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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230802
DTEND;VALUE=DATE:20260801
DTSTAMP:20260709T112537
CREATED:20230802T091808Z
LAST-MODIFIED:20230907T063011Z
UID:10005460-1690934400-1785542399@pluralartmag.com
SUMMARY:Benchmarks
DESCRIPTION:Experience the Civic District afresh this August 2023 onwards\, with Benchmarks\, a new public art trail commissioned by the Civic District Alliance (CDA). Designed by six Singapore-based artists\, Lua Boon Kai\, Joyce Beetuan Koh\, Immanuel Koh\, Yang Jie\, Jeffrey Tan and Jason Wee\, the public art initiative features a series of six unconventional artwork benches inspired by punctuation marks dotted around the arts and culture precinct. Each art bench draws from the rich heritage of the district\, inviting visitors to have meaningful exchanges with themselves\, other visitors\, or even the surroundings while appreciating the beauty of the Civic District and its colourful stories. These art benches for Benchmarks are located at key areas of the Civic District\, such as the Asian Civilisations Museum\, The Arts House\, The Esplanade – Theatres on the Bay and along the Singapore River. \nFollow #CVDBenchmarks on:\nWebsite: https://artshouselimited.sg/civic-district\nFacebook: https://www.facebook.com/theartshouse\nInstagram: https://www.instagram.com/theartshouse
URL:https://pluralartmag.com/event/benchmarks/
LOCATION:The Arts House\, 1 Old Parliament Ln\, Singapore 179429\, Singapore\, Singapore\, 179429\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2023/08/Benchmarks-KV-Landscape.png
ORGANIZER;CN="Arts House Limited":MAILTO:enquiries@artshouse.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T112537
CREATED:20250915T073727Z
LAST-MODIFIED:20251005T024644Z
UID:10007851-1757635200-1784505599@pluralartmag.com
SUMMARY:Talking Objects
DESCRIPTION:Singapore Art Museum (SAM) presents Talking Objects\, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection\, the exhibition explores how everyday objects – commonplace items\, familiar scenes and everyday representations — become vessels of memory\, meaning\, and emotion when seen through the lens of artists and their practices. Beyond materiality\, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists\, the ordinary takes on new significance\, inviting us to look again at the world around us. \nFeaturing works by widely recognised artists from across Asia\, including Alwin Reamillo\, Suzann Victor\, and Christine Ay Tjoe\, Talking Objects showcases a diversity of artistic voices and practices\, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down\, reflect\, and rediscover the quiet power of objects in shaping how we see and understand the world.  \nTalking Objects is housed alongside The Living Room in SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/talking-objects/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/1-a3302637.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T112537
CREATED:20250915T073740Z
LAST-MODIFIED:20251005T024644Z
UID:10007852-1757635200-1784505599@pluralartmag.com
SUMMARY:The Living Room
DESCRIPTION:Singapore Art Museum (SAM) presents its latest exhibition The Living Room\, as part of the final chapter of Collection Project: Communicating\, Convening\, Commoning—a long-term collaboration between SAM\, Seoul Museum of Art (SeMA)\, and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery\, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered\, reactivated\, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go\, and how might we make sense of what remains? \nFeaturing works by renowned local and international artists such as Ezzam Rahman\, Chuyia Chia\, Kim Garam\, Brian Fuata and others\, The Living Room presents a breadth of practices spanning live performances\, video\, installation\, performance traces\, re-enactments\, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence\, the exhibition invites visitors into an evolving environment that is brought to life through activation\, conversation\, and exchange. By bringing together works grounded in lived experience\, The Living Room opens new ways of understanding how performance lives on through objects\, memory\, interaction\, and shared encounters. \nThe Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/the-living-room/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/The-Living-Room.-Image-courtesy-of-Singapore-Art-Museum-1-min-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251025T100000
DTEND;TZID=Asia/Singapore:20261011T190000
DTSTAMP:20260709T112537
CREATED:20250929T091950Z
LAST-MODIFIED:20251005T024338Z
UID:10007872-1761386400-1791745200@pluralartmag.com
SUMMARY:Engage with history through art at Temple\, National Gallery Singapore’s first rooftop installation integrating kinetic motion and sound
DESCRIPTION:Embark on a meditative experience at Temple\, a new participatory artwork by Vietnamese-American artist Tuan Andrew Nguyen. Commissioned by National Gallery Singapore for its Ng Teng Fong Roof Garden Commission series and presented as part of Singapore Biennale 2025: pure intention\, Temple invites visitors to reflect on history and contemplate the impact of war through a multisensorial experience that blends kinetic motion and sound – underscoring the Gallery’s mission to connect the art of Singapore and Southeast Asia to the world and foster critical dialogue on global issues through art. \nFeaturing bells and mobiles crafted from recovered and defused unexploded ordnance (UXO) from the Vietnam War\, visitors are encouraged to strike the defused shells\, gongs\, and chimes\, creating a meditative soundscape. Through this transformation of weapons of war into instruments of peace\, Nguyen inspires ideas of karmic balance\, reincarnation\, and the memories embedded within materials\, offering a powerful lens for healing and reconciliation. \nTemple is the eighth edition of the Ng Teng Fong Roof Garden Commission.
URL:https://pluralartmag.com/event/engage-with-history-through-art-at-temple-national-gallery-singapores-first-rooftop-installation-integrating-kinetic-motion-and-sound/
LOCATION:National Gallery Singapore\, 1 St. Andrew's Road #01-01\, Singapore\, 178957\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/09/Rendering-of-Temple-by-Tuan-Andrew-Nguyen.-Image-courtesy-of-National-Gallery-Singapore-1.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251031T100000
DTEND;TZID=Asia/Singapore:20260830T190000
DTSTAMP:20260709T112537
CREATED:20250915T073812Z
LAST-MODIFIED:20251005T024433Z
UID:10007854-1761904800-1788116400@pluralartmag.com
SUMMARY:Peacock Power: Beauty and Symbolism Across Cultures
DESCRIPTION:With its dazzling feathers and spectacular tail\, the peacock has long symbolised beauty\, power\, and divinity across Asia. For centuries\, its striking form has captivated artists and devotees alike\, inspiring works that range from sacred images to everyday adornment. \nThe peacock motif travelled between cultures. Peranakan art\, shaped by the convergence of multiple influences\, is the starting point for this journey. Treasures from the National Collection and important lenders explore the bird’s presence in a broad range of artistic disciplines. Each object invites visitors to consider how a motif moved between regions and contexts\, revealing the networks that connect peoples and how artistic traditions evolve through exchange. \nThe exhibition presents these connections through colourful displays\, interactive stations\, and lively programmes. A new work by artist Ernest Goh explores the peacock in the context of its symbolism\, cultural heritage\, and ecology.
URL:https://pluralartmag.com/event/peacock-power-beauty-and-symbolism-across-cultures/
LOCATION:Peranakan Museum\, 39 Armenian Street\, Singapore\, Singapore 179941\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/Panel-belt-with-buckle-Pending.-Image-courtesy-of-Peranakan-Museum-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260109
DTEND;VALUE=DATE:20261116
DTSTAMP:20260709T112537
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008098-1767916800-1794787199@pluralartmag.com
SUMMARY:Fear No Power: Women Imagining Otherwise
DESCRIPTION:Discover the power of art through the perspectives of five trailblazing women artists from\nSoutheast Asia. Fear No Power: Women Imagining Otherwise foregrounds their lives\,\nperspectives\, and artistic practices\, featuring over 45 works by Amanda Heng (Singapore)\,\nDolorosa Sinaga (Indonesia)\, Imelda Cajipe Endaya (Philippines)\, Nirmala Dutt (Malaysia)\, and\nPhaptawan Suwannakudt (Thailand) – many of which are shown in Singapore for the first\ntime. \nFear No Power is National Gallery Singapore’s first major exhibition connecting and\ncomparing the practices of women artists from Southeast Asia. This landmark exhibition\nhighlights the significance of women-centred approaches in shaping modern and\ncontemporary art across the region. With artworks spanning painting\, photography\,\nsculpture\, and performance from the 1960s to 2010s alongside archival material\, Fear No\nPower honours the multi-faceted roles of these pioneering women as artists\, educators\,\nwriters and community organisers – telling a larger story of women’s empowerment in\nSoutheast Asia.
URL:https://pluralartmag.com/event/fear-no-power-women-imagining-otherwise/
LOCATION:National Gallery Singapore\, Ngee Ann Kongsi Concourse Gallery\, Concourse Level\, City Hall Wing\, 1 St Andrew’s Road\, Singapore\, Singapore\, 178957\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/01/Fear-No-Power_-Women-Imagining-Otherwise-Key-Visual-3.png
ORGANIZER;CN="National Gallery Singapore":MAILTO:info@nationalgallery.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260130
DTEND;VALUE=DATE:20270101
DTSTAMP:20260709T112537
CREATED:20260105T122749Z
LAST-MODIFIED:20260105T122749Z
UID:10008053-1769731200-1798761599@pluralartmag.com
SUMMARY:Momentary Pulses: Art in the Central Business District
DESCRIPTION:Date: 30 January 2026 – 31 December 2027\nVenue: Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\nAdmission: Free \nPresented by The Everyday Museum (a public art initiative by Singapore Art Museum)\, Momentary Pulses is a public art trail that invites you to slow down and encounter art in the daily flow of life. Spanning overlooked and interstitial public spaces like linkways\, open plazas and MRT passages\, seven newly commissioned installations by Singapore based artists respond to the sights\, sounds and commercial pulse of the Central Business District (CBD) — turning routine journeys into moments of reflection and imagination. \nFeaturing works by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, collaborative duo Teow Yue Han and Federico Ruberto\, Yang Jie and Immanuel Koh\, the trail reveals the textures and histories embedded within Singapore’s urban core. The works will be launched in two phases\, with the first phase featuring five installations by Song-Ming Ang\, Finbarr Fallon\, Catherine Hu\, Zul Mahmod\, and the collaborative duo Teow Yue Han and Federico Ruberto. The remaining two works by Yang Jie and Immanuel Koh will be introduced in the later part of 2026. Each installation is sited within walking distance in the CBD\, including stops near OUE Link (Raffles Place)\, One Raffles Quay (North Tower)\, Asia Square (Tower 1)\, Shenton House\, and Tanjong Pagar MRT (Exit G). Look out for kinetic and sound-based installations\, AI-driven works\, sculptural interventions\, and site-specific gestures that reframe how we perceive the city’s everyday infrastructures. Together\, these works offer distinct lenses on movement\, memory\, technology and transformation — encouraging new ways of seeing a district in constant motion. \nAs part of the public art trail’s opening\, The Everyday Museum launches Story Scape (30 January – 8 February 2026)\, a festival organised in collaboration with StoryFest. The festival extends the trail through exciting storytelling performances\, artist talks and an evening audiovisual experience at RASA Space. Programme details will be announced on SAM’s channels.  \n 
URL:https://pluralartmag.com/event/momentary-pulses-art-in-the-central-business-district/
LOCATION:Various sites across Singapore’s CBD (from Raffles Place to Tanjong Pagar)\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/WebMP1920x768.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260415
DTEND;VALUE=DATE:20261026
DTSTAMP:20260709T112537
CREATED:20260505T082802Z
LAST-MODIFIED:20260505T082802Z
UID:10008700-1776211200-1792972799@pluralartmag.com
SUMMARY:Brandon Tay: Sangkalan
DESCRIPTION:Step into Brandon Tay: Sangkalan\, an evolving installation of a fictional island ecosystem where fragments of a “lost” coastal culture are shaped through three species — a fruit\, an insect\, and a bird. Together\, their rhythms of growth\, flight and song weave a vivid picture of how humans and nature might share perception\, memory\, and meaning.  \nTravelling across four regional libraries in Woodlands\, Tampines\, Jurong and Punggol\, the installation unfolds as a living archive that evolves with each presentation. Visitors can encounter new elements over time\, making each stop a slightly different experience. Through vibrant textiles\, sculptural forms\, and archival materials\, Singaporean artist Brandon Tay translates the island’s collective memories into a language of colour\, geometry\, and symbols. Echoing the decentralised logic of blockchain networks\, Sangkalan invites visitors to reimagine information systems\, their origins and how nature might inspire new ways of sensing\, connecting\, and remembering. \nBrandon Tay: Sangkalan is held in collaboration with the National Library Board. Through the Library showcases\, SAM continues to extend contemporary art beyond traditional museum settings and into civic and community spaces\, encouraging encounters with contemporary art in unexpected and accessible everyday environments. \nVenues: \n\n15 April – 31 May 2026: Woodlands Regional Library\n3 June – 19 July 2026: Tampines Regional Library\n22 July – 6 September 2026: Jurong Regional Library\n9 September – 25 October 2026: Punggol Regional Library
URL:https://pluralartmag.com/event/brandon-tay-sangkalan/
LOCATION:Various Locations\, -\, Singapore\, Singapore\, -
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/04/Key-Visual-Brandon-Tay_-Sangkalan-2.-Image-courtesy-of-Singapore-Art-Museum-Landscape.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260423T080000
DTEND;TZID=Asia/Singapore:20260714T220000
DTSTAMP:20260709T112537
CREATED:20260505T020446Z
LAST-MODIFIED:20260505T020446Z
UID:10008207-1776931200-1784066400@pluralartmag.com
SUMMARY:In Our Own Frame (Photography Exhibition)
DESCRIPTION:In Our Own Frame brings together 22 imagemakers and grows out of the year-long POV: Photowalks programme designed by photographer Benjamin Tan.\nAlongside works from POV participants\, selected responses from WiSSG (Women in Street Singapore) and the wider Singapore photography community form a wall of moments\, with photography as a way to pause and return to the present. \nKantaya New presents her staged series “A Modern Day Affair” within the exhibition. \nFree admission.
URL:https://pluralartmag.com/event/in-our-own-frame-photography-exhibition/2026-04-23/
LOCATION:Guoco Midtown Public Art Wall\, 128 Beach Rd\, Singapore\, 189773\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Foam-Man-below-256KB.jpg
ORGANIZER;CN="DECK":MAILTO:meet@deck.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260529T100000
DTEND;TZID=Asia/Singapore:20261004T190000
DTSTAMP:20260709T112537
CREATED:20260505T020351Z
LAST-MODIFIED:20260505T020351Z
UID:10008701-1780048800-1791140400@pluralartmag.com
SUMMARY:Hiroshi Sugimoto: Form is Emptiness
DESCRIPTION:Singapore Art Museum proudly presents Hiroshi Sugimoto: Form is Emptiness\, the first major solo exhibition in Southeast Asia dedicated to the practice of internationally renowned Japanese artist Hiroshi Sugimoto. Conceived in dialogue with the Buddhist cosmological concept of the Five Elements (Earth\, Water\, Fire\, Wind and Void)\, the exhibition unfolds across five interconnected sections that loop into one another\, mirroring the cyclical rhythms of nature and life. This elemental framework reflects Sugimoto’s enduring inquiry into time\, perception\, and the structure of reality. \nBringing together over 60 works spanning five decades of his multidisciplinary practice\, including significant\, new\, and rarely seen works\, the exhibition reveals the breadth of Sugimoto’s oeuvre across photography\, sculpture\, and large-scale installation. From his meditative seascapes to architectural interventions and contemplative objects\, Sugimoto’s works delicately balance a strong material presence with a deep metaphysical inquiry.  \nForm is Emptiness offers an immersive introduction to the work of one of the world’s most significant contemporary artists. Moving between permanence and impermanence\, visibility and void\, the exhibition invites audiences to slow down and consider how form itself can become a vessel for reflection\, and how\, through Sugimoto’s lens\, the material world becomes a mirror for the mind.
URL:https://pluralartmag.com/event/hiroshi-sugimoto-form-is-emptiness/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Regional,Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/04/Landscape-Key-Visual-Hiroshi-Sugimoto_-Form-is-Emptiness.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260531T120000
DTEND;TZID=Asia/Singapore:20260803T180000
DTSTAMP:20260709T112537
CREATED:20250908T081037Z
LAST-MODIFIED:20250908T081037Z
UID:10007766-1780228800-1785780000@pluralartmag.com
SUMMARY:Lai Yu Tong: The Dogs
DESCRIPTION:ShanghART Singapore is pleased to present Lai Yu Tong’s first solo exhibition with the gallery\, The Dogs\, opening on 30 August 2025. Featuring a new series of works that centres around his encounters with a pack of stray dogs\, the artist invites us to reconsider our relationship with entities that exist on the fringes of our environments\, while reflecting upon his own experiences and interactions with the dogs across several months. \nDrawing upon observations of the present\, Lai’s practice examines the overlooked and neglected. Everyday objects and subjects such as cars\, crows\, hands\, and chairs feature as motifs across his works that are cast within the stories and scenarios that he creates around them. By looking at something for extended periods of time\, he brings out alternative perspectives on the familiar. Recently\, his gaze fixates upon the stray dogs that he encounters around a forested area close to where he lives. Their existence as wild\, untamed and shy creatures that roam under the shadows of Singapore intrigues him. \nIn a highly developed and controlled society\, the presence of these dogs introduces a degree of unpredictability\, even instilling a sense of danger. Initial encounters with them ended with Lai retreating out of fear. However\, following multiple visits where he would observe\, photograph and sometimes feed the dogs\, the fear that he felt eventually shifts into a kind of love\, as he forms a connection with these misunderstood creatures. \nStorytelling makes up a big part of Lai’s approach\, manifesting in forms such as drawing\, sculpture\, and sound. In these latest works\, Lai seeks to retell his encounters with these enigmatic creatures through intimate pieces of drawings and collages on various modest everyday materials — cardboard\, wood\, and paper. He simultaneously draws and obscures the dogs\, playing with techniques of erasure and transparency that render his subjects as ghostly figures and impressions. Such loose methods of representation alludes to the elusiveness and placelessness of the subjects he draws\, whilst also allowing them to take on other identities and connotations. \nThrough a selection of two-dimensional works\, a sculpture\, a sound piece and a performance\, the gallery space is transformed into a site of encounter between the audience and the dogs. Bridging the distance between us and them through Lai’s own experiences\, the exhibition encourages visitors to empathise and identify with the beings that live on the edges of our environments; out of sight and away from what we are familiar with.
URL:https://pluralartmag.com/event/lai-yu-tong-the-dogs/2026-05-31/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/08/TheDogs_IG-1-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260606T100000
DTEND;TZID=Asia/Singapore:20260801T190000
DTSTAMP:20260709T112537
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008771-1780740000-1785610800@pluralartmag.com
SUMMARY:Maps | Directions to My House
DESCRIPTION:Mirroring how migration and movement shaped Zarina’s practice\, create a personal map of your journey to STPI. Add your map to the collection of cartographies from other visitors and witness how others have embarked on similar journeys.
URL:https://pluralartmag.com/event/maps-directions-to-my-house/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/6.-Maps-Directions-to-My-House.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260606T100000
DTEND;TZID=Asia/Singapore:20260801T190000
DTSTAMP:20260709T112537
CREATED:20260623T023720Z
LAST-MODIFIED:20260623T023720Z
UID:10009143-1780740000-1785610800@pluralartmag.com
SUMMARY:STPI Annual Special Exhibition  2026 | Zarina: Directions to  My House
DESCRIPTION:STPI presents Zarina: Directions to My House\, the artist’s largest solo exhibition in Southeast Asia. One of the most significant printmakers of the late 20th and early 21st centuries\, Zarina (1937–2020\, Aligarh\, India; London\, United Kingdom)\, was a key figure in minimalist and diasporic practice. Curated by New York-based independent curator and Zarina’s former studio manager Sarah Burney \, Directions to My House offers a deeply informed perspective on the artist’s life and work\, bringing together over 50 works from 12 lenders across multiple cities\, reflecting her life that was profoundly shaped by numerous continents – having lived across Bangkok\, New Delhi\, Paris\, Bonn\, Tokyo\, Santa Cruz\, and finally New York.
URL:https://pluralartmag.com/event/stpi-annual-special-exhibition-2026-zarina-directions-to-my-house/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/05/Screenshot-2026-05-20-at-3.02.49-PM-1-1-1.png
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260619T100000
DTEND;TZID=Asia/Singapore:20270124T190000
DTSTAMP:20260709T112537
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009173-1781863200-1800817200@pluralartmag.com
SUMMARY:Crosscurrents: Masterpieces of Mughal\, Safavid\, and Ottoman Art from the Musée du Louvre
DESCRIPTION:From the 16th to 18th century\, three great empires – the Mughals\, Safavids\, and Ottomans – shaped a vast and interconnected world across Asia. This period marked the height of their influence\, even as European expansion reshaped global trade and politics.  Within and between these empires\, artists produced works of remarkable beauty that projected authority and gave visible form to power. \nThis exhibition presents one hundred masterpieces from the Louvre\, drawn from royal collections and later acquisitions. Southeast Asian objects from ACM’s collection are interwoven throughout\, bringing these traditions into dialogue and revealing the crosscurrents that connected distant regions.
URL:https://pluralartmag.com/event/crosscurrents-masterpieces-of-mughal-safavid-and-ottoman-art-from-the-musee-du-louvre/
LOCATION:Asian Civilisations Museum (ACM)\, 1 Empress Place\, 179555\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/Key-Visual-Crosscurrents_-Masterpieces-of-Mughal-Safavid-and-Ottoman-Art-from-the-Musee-du-Louvre.jpg
GEO:1.2874969;103.8513861
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Asian Civilisations Museum (ACM) 1 Empress Place 179555 Singapore;X-APPLE-RADIUS=500;X-TITLE=1 Empress Place:geo:103.8513861,1.2874969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260620T080000
DTEND;TZID=Asia/Singapore:20260801T170000
DTSTAMP:20260709T112537
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10008772-1781942400-1785603600@pluralartmag.com
SUMMARY:Zarina: Directions to My House | Guided Tour
DESCRIPTION:Join our expert docents for a guided tour and ruminate on Zarina’s ideas of belonging\, displacement and memory. Gain a deeper understanding of how her she translated her lived experience into minimalist print and paper works—endearing expressions of yearning and searching for home. \nThe tour will include a glimpse into our Workshop\, where Zarina’s legacy continues to inspire contemporary print and papermaking practices. \nGuided tours at STPI are free of charge. Drop-in guests are welcome. \n20 June – 1 August 2026\nSelected Wednesdays\, Thursdays and Saturdays
URL:https://pluralartmag.com/event/zarina-directions-to-my-house-guided-tour/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/7.-Guided-tour.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260627
DTEND;VALUE=DATE:20260719
DTSTAMP:20260709T112537
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007919-1782518400-1784419199@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-06-27/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260627T160000
DTEND;TZID=Asia/Singapore:20260808T180000
DTSTAMP:20260709T112537
CREATED:20260708T140826Z
LAST-MODIFIED:20260708T140826Z
UID:10009179-1782576000-1786212000@pluralartmag.com
SUMMARY:pbdq 排排
DESCRIPTION:A small shift in orientation\, and one thing becomes another. Like the letters p\, b\, d\, q — which become one another through simple rotation — each work in the exhibition carries traces of something that came before\, then landing somewhere new. In pbdq\, exhibiting artists Catherine Hu\, Cally Tan and Genevieve Leong revisit works\, materials and obsessions from past experiences\, revealing an intimate and sustained relationship with the physical\, visual and sensorial in their everyday life.  \nCatherine Hu’s process often involves recreating existing objects to explore the gradient between looking like and being something. One of her exhibited works\, Found Tile Stool (2023)\, is a stool made with stray mosaic tiles\, collected over three years from various locations: on the street\, in drains\, in nature parks\, at public playgrounds\, washed up on beaches\, in carparks\, or half-buried in the soil of a stranger’s garden. Perfect squares of colour shed from buildings that might no longer exist\, or from walls and floors that might have since been remodelled\, are repurposed and given a new lease of life.  \nCally Tan\, a textile-forward object-maker whose practice explores the representation of objecthood and potency in non-human matter\, presents Milky Way Finds (2025)\, a series of small items encased in double-woven pockets. Contributed by friends\, these items that have been tucked away\, accumulated\, and often forgotten\, represent traces and memories of their owners’ lives: a grocery receipt tucked into a coat pocket bearing witness to a loved one’s cooking\, an accumulation of sweet wrappers marking the rhythm of daily habits. Lingering at the edges of daily life\, they become akin to drifting debris in the Milky Way – also the name of the woven silk material given by its Nagano manufacturers in Japan.   \nan attempt at solidifying make-believe landscapes (2026) is a series of object assemblages by Genevieve Leong\, that draws from the nostalgic vocabulary of children’s imaginative play and ‘masak masak’\, or make-believe cooking. It follows an earlier print series An attempt at exhausting a place from my window (2020–21) of 26 variations of a landscape\, that explores various possibilities of looking at a single vantage point. Continuing this inquiry\, an attempt at solidifying make-believe landscapes extrapolates the two-dimensional landscapes into three-dimensional object constellations arranged on the ground.
URL:https://pluralartmag.com/event/pbdq-%e6%8e%92%e6%8e%92/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/Exhibition-poster_pbdq-scaled.jpeg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260708
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T112537
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009183-1783468800-1784505599@pluralartmag.com
SUMMARY:ROME INTERNATIONAL ART FAIR – 18TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is proud to announce the 18th edition of ROME INTERNATIONAL ART\nFAIR 2026\, taking place from July 08 to July 19\, 2026\, at ITSLIQUID Art Space – Rome\,\nlocated in the historic district of Trastevere. Hosted in a remarkable 15th-century palace\,\nthe exhibition brings together contemporary artistic languages from around the world\,\ncreating a dynamic platform where artistic research encounters the timeless cultural\nheritage of the Eternal City.\nExploring the relationship between body and space\, ROME INTERNATIONAL ART FAIR\n2026 reflects on the ongoing hybridization between identities and cultural\, physical\, social\,\nand urban contexts in contemporary society. Through its two curatorial sections\, MIXING\nIDENTITIES and FUTURE LANDSCAPES\, the exhibition invites visitors to investigate\nperception\, memory\, transformation\, and the evolving interaction between individuals and\nthe environments they inhabit.\nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive\njourney into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES\nexplores the concept of boundaries – between body\, mind\, and spirit; between individuals\nand the city; and between space and ground – transforming everyday surfaces into fluid\nterritories of open and evolving ideas. Within this framework\, the selected artists offer\nunique perspectives on contemporary existence through deeply personal visual narratives.\nPresented as a compelling solo exhibition\, Giovanni Tozzetti’s “LONG WALK FROM\nAUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto” masterfully opens a\nvibrant dialogue between individual narrative and collective experience. The project\nunfolds as a deeply personal yet universally resonant journey\, bridging vast geographical\ndistances with intimate roots to explore how private memories intersect with shared\ncultural identities. Through this fluid interaction\, the exhibition invites the audience to\nreflect on the universal themes of migration\, home\, and the continuous evolution of self.\nRooted in a practice that explores the relationship between painting and photography\,\nTozzetti transforms observed reality into a refined painterly language\, preserving the\nimmediacy of the original image while emphasizing its symbolic and communicative power.\nGestures\, symbols\, and shared spaces become communication vehicles\, revealing how\npersonal narratives are continuously negotiated within broader cultural and urban contexts.
URL:https://pluralartmag.com/event/rome-international-art-fair-18th-edition-2026/
LOCATION:ITSLIQUID Art Space Rome
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/riaf18-26-001.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T180000
DTEND;TZID=Asia/Singapore:20260719T190000
DTSTAMP:20260709T112537
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009178-1783533600-1784487600@pluralartmag.com
SUMMARY:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto
DESCRIPTION:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto\nA solo exhibition by Giovanni Tozzetti\nJuly 08 – 19\, 2026\nPalazzo Velli\, Rome \nITSLIQUID Group is extremely proud to present “LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto”\, the highly anticipated solo exhibition by Italian-Australian artist Giovanni Tozzetti. Hosted from July 08 to July 19\, 2026 during the ROME INTERNATIONAL ART FAIR 18th Edition at the prestigious Palazzo Velli in Rome\, this exhibition represents a profound emotional and creative homecoming\, marking the definitive Roman showcase of a brilliant contemporary figurative artist.
URL:https://pluralartmag.com/event/long-walk-from-australia-to-roma-e-ndo-so-nato-vissuto-cresciuto-e-pasciuto/
LOCATION:palazzo velli\, Piazza di S. Egidio n. 10\, Rome\, Rome\, Roma\, 00153\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/solo_giovanni_tozzetti_007.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260709
DTEND;VALUE=DATE:20260727
DTSTAMP:20260709T112537
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009184-1783555200-1785110399@pluralartmag.com
SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened. Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/Hahan-Days-Left-Untouched-Invite-SG.jpg
GEO:1.2719097;103.8366846
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gajah Gallery 39 Keppel Rd #03-04 Singapore 089065 Singapore;X-APPLE-RADIUS=500;X-TITLE=39 Keppel Rd\, #03-04\, Singapore:geo:103.8366846,1.2719097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260710T110000
DTEND;TZID=Europe/Rome:20260723T160000
DTSTAMP:20260709T112537
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
UID:10009193-1783681200-1784822400@pluralartmag.com
SUMMARY:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION
DESCRIPTION:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION\nJuly 10 – 23\, 2026\nELEMENTS Contemporary Art Space\, London\nITSLIQUID Group\, along with YMX Arts\, is excited to present the 18th edition of LONDON\nCONTEMPORARY ART FAIR 2026\, taking place from July 10 to July 23\, 2026\, at\nELEMENTS Contemporary Art Space in London. The international exhibition brings\ntogether contemporary artists from around the world\, creating a dynamic platform where\nartistic research investigates the fluid evolution of identity within the ever-changing\nlandscapes of contemporary society.\nLONDON CONTEMPORARY ART FAIR 2026 invites a profound exploration of the human\nexperience through the relationship between body and space\, reflecting on the\nhybridisation of identities within the cultural\, physical\, social\, and urban landscapes of\ncontemporary society. Inspired by London’s unique atmosphere\, the exhibition examines\nhow the city’s dynamic energy shapes personal narratives and collective experiences\,\ninfluencing how individuals perceive themselves and interact with the world around them.\nThrough diverse artistic practices\, the artists investigate the connections between desires\,\nneeds\, and fears\, revealing the transformative processes that shape human existence. In\nthis context\, the exhibition becomes a space of metamorphosis\, where memory\,\nperception\, and emotion converge\, creating a dialogue between personal identity and the\ncollective urban environment.
URL:https://pluralartmag.com/event/london-contemporary-art-fair-2026-18th-edition/
LOCATION:ELEMENTS Contemporary Art Space 253 Hoxton Street\, London N1 5LGù\, 253 Hoxton Street\, London N1 5LG\, 253 Hoxton Street\, London N1 5LG\, London\, GB\, N1 5LG\, United Kingdom
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/LONDON.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260711T120000
DTEND;TZID=Asia/Singapore:20260912T190000
DTSTAMP:20260709T112537
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009180-1783771200-1789239600@pluralartmag.com
SUMMARY:Fo(u)r Humours: A Group Exhibition Curated by Justin Loke
DESCRIPTION:Cuturi Gallery is pleased to present Fo(u)r Humours\, a group exhibition curated by Justin Loke featuring Anna Du Toit\, Chiew Sien Kuan\, Immanuel Koh\, John Low\, Lu Ping Yuan\, and Marla Bendini. \nReimagining the ancient theory of the four humours through a contemporary lens\, the exhibition explores mood as the bridge between viewer\, artwork\, and the world. Bringing together six artists whose practices engage with atmosphere\, perception\, memory\, and materiality\, Fo(u)r Humours considers how artworks generate their own distinctive temperaments and modes of attunement within Singapore’s humid tropics. \nExhibition Opening: 11 July\, Sat | 3 – 4 pm: Curator’s Tour; 4 – 7 pm: Opening reception with traditional ice cream cart (first 150 guests enjoy a free scoop on the house!)\nRSVP for the Opending Day activities here. \nGallery Opening Hours : 12pm – 7pm\, Tues – Sat (Closed on Sunday\, Monday and Public Holidays) \nVenue: Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937
URL:https://pluralartmag.com/event/four-humours-a-group-exhibition-curated-by-justin-loke/
LOCATION:Cuturi Gallery\, 61 Aliwal Street\, Singapore 199937\, Singapore\, 228210\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/1640-x-856.jpg
ORGANIZER;CN="Cuturi Gallery":MAILTO:singapore@cuturigallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260714T100000
DTEND;TZID=Asia/Singapore:20260714T220000
DTSTAMP:20260709T112537
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008820-1784023200-1784066400@pluralartmag.com
SUMMARY:Earthopia Fest 2026
DESCRIPTION:Earthopia Fest 2026 returns for its second edition from 29 to 31 May 2026 at Fort Canning Green\, bringing together youth\, community groups\, green businesses\, artists and advocates for a three-day sustainability festival built around climate action\, circular living and wellness. \nOrganised by City Sprouts\, the festival will bring together 100+ content partners and engage over 5\,000 participants through hands-on workshops\, panel discussions\, a conscious marketplace curated by Sunday Social and City Sprouts’ Farmers Collective\, the Earthling Exchange showcasing green innovations and social impact work\, art installations made with repurposed materials\, and live performances by local artists. \nDesigned to move audiences from awareness to intent and action\, Earthopia Fest 2026 makes sustainability more accessible by connecting it to everyday choices — from fashion\, food and wellness to creativity\, community and conscious consumption. \nEarthopia’s art installations turn waste into visual storytelling\, creating accessible photo and video moments while making circular economy ideas tangible. Highlights include: \n\nOur Current Creatures – large floating jellyfish-like forms made from plastic\, inviting visitors to look twice at what our waste becomes.\nE-Fossil: A Warning From Our Time – animal-like fossils assembled from e-waste and industrial materials\, imagining what future generations might unearth from today’s consumption.\nSOAR – an upcycled bird installation made from discarded milk bottles\, transforming everyday waste into a symbol of recovery and lift-off.\nScarecrow Guardians – playful fashion-based guardians made from repurposed clothes\, created with youth and circular fashion partners.\nDisposable Planet – a vibrant Earth formed from colourful fabric scraps\, led by Fashion Parade\, greeting visitors with a strong circular fashion message.
URL:https://pluralartmag.com/event/earthopia-fest-2026/2026-07-14/
LOCATION:Fort Canning Green\, Fort Canning Park\, Canning Rise\, Singapore\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/05/EARTHOPIA-2026-POSTER.png
ORGANIZER;CN="City Sprouts":MAILTO:hello@citysprouts.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260716
DTEND;VALUE=DATE:20260803
DTSTAMP:20260709T112537
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
UID:10008737-1784160000-1785715199@pluralartmag.com
SUMMARY:Common Room
DESCRIPTION:When two young adults get the rare opportunity to share a living space of their own in Singapore\, it’s all too easy to fall into mundane patterns of domestic responsibility. But within these rote routines lies the magic of profound late night conversations about one’s place in the world\, spontaneous deep dives into exes and lost friends\, and musings about what the future holds. \nCommon Room by ants chua is a celebration of the emotional\, physical\, and relational work of queer living. Directors Claire Wong and ants chua reveal a rare insight into the domestic spaces that allow us to be the most vulnerable\, and the tender efforts we make to grapple with our past mistakes and our present selves. This intimate two-hander sees actors Genevieve Tan and Siti Sara Hamid delicately unfold the layers of identity\, of queerness\, and of vocation. \nAn exploration of loving\, living and dreaming amidst the relentless rhythm and rupture of daily life\, Common Room is both familiar and new; at once poetic and irreverent. Amidst the ongoing rupture and repair of friendships\, despite the impossibilities and failures of language\, how can we continue reaching toward each other?
URL:https://pluralartmag.com/event/common-room/2026-07-16/
LOCATION:Drama Centre Black Box\, National Library Building (Level 5)\, 100 Victoria Street\, #05-01 National Library Building\, Singapore 188064\, Singapore\, Singapore\, 188064\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/1920-x-1080.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260716T180000
DTEND;TZID=Europe/Madrid:20260725T190000
DTSTAMP:20260709T112537
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009182-1784224800-1785006000@pluralartmag.com
SUMMARY:BARCELONA CONTEMPORARY - 9TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is delighted to announce the 9th edition of BARCELONA CONTEMPORARY 2026\, taking place from July 16 to July 25\, 2026\, at ITSLIQUID Art Space – Barcelona. Dedicated to contemporary artistic languages\, the exhibition brings together painting\, photography\, video art\, installation\, sculpture\, and performance art\, creating a dynamic platform where artistic research meets the vibrant cultural energy of Barcelona. \nExploring the connection between body and space\, BARCELONA CONTEMPORARY 2026 reflects on how identities evolve within today’s cultural\, social\, and urban contexts. Through its two curatorial sections\, MIXING IDENTITIES and FUTURE LANDSCAPES\, the exhibition invites us to investigate transformation\, perception\, and coexistence in the contemporary world. \nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive journey into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES explores abstract and conceptual spaces where boundaries dissolve\, opening new dialogues between body\, mind\, soul\, and environment. Within this framework\, the selected artists offer unique perspectives on memory\, transformation\, and the relationship between individuals and the spaces they inhabit.
URL:https://pluralartmag.com/event/barcelona-contemporary-9th-edition-2026/
LOCATION:HUB/ART Barcelona | Barcelona\, Spain Carrer del Dr. Trueta 183\, Carrer del Dr. Trueta 183\, Barcelona\, Spain
CATEGORIES:International
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260717T180000
DTEND;TZID=Asia/Singapore:20260731T170000
DTSTAMP:20260709T112537
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
UID:10009195-1784311200-1785517200@pluralartmag.com
SUMMARY:VISIONS – ANIMA MUNDI 2026
DESCRIPTION:ITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\, is pleased to announce the opening of VISIONS\, the third appointment of ANIMA MUNDI 2026. The exhibition will open on July 17\, 2026\, at Palazzo Albrizzi-Capello in Venice and will remain on view until July 31\, 2026. ANIMA MUNDI is the vital energy that flows through all things\, the subtle force connecting every form of existence\, from natural to artificial\, visible to invisible. Understood since Plato’s Timaeus as the soul of a living universe\, it returns today as\nan intuitive awareness of an invisible but active network that sustains transformation\, coexistence\, and renewal across matter\, time\, and life. It is the underlying rhythm that links ecosystems\, human and non-human entities\, and balances the continuous evolution of the world. Within this framework\, artists\, designers\, and architects are invited to explore how this universal energy manifests today\, investigating the subtle\ncorrespondences between soul and body\, humanity and nature\, and organic and synthetic worlds. Among the selected artists\, Andrew R. Gibbs’s layered compositions in “Cities of Change” explore the emotional impact of transforming urban landscapes\, where architecture and collective memory intertwine to reveal the fragile relationship between place and identity. Similarly\, Hiromasa Maeda’s “City Layered” interprets the glass-and-concrete skyline as a palimpsest of reflections\, shifting perspectives\, and fleeting traces of human presence\, suggesting that cities acquire meaning only through those who inhabit them. In parallel\, Nuvy Kim (N12Y.3) and Ilinca-Ruxandra Pipelea translate inner\nexperience into material form: drawing on the precision of her background in jewellery making\, Kim’s ceramics and paintings transform fractured perfection into ambiguous\, ungendered anatomies and psychologically charged spaces. Pipelea\, by contrast\, constructs immersive environments through vibrant chromatic fields and richly layered textures\, using colour and gestural accumulation to evoke the unseen rhythms of nature\, memory\, and emotional perception. A quiet\, introspective sensibility runs through the figurative work of Dominika Łuszcz\nand Marga Garcia: Łuszcz’s elongated\, folk-inflected portraits contain restrained psychological tension and cultural traces\, and Garcia’s “Surrectio” reads the figure as an emergent\, feminine rebirth – silent\, inward\, and resilient. This intimacy of feeling appears elsewhere in Inna Stelmachowicz’s meditative images\, where silence\, material\, and light render moments of honesty and inner tension\, and in Diana Rîmbu’s intuitive paintings\, which invite reflection and healing through emotional resonance grounded in an  architectural sense of space. Movement\, rhythm\, and the transmutation of performance into image animate the photographic work of Danny Johananoff\, whose slow-shutter studies dissolve choreography into painterly currents that make tradition feel timeless; Satyajett Salokhey’s large-scale ink gestures similarly capture bodily impulse and subconscious residue\, balancing control and spontaneity. Asnaby Samuel’s canvases introduce a mythic\, mnemonic counterpart: drawing on Sahara oral traditions\, his “Djinns” series treats drums and surfaces as carriers of memory and projection\, where attention and presence activate ambiguous spiritual forces. Finally\, Filomena Parra’s “A Dança do Vidro” offers a lyrical conclusion: glass becomes suspended light and gentle choreography\, a study in fragility and fluidity that echoes the formal restraint and emotional subtlety threaded through the show. VISIONS offers a cohesive journey through contemporary visual practices\, further enriched by a great selection of video artworks.
URL:https://pluralartmag.com/event/visions-anima-mundi-2026/
LOCATION:Palazzo Albrizzi – Capello\, Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT) Cannaregio 4118\, Venice\, Italy\, Venice\, 30121\, Italy
CATEGORIES:International
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ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T090000
DTEND;TZID=Asia/Singapore:20260725T170000
DTSTAMP:20260709T112537
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009192-1784365200-1784998800@pluralartmag.com
SUMMARY:Writing and Performing Your Personal Story
DESCRIPTION:Checkpoint Theatre is pleased to offer a SkillsFuture Credit-eligible course led by Associate Artists Adib Kosnan and Lucas Ho. \nAimed at participants with minimal or no prior experience of writing or performing\, this course will teach you to craft and deliver a short self-written story about your personal life. \nParticipants will be given the tools to distil and craft their stories in a polished manner on the page\, and then be equipped with effective communication techniques to present their story in an accomplished manner. \nYou will write a monologue over the course of this session\, and deliver it at the end\, with guidance and feedback from the instructors. \nBy the end of the course\, you will have gained practical experience in the writing and performing of your personal story. The writing and speaking skills acquired will be effective in various personal\, social\, and professional situations such as job interviews\, wedding speeches\, networking sessions\, and even first dates! \nCourse Outline\nWriting (2.5hrs) \n\nElements of a personal story\n– Strengths and challenges of your personal journey\n– Making it memorable\n– Reading and discussing examples of well-written personal stories\nSharing your personal story\n– Knowing your audience: personal\, social and/or professional\n– Identifying moments in your personal journey to share in your story\nWriting your personal story\n– Blending honesty and craft: shaping your personal story into something accessible and relatable\n\nDelivering (2.5hrs) \n\nTelling your story\n– Using narratives for self-expression and confidence building\n– Connecting with your audiences\nPutting it all together\n– Exploring physicality and vocal variety through exercises which will help establish presence and focus as you share your stories.\n\nSharing (2hrs) \n\nDelivering your story\n– 5 – 7 mins per participant\nFeedback\n– Participants will be given feedback and space to refine their work to a presentation that is articulate and relatable.\n\nCourse Runs\nDATES (Choose one): Saturday 18th or 25th July 2026\nTIME: 9am – 5pm (with a 1 hour lunch break)\nLOCATION: The White Space at *SCAPE (2 Orchard Link\, Singapore 237978) \n*Do note that lunch is not provided \nCourse Fees\n$350 (SkillsFuture claimable) \nRegistration\nTo register for this course\, please click on the link below and fill out the registration form: \nRegistration Form: https://forms.gle/XttuTfRHsSnRMift9 \nFor more info: https://tinyurl.com/skillsfutureworkshop \nWhen filling out the form\, please select whether you would like to use your SkillsFuture credits — either in full\, or partially\, or not at all.  \nIf you wish to use your SkillsFuture credits to completely offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment and submitting a claim on the MySkillsFuture portal. \nIf you wish to use your SkillsFuture credits to only partially offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on submitting a claim on the MySkillsFuture portal\, as well as for payment to the company for the remainder of your course fee. \nIf you do not wish to use your SkillsFuture credits at all\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment directly to the company. \nPlease note that credits under “SkillsFuture Credit (Mid-Career)” are not eligible to be used for this course. \nRegistration will only be confirmed when: \n\nFor participants using SkillsFuture Credits to offset all or part of the course fee — Payment has been made to Checkpoint Theatre Limited for the remaining course fee if the course fee is partially offset by SkillsFuture credits\, and once you have submitted a claim on the MySkillsFuture portal.\nFor participants not using SkillsFuture Credits — Full payment has been made directly to Checkpoint Theatre Limited.\n\nPlease ensure that you are able to attend the entirety of the session. Refunds will not be given if you are not able to attend the session\, or if you have to leave early during the session. \n\nAbout The Instructors \nAdib Kosnan \nAdib is an actor\, writer\, director\, educator\, and an Associate Artist with Checkpoint Theatre. He is also a National Arts Council (NAC) scholar with a MA in Arts Pedagogy and Practice from Goldsmiths\, University of London\, UK.  \nAdib has performed in numerous productions for the English and Malay-language stage since 2003\, and writes and directs extensively in both languages. His play 28.8 (2017) was nominated for Best Original Script at The Straits Times Life! Theatre Awards 2018. He is also a founding member of Singaporean playwright collective Main Tulis Group.  \nAdib views theatre as a space to shape thought and life through socially engaged work. As a co-lead artist for Both Sides\, Now: Mengukir Harapan (2021–2022)\, Adib spearheaded engagement around end-of-life conversations within the Malay-Muslim community.  He also worked on Air (2024)\, a verbatim theatre project amplifying Orang Seletar voices on displacement and identity. Adib also teaches forum theatre and facilitation as an Adjunct Lecturer at LASALLE College of the Arts. \nAs an educator\, Adib conducts and facilitates Checkpoint Theatre’s school and public  workshops and programmes. He especially enjoys the collaborative nature of theatre and sharing what he has discovered from wearing his multiple hats. \n  \nLucas Ho \nLucas Ho is a writer\, director\, and educator; and an Associate Artist with Checkpoint Theatre in Singapore. In 2023\, Lucas received the National Arts Council Postgraduate Scholarship\, and attended the Royal Central School of Speech and Drama in London\, UK\, where he completed an MFA in Writing for the Stage and Broadcast Media\, with distinction. \nHis full-length plays include FRAGO (2017)\, The Heart Comes to Mind (2020)\, and Tender Submission (2023) which was nominated for Best Original Script at the Straits Times Life! Theatre Awards 2024. \nLucas has taught the introductory and advanced playwriting seminars at the National University of Singapore\, and was part of the faculty of Literary Arts at School of the Arts\, Singapore (SOTA). While at SOTA\, he created Singapore’s first 7-hours-a-week\, 8-week-long playwriting programme for 13-year-olds. \nLucas also serves as a script reader\, moderator\, and playwriting resource person for Centre 42\, an incubatory space committed to the development\, documentation and promotion of Singapore theatre. He has led table reads and mentored playwrights as part of this platform. \nHe has also edited various play anthologies by Checkpoint Theatre\, including Faith Ng: Plays Volume 1 (2016) and Joel Tan: Plays Volume 1 (2015). Lucas continues to direct and facilitate Checkpoint Theatre’s school and public workshops and programmes — where original Singaporean writing is presented\, and where participants are guided to create their own works.
URL:https://pluralartmag.com/event/writing-and-performing-your-personal-story/
LOCATION:The White Space at *SCAPE\, 2 Orchard Link\, Singapore 237978\, Singapore\, 237978\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/1880-x-1058-px.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T110000
DTEND;TZID=Asia/Singapore:20260718T170000
DTSTAMP:20260709T112537
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008769-1784372400-1784394000@pluralartmag.com
SUMMARY:Arty Afternoon | Timber Textures: Charcoal Rubbings
DESCRIPTION:Explore the wonders of printmaking through charcoal rubbings. Choose from a variety of natural materials and carved woodblocks to create a unique work blending an array of textures. \nThis is a free\, drop-in event\, no registration is required. Recommended for all ages.
URL:https://pluralartmag.com/event/arty-afternoon-timber-textures-charcoal-rubbings/2026-07-18/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/5.-Arty-Afternoon.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T170000
DTEND;TZID=Asia/Singapore:20260816T170000
DTSTAMP:20260709T112537
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009190-1784394000-1786899600@pluralartmag.com
SUMMARY:Intermission by Esmond Loh
DESCRIPTION:Haridas Contemporary is thrilled to present Esmond Loh’s (b. 1995) latest solo exhibition with the gallery. Titled Intermission\, Loh explores the pauses that emerge within the ongoing performance of everyday life. Intermission features 17 new paintings. \nSet against a backdrop of rural and urban landscapes that appear ambiguous yet intimately familiar\, this series of new works conjures figurative scenes of individuals caught between roles. Within such precious pockets of time\, in a society shaped by perpetual momentum and productivity\, Loh draws our attention to the suspense that envelops these private vignettes of rest\, waiting\, or escape.
URL:https://pluralartmag.com/event/intermission-by-esmond-loh/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/07/FB-Intermission.png
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260723T080000
DTEND;TZID=Asia/Singapore:20260723T170000
DTSTAMP:20260709T112537
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009181-1784793600-1784826000@pluralartmag.com
SUMMARY:CHARGED by Teater Ekamatra
DESCRIPTION:Written by Chong Tze Chien and winner of Best Script at The Straits Times Life! Theatre Awards in 2011\, CHARGED is set during Chinese New Year and opens on a tense night in camp\, where the only soldiers left on guard duty are Malay and Indian. The uneasy quiet is broken by the arrival of Corporal Russell Lim. Old resentments surface\, insults escalate\, and taboos are shattered. By dawn\, two soldiers\, one Chinese and one Malay\, lie dead. \nAs Investigating Officer Victor de Souza pieces together the chain of events\, he confronts a maze of half truths\, silences\, and conflicting loyalties. \nSet within the suffocating hierarchy of army life\, the play confronts the fraught question of race with unsparing candour and a sharp refusal of easy political comfort. \nLed by director Mohd Fared Jainal\, with lighting design by Adrian Tan and sound design by Safuan Johari\, CHARGED features a dynamic ensemble of performers: Brendon Fernandez\, Irsyad Dawood\, Teoh Jun Vinh\, Krish Natarajan\, Ali Mazrin\, Izzul Irfan\, Siti Hajar Abdul Gani\, and Serene Chen.
URL:https://pluralartmag.com/event/charged-by-teater-ekamatra/2026-07-23/
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/CHARGED-1.jpg
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