X-ORIGINAL-URL:https://pluralartmag.com
X-WR-CALDESC:Events for pluralartmag.com
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TZID:Asia/Singapore
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TZOFFSETFROM:+0800
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260529
DTEND;VALUE=DATE:20260707
DTSTAMP:20260623T023639Z
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008755-1780012800-1783382399@pluralartmag.com
SUMMARY:Hands Up!
DESCRIPTION:𝗗𝗔𝗧𝗘\, 𝗧𝗜𝗠𝗘 & 𝗩𝗘𝗡𝗨𝗘\n29 May 2026 | 5pm\n9 Jalan Kukoh\, Level 4 Void Deck (S) 160009 \n\n\n30 May 2026 | 11am\nBlk 54\, Cassia Crescent S390054 \n\n\n5 June 2026 | 6:30pm\nPulau Ubin (Meet at Changi Point Ferry Terminal S499172) \n\n\n6 June 2026 | 4:30pm\nTengah Community Club\, Blk 119 Plantation Crescent S690119 \n\n\n𝗦𝗬𝗡𝗢𝗣𝗦𝗜𝗦\nPresented by The Finger Players\, Hands Up! is an interactive performance that invites families and individuals from all walks of life to gather together and experience Traditional Chinese Hand Puppetry up close. Come celebrate the beauty of hand puppetry and try your hands at moving the puppets. Everyone\, hands up!
URL:https://pluralartmag.com/event/hands-up/
LOCATION:Singapore\, Singapore city\, Singapore\, Singapore\, 018956\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/05/General_1920-x-1080-px_6_11zon.png
ORGANIZER;CN="The Finger Players":MAILTO:admin@fingerplayers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260516T160000
DTEND;TZID=Asia/Singapore:20260628T180000
DTSTAMP:20260623T023639Z
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008756-1778947200-1782669600@pluralartmag.com
SUMMARY:Tang Maohong: Simplified
DESCRIPTION:ShanghART Singapore is delighted to present Simplified\, a solo exhibition by the\nChinese artist Tang Maohong\, opening on 16 May 2026 at 4pm. This exhibition brings\ntogether a selection of the artist’s latest paintings\, developed extensively over the past\nyear following his relocation to Kuala Lumpur\, Malaysia. It also marks his return to\nSingapore after his 2019 solo exhibition\, and twenty years since his participation in the\nfirst Singapore Biennale. \nTang’s new body of work reflects a significant development in his practice\, centered\naround explorations into the process of painting\, and its relationship with the result.\nThe act of painting typically results in two outcomes – the image on the canvas and the\nmixed colours on the palette. The works stem from the approach of mixing colours\ndirectly on the painting surface instead of using a palette. This simple gesture\ncollapses two planes into one\, creating a mutually-influencing relationship within the\nsame pictorial space. \nOriginating from a period of constraint\, this approach has been refined over the past\nyear into a more distilled visual language. Tang pares down his compositions to focus\non the relationship between the intended image and the residual colour. Deceptively\nsimple\, the underlying tension is withheld from the apparent harmonious coexistence\nof the two elements\, experienced only upon prolonged inspection. \nTang’s practice has consistently engaged with the nature of images and how we\nperceive them. He initially opted to work with animation for its ability to explore the\ninstability of images through time. Forms derived from the real world would morph\,\ndissolve\, and reassemble\, remaining familiar yet resistant to fixed interpretations.\nOver time\, this temporal process became increasingly condensed\, leading him back to\npainting. What once unfolded sequentially is now internalised\, with shifts and\ntransformations embedded within a single\, suspended surface. \nOperating between abstraction and figuration across different mediums\, Tang’s works\noften resist immediate recognition. His forms appear familiar yet elusive\, inviting\nsustained attention rather than instant interpretation. At the core of his practice is an\nongoing inquiry into perception – how images are formed\, how meaning emerges\,\nand how both remain inherently unstable. \nAcross two decades\, Tang has continued to refine and distill his approach\, pursuing\nthe same fundamental questions with increasing precision. This presentation marks a\npivotal moment in that trajectory. The new paintings bring together image\, material\,\nand structure into a tightly resolved yet open-ended condition\, where process and\nresult are held in balance. For Tang\, painting is not a means of searching for fixed\nanswers\, but a reciprocal process in which meaning emerges from the act of painting\nitself.
URL:https://pluralartmag.com/event/tang-maohong-simplified/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/TMH-poster-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260503T120000
DTEND;TZID=Asia/Singapore:20260706T180000
DTSTAMP:20250908T081037Z
CREATED:20250908T081037Z
LAST-MODIFIED:20250908T081037Z
UID:10007761-1777809600-1783360800@pluralartmag.com
SUMMARY:Lai Yu Tong: The Dogs
DESCRIPTION:ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery\, The Dogs\, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs\, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments\, while reflecting upon his own experiences and interactions with the dogs across several months. \nDrawing upon observations of the present\, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars\, crows\, hands\, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time\, he brings out alternative perspectives on the familiar. Recently\, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild\, untamed and shy creatures that roam under the shadows of Singapore intrigues him. \nIn a highly developed and controlled society\, the presence of these dogs introduces a degree of unpredictability\, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However\, following multiple visits where he would observe\, photograph and sometimes feed the dogs\, the fear that he felt eventually shifts into a kind of love\, as he forms a connection with these misunderstood creatures. \nStorytelling makes up a big part of Lai’s approach\, manifesting in forms such as drawing\, sculpture\, and sound. In these latest works\, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard\, wood\, and paper. He simultaneously draws and obscures the dogs\, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws\, whilst also allowing them to take on other identities and connotations. \nThrough a selection of two-dimensional works\, a sculpture\, a sound piece and a performance\, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences\, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.
URL:https://pluralartmag.com/event/lai-yu-tong-the-dogs/2026-05-03/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/TheDogs_IG-1-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260425T080000
DTEND;TZID=Asia/Singapore:20260620T170000
DTSTAMP:20260505T020352Z
CREATED:20260505T020352Z
LAST-MODIFIED:20260505T020352Z
UID:10008688-1777104000-1781974800@pluralartmag.com
SUMMARY:vOilah! France Singapore Festival 2026
DESCRIPTION:vOilah! France Singapore Festival returns with a vibrant season celebrating French creativity and culture\, bringing the spirit of French art de vivre (the art of living) to Singapore. Organised by the Embassy of France in Singapore\, the festival brings together artists\, communities and institutions from both countries through a diverse line-up of over 26 programmes\, spanning performances\, exhibitions and other cultural experiences. \n  \nCatch acclaimed productions such as LACRIMA\, alongside world-premiere concerts and dance collaborations between French and Singaporean artists. Beyond the stage\, enjoy an open-air French animation marathon\, marvel at masterpieces from the Louvre Museum\, and indulge in some of France’s finest produce at the vOilah! French Food Market. \nPresented in collaboration with 21 leading cultural partners across the city\, vOilah! continues to be a key meeting point for France and Singapore. Discover the full festival programme at www.voilah.sg/.
URL:https://pluralartmag.com/event/voilah-france-singapore-festival-2026/
LOCATION:Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/04/vOilah-2026-Key-Visual-Landscape.png
ORGANIZER;CN="Embassy of France in Singapore":MAILTO:voilah@tateanzur.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260415T080000
DTEND;TZID=Asia/Singapore:20260706T220000
DTSTAMP:20260505T020446Z
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008199-1776240000-1783375200@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-04-15/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
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