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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260823T100000
DTEND;TZID=Asia/Singapore:20260823T220000
DTSTAMP:20260709T024703
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008860-1787479200-1787522400@pluralartmag.com
SUMMARY:Earthopia Fest 2026
DESCRIPTION:Earthopia Fest 2026 returns for its second edition from 29 to 31 May 2026 at Fort Canning Green\, bringing together youth\, community groups\, green businesses\, artists and advocates for a three-day sustainability festival built around climate action\, circular living and wellness. \nOrganised by City Sprouts\, the festival will bring together 100+ content partners and engage over 5\,000 participants through hands-on workshops\, panel discussions\, a conscious marketplace curated by Sunday Social and City Sprouts’ Farmers Collective\, the Earthling Exchange showcasing green innovations and social impact work\, art installations made with repurposed materials\, and live performances by local artists. \nDesigned to move audiences from awareness to intent and action\, Earthopia Fest 2026 makes sustainability more accessible by connecting it to everyday choices — from fashion\, food and wellness to creativity\, community and conscious consumption. \nEarthopia’s art installations turn waste into visual storytelling\, creating accessible photo and video moments while making circular economy ideas tangible. Highlights include: \n\nOur Current Creatures – large floating jellyfish-like forms made from plastic\, inviting visitors to look twice at what our waste becomes.\nE-Fossil: A Warning From Our Time – animal-like fossils assembled from e-waste and industrial materials\, imagining what future generations might unearth from today’s consumption.\nSOAR – an upcycled bird installation made from discarded milk bottles\, transforming everyday waste into a symbol of recovery and lift-off.\nScarecrow Guardians – playful fashion-based guardians made from repurposed clothes\, created with youth and circular fashion partners.\nDisposable Planet – a vibrant Earth formed from colourful fabric scraps\, led by Fashion Parade\, greeting visitors with a strong circular fashion message.
URL:https://pluralartmag.com/event/earthopia-fest-2026/2026-08-23/
LOCATION:Fort Canning Green\, Fort Canning Park\, Canning Rise\, Singapore\, Singapore\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/05/EARTHOPIA-2026-POSTER.png
ORGANIZER;CN="City Sprouts":MAILTO:hello@citysprouts.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260805
DTEND;VALUE=DATE:20260823
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
UID:10008742-1785888000-1787443199@pluralartmag.com
SUMMARY:Common Room
DESCRIPTION:When two young adults get the rare opportunity to share a living space of their own in Singapore\, it’s all too easy to fall into mundane patterns of domestic responsibility. But within these rote routines lies the magic of profound late night conversations about one’s place in the world\, spontaneous deep dives into exes and lost friends\, and musings about what the future holds. \nCommon Room by ants chua is a celebration of the emotional\, physical\, and relational work of queer living. Directors Claire Wong and ants chua reveal a rare insight into the domestic spaces that allow us to be the most vulnerable\, and the tender efforts we make to grapple with our past mistakes and our present selves. This intimate two-hander sees actors Genevieve Tan and Siti Sara Hamid delicately unfold the layers of identity\, of queerness\, and of vocation. \nAn exploration of loving\, living and dreaming amidst the relentless rhythm and rupture of daily life\, Common Room is both familiar and new; at once poetic and irreverent. Amidst the ongoing rupture and repair of friendships\, despite the impossibilities and failures of language\, how can we continue reaching toward each other?
URL:https://pluralartmag.com/event/common-room/2026-08-05/
LOCATION:Drama Centre Black Box\, National Library Building (Level 5)\, 100 Victoria Street\, #05-01 National Library Building\, Singapore 188064\, Singapore\, Singapore\, 188064\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/1920-x-1080.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260801T110000
DTEND;TZID=Asia/Singapore:20260801T170000
DTSTAMP:20260709T024703
CREATED:20260623T023639Z
LAST-MODIFIED:20260623T023639Z
UID:10008770-1785582000-1785603600@pluralartmag.com
SUMMARY:Arty Afternoon | Timber Textures: Charcoal Rubbings
DESCRIPTION:Explore the wonders of printmaking through charcoal rubbings. Choose from a variety of natural materials and carved woodblocks to create a unique work blending an array of textures. \nThis is a free\, drop-in event\, no registration is required. Recommended for all ages.
URL:https://pluralartmag.com/event/arty-afternoon-timber-textures-charcoal-rubbings/2026-08-01/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/5.-Arty-Afternoon.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260801
DTEND;VALUE=DATE:20260823
DTSTAMP:20260709T024703
CREATED:20251020T072402Z
LAST-MODIFIED:20251020T072402Z
UID:10007924-1785542400-1787443199@pluralartmag.com
SUMMARY:Finding the Writer's Voice
DESCRIPTION:𝗙𝗶𝗻𝗱𝗶𝗻𝗴 𝘁𝗵𝗲 𝗪𝗿𝗶𝘁𝗲𝗿’𝘀 𝗩𝗼𝗶𝗰𝗲 \nWhat is the story within you that keeps running into roadblocks\, whenever you try to bring it into fuller expression? Is there a deeper truth beneath it that is asking to be seen? \nThis four-week workshop aims to help you get in touch with\, recognise\, and develop your unique writing voice. Whether you are a beginner writer\, or an experienced writer looking for a fresh approach towards your craft\, this workshop aims to help you achieve greater clarity and purpose in your work. \nParticipants have the option to submit up to ten pages of creative work for detailed individual feedback. \nThis workshop is open to writers of poetry\, prose and creative nonfiction. \nReduced fees are available for students\, as well as for those in need of financial assistance; please email rainbowfictioneers@gmail.com to find out more. \n𝗗𝗮𝘁𝗲𝘀: 6th\, 13th\, 20th and 27th Dec 2025 \n𝗧𝗶𝗺𝗲: 9.30am – 12.30pm on Saturdays \n𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: Online  \n𝗦𝗶𝗴𝗻 𝘂𝗽 𝗮𝘁 rainbowfictioneers.com/writersvoice \n——— \n𝗔𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿  \nStacy Ooi is editor of 𝘝𝘰𝘺𝘢𝘨𝘦: 𝘈 𝘓𝘪𝘵𝘦𝘳𝘢𝘳𝘺 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and founder of the 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘍𝘪𝘤𝘵𝘪𝘰𝘯𝘦𝘦𝘳𝘴\, a literary platform based in Singapore. Her poetry has been published in 𝘉𝘭𝘶𝘦 𝘏𝘦𝘳𝘰𝘯 𝘙𝘦𝘷𝘪𝘦𝘸\, and 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘳𝘪𝘴𝘦𝘴\, 𝘵𝘩𝘦 𝘵𝘪𝘥𝘦 𝘧𝘢𝘭𝘭𝘴. Her fiction is published in 𝘉𝘭𝘶𝘦 𝘋𝘢𝘪𝘴𝘪𝘦𝘴 𝘑𝘰𝘶𝘳𝘯𝘢𝘭\, and forthcoming in 𝘊𝘈𝘓𝘠𝘟 𝘑𝘰𝘶𝘳𝘯𝘢𝘭. She dreams of a world where we are gentle with each other.
URL:https://pluralartmag.com/event/finding-the-writers-voice/2026-08-01/
LOCATION:Online
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2025/10/Writers-Voice-1.png
ORGANIZER;CN="Rainbow Fictioneers":MAILTO:rainbowfictioneers@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260725T100000
DTEND;TZID=Asia/Singapore:20260725T170000
DTSTAMP:20260709T024703
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009194-1784973600-1784998800@pluralartmag.com
SUMMARY:SAM Art Carnival
DESCRIPTION:Celebrate SAM’s 30th anniversary at the SAM Art Carnival\, a free one-day celebration of art\, creativity and discovery for all ages. \nEnjoy free admission to all exhibitions at SAM\, including Hiroshi Sugimoto: Form Is Emptiness and the newly opened Maria Taniguchi: Afterimage. Look forward to a vibrant programme of hands-on workshops\, performances and guided tours throughout the day. \nGet creative with drop-in art experiences inspired by SAM’s exhibitions. Experience colour beyond sight by creating tactile colour cards in Feeling Colours\, experiment with watercolour spray painting and cyanotype printing\, make beaded charms or try your hand at punch needle. There will also be face painting\, carnival-style games\, treats\, giveaways and live performances throughout the day. Highlights include performances by young Singaporean busker Shayne Ko\, as well as a spectacular smoke\, magic and bubbles show. \nMake a day of it at SAM with free exhibitions\, art-making activities and family-friendly experiences for all ages. Located just a short walk from the newly opened Cantonment MRT Station\, SAM is now even easier to visit.
URL:https://pluralartmag.com/event/sam-art-carnival/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/Key-Visual-SAM-Art-Carnival-Image-courtesy-of-Singapore-Art-Museum.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260723T080000
DTEND;TZID=Asia/Singapore:20260723T170000
DTSTAMP:20260709T024703
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009181-1784793600-1784826000@pluralartmag.com
SUMMARY:CHARGED by Teater Ekamatra
DESCRIPTION:Written by Chong Tze Chien and winner of Best Script at The Straits Times Life! Theatre Awards in 2011\, CHARGED is set during Chinese New Year and opens on a tense night in camp\, where the only soldiers left on guard duty are Malay and Indian. The uneasy quiet is broken by the arrival of Corporal Russell Lim. Old resentments surface\, insults escalate\, and taboos are shattered. By dawn\, two soldiers\, one Chinese and one Malay\, lie dead. \nAs Investigating Officer Victor de Souza pieces together the chain of events\, he confronts a maze of half truths\, silences\, and conflicting loyalties. \nSet within the suffocating hierarchy of army life\, the play confronts the fraught question of race with unsparing candour and a sharp refusal of easy political comfort. \nLed by director Mohd Fared Jainal\, with lighting design by Adrian Tan and sound design by Safuan Johari\, CHARGED features a dynamic ensemble of performers: Brendon Fernandez\, Irsyad Dawood\, Teoh Jun Vinh\, Krish Natarajan\, Ali Mazrin\, Izzul Irfan\, Siti Hajar Abdul Gani\, and Serene Chen.
URL:https://pluralartmag.com/event/charged-by-teater-ekamatra/2026-07-23/
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/CHARGED-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T170000
DTEND;TZID=Asia/Singapore:20260816T170000
DTSTAMP:20260709T024703
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009190-1784394000-1786899600@pluralartmag.com
SUMMARY:Intermission by Esmond Loh
DESCRIPTION:Haridas Contemporary is thrilled to present Esmond Loh’s (b. 1995) latest solo exhibition with the gallery. Titled Intermission\, Loh explores the pauses that emerge within the ongoing performance of everyday life. Intermission features 17 new paintings. \nSet against a backdrop of rural and urban landscapes that appear ambiguous yet intimately familiar\, this series of new works conjures figurative scenes of individuals caught between roles. Within such precious pockets of time\, in a society shaped by perpetual momentum and productivity\, Loh draws our attention to the suspense that envelops these private vignettes of rest\, waiting\, or escape.
URL:https://pluralartmag.com/event/intermission-by-esmond-loh/
LOCATION:Haridas Contemporary\, CT Hub 2\, 114 Lavender Street\,Unit05-72\, 338729\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/07/FB-Intermission.png
ORGANIZER;CN="Haridas Contemporary":MAILTO:info@haridascontemporary.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260718T090000
DTEND;TZID=Asia/Singapore:20260725T170000
DTSTAMP:20260709T024703
CREATED:20260708T140650Z
LAST-MODIFIED:20260708T140742Z
UID:10009192-1784365200-1784998800@pluralartmag.com
SUMMARY:Writing and Performing Your Personal Story
DESCRIPTION:Checkpoint Theatre is pleased to offer a SkillsFuture Credit-eligible course led by Associate Artists Adib Kosnan and Lucas Ho. \nAimed at participants with minimal or no prior experience of writing or performing\, this course will teach you to craft and deliver a short self-written story about your personal life. \nParticipants will be given the tools to distil and craft their stories in a polished manner on the page\, and then be equipped with effective communication techniques to present their story in an accomplished manner. \nYou will write a monologue over the course of this session\, and deliver it at the end\, with guidance and feedback from the instructors. \nBy the end of the course\, you will have gained practical experience in the writing and performing of your personal story. The writing and speaking skills acquired will be effective in various personal\, social\, and professional situations such as job interviews\, wedding speeches\, networking sessions\, and even first dates! \nCourse Outline\nWriting (2.5hrs) \n\nElements of a personal story\n– Strengths and challenges of your personal journey\n– Making it memorable\n– Reading and discussing examples of well-written personal stories\nSharing your personal story\n– Knowing your audience: personal\, social and/or professional\n– Identifying moments in your personal journey to share in your story\nWriting your personal story\n– Blending honesty and craft: shaping your personal story into something accessible and relatable\n\nDelivering (2.5hrs) \n\nTelling your story\n– Using narratives for self-expression and confidence building\n– Connecting with your audiences\nPutting it all together\n– Exploring physicality and vocal variety through exercises which will help establish presence and focus as you share your stories.\n\nSharing (2hrs) \n\nDelivering your story\n– 5 – 7 mins per participant\nFeedback\n– Participants will be given feedback and space to refine their work to a presentation that is articulate and relatable.\n\nCourse Runs\nDATES (Choose one): Saturday 18th or 25th July 2026\nTIME: 9am – 5pm (with a 1 hour lunch break)\nLOCATION: The White Space at *SCAPE (2 Orchard Link\, Singapore 237978) \n*Do note that lunch is not provided \nCourse Fees\n$350 (SkillsFuture claimable) \nRegistration\nTo register for this course\, please click on the link below and fill out the registration form: \nRegistration Form: https://forms.gle/XttuTfRHsSnRMift9 \nFor more info: https://tinyurl.com/skillsfutureworkshop \nWhen filling out the form\, please select whether you would like to use your SkillsFuture credits — either in full\, or partially\, or not at all.  \nIf you wish to use your SkillsFuture credits to completely offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment and submitting a claim on the MySkillsFuture portal. \nIf you wish to use your SkillsFuture credits to only partially offset the course fee\, you will be contacted by Checkpoint Theatre Limited with further instructions on submitting a claim on the MySkillsFuture portal\, as well as for payment to the company for the remainder of your course fee. \nIf you do not wish to use your SkillsFuture credits at all\, you will be contacted by Checkpoint Theatre Limited with further instructions on payment directly to the company. \nPlease note that credits under “SkillsFuture Credit (Mid-Career)” are not eligible to be used for this course. \nRegistration will only be confirmed when: \n\nFor participants using SkillsFuture Credits to offset all or part of the course fee — Payment has been made to Checkpoint Theatre Limited for the remaining course fee if the course fee is partially offset by SkillsFuture credits\, and once you have submitted a claim on the MySkillsFuture portal.\nFor participants not using SkillsFuture Credits — Full payment has been made directly to Checkpoint Theatre Limited.\n\nPlease ensure that you are able to attend the entirety of the session. Refunds will not be given if you are not able to attend the session\, or if you have to leave early during the session. \n\nAbout The Instructors \nAdib Kosnan \nAdib is an actor\, writer\, director\, educator\, and an Associate Artist with Checkpoint Theatre. He is also a National Arts Council (NAC) scholar with a MA in Arts Pedagogy and Practice from Goldsmiths\, University of London\, UK.  \nAdib has performed in numerous productions for the English and Malay-language stage since 2003\, and writes and directs extensively in both languages. His play 28.8 (2017) was nominated for Best Original Script at The Straits Times Life! Theatre Awards 2018. He is also a founding member of Singaporean playwright collective Main Tulis Group.  \nAdib views theatre as a space to shape thought and life through socially engaged work. As a co-lead artist for Both Sides\, Now: Mengukir Harapan (2021–2022)\, Adib spearheaded engagement around end-of-life conversations within the Malay-Muslim community.  He also worked on Air (2024)\, a verbatim theatre project amplifying Orang Seletar voices on displacement and identity. Adib also teaches forum theatre and facilitation as an Adjunct Lecturer at LASALLE College of the Arts. \nAs an educator\, Adib conducts and facilitates Checkpoint Theatre’s school and public  workshops and programmes. He especially enjoys the collaborative nature of theatre and sharing what he has discovered from wearing his multiple hats. \n  \nLucas Ho \nLucas Ho is a writer\, director\, and educator; and an Associate Artist with Checkpoint Theatre in Singapore. In 2023\, Lucas received the National Arts Council Postgraduate Scholarship\, and attended the Royal Central School of Speech and Drama in London\, UK\, where he completed an MFA in Writing for the Stage and Broadcast Media\, with distinction. \nHis full-length plays include FRAGO (2017)\, The Heart Comes to Mind (2020)\, and Tender Submission (2023) which was nominated for Best Original Script at the Straits Times Life! Theatre Awards 2024. \nLucas has taught the introductory and advanced playwriting seminars at the National University of Singapore\, and was part of the faculty of Literary Arts at School of the Arts\, Singapore (SOTA). While at SOTA\, he created Singapore’s first 7-hours-a-week\, 8-week-long playwriting programme for 13-year-olds. \nLucas also serves as a script reader\, moderator\, and playwriting resource person for Centre 42\, an incubatory space committed to the development\, documentation and promotion of Singapore theatre. He has led table reads and mentored playwrights as part of this platform. \nHe has also edited various play anthologies by Checkpoint Theatre\, including Faith Ng: Plays Volume 1 (2016) and Joel Tan: Plays Volume 1 (2015). Lucas continues to direct and facilitate Checkpoint Theatre’s school and public workshops and programmes — where original Singaporean writing is presented\, and where participants are guided to create their own works.
URL:https://pluralartmag.com/event/writing-and-performing-your-personal-story/
LOCATION:The White Space at *SCAPE\, 2 Orchard Link\, Singapore 237978\, Singapore\, 237978\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/1880-x-1058-px.jpg
ORGANIZER;CN="Checkpoint Theatre":MAILTO:contact@checkpoint-theatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260717T180000
DTEND;TZID=Asia/Singapore:20260731T170000
DTSTAMP:20260709T024703
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
UID:10009195-1784311200-1785517200@pluralartmag.com
SUMMARY:VISIONS – ANIMA MUNDI 2026
DESCRIPTION:ITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\, is pleased to announce the opening of VISIONS\, the third appointment of ANIMA MUNDI 2026. The exhibition will open on July 17\, 2026\, at Palazzo Albrizzi-Capello in Venice and will remain on view until July 31\, 2026. ANIMA MUNDI is the vital energy that flows through all things\, the subtle force connecting every form of existence\, from natural to artificial\, visible to invisible. Understood since Plato’s Timaeus as the soul of a living universe\, it returns today as\nan intuitive awareness of an invisible but active network that sustains transformation\, coexistence\, and renewal across matter\, time\, and life. It is the underlying rhythm that links ecosystems\, human and non-human entities\, and balances the continuous evolution of the world. Within this framework\, artists\, designers\, and architects are invited to explore how this universal energy manifests today\, investigating the subtle\ncorrespondences between soul and body\, humanity and nature\, and organic and synthetic worlds. Among the selected artists\, Andrew R. Gibbs’s layered compositions in “Cities of Change” explore the emotional impact of transforming urban landscapes\, where architecture and collective memory intertwine to reveal the fragile relationship between place and identity. Similarly\, Hiromasa Maeda’s “City Layered” interprets the glass-and-concrete skyline as a palimpsest of reflections\, shifting perspectives\, and fleeting traces of human presence\, suggesting that cities acquire meaning only through those who inhabit them. In parallel\, Nuvy Kim (N12Y.3) and Ilinca-Ruxandra Pipelea translate inner\nexperience into material form: drawing on the precision of her background in jewellery making\, Kim’s ceramics and paintings transform fractured perfection into ambiguous\, ungendered anatomies and psychologically charged spaces. Pipelea\, by contrast\, constructs immersive environments through vibrant chromatic fields and richly layered textures\, using colour and gestural accumulation to evoke the unseen rhythms of nature\, memory\, and emotional perception. A quiet\, introspective sensibility runs through the figurative work of Dominika Łuszcz\nand Marga Garcia: Łuszcz’s elongated\, folk-inflected portraits contain restrained psychological tension and cultural traces\, and Garcia’s “Surrectio” reads the figure as an emergent\, feminine rebirth – silent\, inward\, and resilient. This intimacy of feeling appears elsewhere in Inna Stelmachowicz’s meditative images\, where silence\, material\, and light render moments of honesty and inner tension\, and in Diana Rîmbu’s intuitive paintings\, which invite reflection and healing through emotional resonance grounded in an  architectural sense of space. Movement\, rhythm\, and the transmutation of performance into image animate the photographic work of Danny Johananoff\, whose slow-shutter studies dissolve choreography into painterly currents that make tradition feel timeless; Satyajett Salokhey’s large-scale ink gestures similarly capture bodily impulse and subconscious residue\, balancing control and spontaneity. Asnaby Samuel’s canvases introduce a mythic\, mnemonic counterpart: drawing on Sahara oral traditions\, his “Djinns” series treats drums and surfaces as carriers of memory and projection\, where attention and presence activate ambiguous spiritual forces. Finally\, Filomena Parra’s “A Dança do Vidro” offers a lyrical conclusion: glass becomes suspended light and gentle choreography\, a study in fragility and fluidity that echoes the formal restraint and emotional subtlety threaded through the show. VISIONS offers a cohesive journey through contemporary visual practices\, further enriched by a great selection of video artworks.
URL:https://pluralartmag.com/event/visions-anima-mundi-2026/
LOCATION:Palazzo Albrizzi – Capello\, Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT) Cannaregio 4118\, Venice\, Italy\, Venice\, 30121\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/2026_visions_950-1-scaled.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260716T180000
DTEND;TZID=Europe/Madrid:20260725T190000
DTSTAMP:20260709T024703
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009182-1784224800-1785006000@pluralartmag.com
SUMMARY:BARCELONA CONTEMPORARY - 9TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is delighted to announce the 9th edition of BARCELONA CONTEMPORARY 2026\, taking place from July 16 to July 25\, 2026\, at ITSLIQUID Art Space – Barcelona. Dedicated to contemporary artistic languages\, the exhibition brings together painting\, photography\, video art\, installation\, sculpture\, and performance art\, creating a dynamic platform where artistic research meets the vibrant cultural energy of Barcelona. \nExploring the connection between body and space\, BARCELONA CONTEMPORARY 2026 reflects on how identities evolve within today’s cultural\, social\, and urban contexts. Through its two curatorial sections\, MIXING IDENTITIES and FUTURE LANDSCAPES\, the exhibition invites us to investigate transformation\, perception\, and coexistence in the contemporary world. \nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive journey into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES explores abstract and conceptual spaces where boundaries dissolve\, opening new dialogues between body\, mind\, soul\, and environment. Within this framework\, the selected artists offer unique perspectives on memory\, transformation\, and the relationship between individuals and the spaces they inhabit.
URL:https://pluralartmag.com/event/barcelona-contemporary-9th-edition-2026/
LOCATION:HUB/ART Barcelona | Barcelona\, Spain Carrer del Dr. Trueta 183\, Carrer del Dr. Trueta 183\, Barcelona\, Spain
CATEGORIES:International
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260711T153000
DTEND;TZID=Asia/Singapore:20260711T173000
DTSTAMP:20260709T024703
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009186-1783783800-1783791000@pluralartmag.com
SUMMARY:Book Launch Party | Free To Play: A Video Games Anthology
DESCRIPTION:Test your video game knowledge\, party to classic gaming tunes\, and hang out with the creators of Difference Engine’s latest anthology! \n\n\n\n\nAll this and more at the book launch party of Free To Play: A Video Games Anthology – a multi-medium collection of comics\, prose\, creative non-fiction\, and multimedia stories celebrating video games and gaming culture. What you can expect: \n\nCreator sharing\nVideo game trivia by Wormhole\nBeats by DJ Hojyn\nWormhole pop-up booth\n\nThis event is a collaboration between Difference Engine\, Wormhole\, and Filmhouse ❤️‍🔥 \n—\nEntry is free with registration\, and tickets are only needed to play the trivia. Registration begins at 3.15pm and we recommend coming early to grab a seat (first-come-first-served)! Limited seating\, but standing room is available.
URL:https://pluralartmag.com/event/book-launch-party-free-to-play-a-video-games-anthology/
LOCATION:Filmhouse\, 6001 Beach Rd\, #05-00\, Singapore 199589\, Singapore\, 199589
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/eventbrite-banner-1.jpg
ORGANIZER;CN="Difference Engine":MAILTO:readcomics@differenceengine.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260711T140000
DTEND;TZID=Asia/Singapore:20260711T163000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10008766-1783778400-1783787400@pluralartmag.com
SUMMARY:Chine Collé Class | Collected Recollections
DESCRIPTION:Join us for a meditative exploration on the themes of home and belonging with chine collé. \nDraw inspiration from Zarina’s use of architectural language and learn to print from copper plates etched with archival floorplans of old buildings in Singapore. Transfer these images onto delicate sheets of paper and carefully layer them\, evoking how physical spaces hold memory. \nRecommended for ages 12 and above. \nParticipants are encouraged to bring a simple floorplan as reference material for this class.
URL:https://pluralartmag.com/event/chine-colle-class-collected-recollections/2026-07-11/2/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/3.-Chine-Colle-Class-Collected-Recollections.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260710T110000
DTEND;TZID=Europe/Rome:20260723T160000
DTSTAMP:20260709T024703
CREATED:20260708T140814Z
LAST-MODIFIED:20260708T140814Z
UID:10009193-1783681200-1784822400@pluralartmag.com
SUMMARY:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION
DESCRIPTION:LONDON CONTEMPORARY ART FAIR 2026 – 18TH EDITION\nJuly 10 – 23\, 2026\nELEMENTS Contemporary Art Space\, London\nITSLIQUID Group\, along with YMX Arts\, is excited to present the 18th edition of LONDON\nCONTEMPORARY ART FAIR 2026\, taking place from July 10 to July 23\, 2026\, at\nELEMENTS Contemporary Art Space in London. The international exhibition brings\ntogether contemporary artists from around the world\, creating a dynamic platform where\nartistic research investigates the fluid evolution of identity within the ever-changing\nlandscapes of contemporary society.\nLONDON CONTEMPORARY ART FAIR 2026 invites a profound exploration of the human\nexperience through the relationship between body and space\, reflecting on the\nhybridisation of identities within the cultural\, physical\, social\, and urban landscapes of\ncontemporary society. Inspired by London’s unique atmosphere\, the exhibition examines\nhow the city’s dynamic energy shapes personal narratives and collective experiences\,\ninfluencing how individuals perceive themselves and interact with the world around them.\nThrough diverse artistic practices\, the artists investigate the connections between desires\,\nneeds\, and fears\, revealing the transformative processes that shape human existence. In\nthis context\, the exhibition becomes a space of metamorphosis\, where memory\,\nperception\, and emotion converge\, creating a dialogue between personal identity and the\ncollective urban environment.
URL:https://pluralartmag.com/event/london-contemporary-art-fair-2026-18th-edition/
LOCATION:ELEMENTS Contemporary Art Space 253 Hoxton Street\, London N1 5LGù\, 253 Hoxton Street\, London N1 5LG\, 253 Hoxton Street\, London N1 5LG\, London\, GB\, N1 5LG\, United Kingdom
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/LONDON.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260710T080000
DTEND;TZID=UTC:20260710T170000
DTSTAMP:20260709T024703
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009177-1783670400-1783702800@pluralartmag.com
SUMMARY:LONDON CONTEMPORARY 18TH EDITION
DESCRIPTION:ITSLIQUID Group\, along with YMX Arts\, is proud to present the 18th edition of LONDON CONTEMPORARY\, hosted at the ELEMENTS Contemporary Art Space from July 10 to July 23\, 2026. This international exhibition will be a dynamic platform for global creators to showcase their latest research\, focusing on the fluid evolution of new identities within the shifting landscapes of contemporary spaces. Through a diverse range of media\, the selected artists explore how we define ourselves and interact with the modern world\, offering a profound look at the intersection of personality\, architecture\, and digital environments.
URL:https://pluralartmag.com/event/london-contemporary-18th-edition/2026-07-10/
LOCATION:ELEMENTS Contemporary Art Space 253 Hoxton Street\,  London N1 5LG\, ELEMENTS Contemporary Art Space 253 Hoxton Street\, London N1 5LG\, London\, N1 5LG\, United Kingdom
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/lc18_26_032.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260709T190000
DTEND;TZID=Asia/Singapore:20260709T203000
DTSTAMP:20260709T024703
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009185-1783623600-1783629000@pluralartmag.com
SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro Opening Night
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened.Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro-opening-night/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/Hahan-Days-Left-Untouched-Invite-SG-1.jpg
GEO:1.2719097;103.8366846
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gajah Gallery 39 Keppel Rd #03-04 Singapore 089065 Singapore;X-APPLE-RADIUS=500;X-TITLE=39 Keppel Rd\, #03-04\, Singapore:geo:103.8366846,1.2719097
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260709
DTEND;VALUE=DATE:20260727
DTSTAMP:20260709T024703
CREATED:20260708T140651Z
LAST-MODIFIED:20260708T140742Z
UID:10009184-1783555200-1785110399@pluralartmag.com
SUMMARY:Days That Slip Away Untouched: A Solo Exhibition by Uji “Hahan” Handoko Eko Saputro
DESCRIPTION:Gajah Gallery Singapore presents Days That Slip Away Untouched\, a solo exhibition by Indonesian artist Uji “Hahan” Handoko Eko Saputro. Following its debut in Jakarta\, the exhibition continues Hahan’s investigation into the shifting relationship between physical reality and its digital mediation. \nWorking across painting\, sculpture\, and sound\, Hahan examines how perception and meaning are conditioned within digitally mediated environments. His work probes the terms by which images and experiences are encountered\, tracing how distinctions between the real\, the constructed\, and the circulated are produced\, and how authenticity is negotiated in their wake. \nIn contrast to the immediacy of digital systems\, Hahan’s practice emphasises slowness and material engagement. Developed in close dialogue with the Ace House collective and his studio artisans\, the works emerge through what he describes as an “aesthetic kinship”\, a process rooted in shared labour and collective exchange. Across the exhibition\, Hahan appropriates imagery from works by Raden Saleh\, Tomás Sánchez\, and Walter Spies\, using these references to reflect on how knowledge\, power\, and ways of seeing have shaped historical narratives. In doing so\, the works draw attention to the instability of images in an era governed by algorithmic visibility\, where depth and context risk being flattened. Within these compositions\, moments of disruption appear through hybrid figures and altered landscapes\, introducing a sense of dissonance that unsettles familiar visual frameworks. These gestures operate as subtle “glitches”\, interrupting dominant modes of representation and\nopening up alternative ways of seeing and understanding. \nThe exhibition title\, Days That Slip Away Untouched\, speaks to an awareness of time that often passes without full attention. Across his practice\, Hahan foregrounds attentiveness —to history\, process\, and everyday experience— as a means of resisting this condition. Here\, authenticity is approached as something continually negotiated within the conditions of contemporary life.
URL:https://pluralartmag.com/event/days-that-slip-away-untouched-a-solo-exhibition-by-uji-hahan-handoko-eko-saputro/
LOCATION:Gajah Gallery\, 39 Keppel Rd\, #03-04\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/07/Hahan-Days-Left-Untouched-Invite-SG.jpg
GEO:1.2719097;103.8366846
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gajah Gallery 39 Keppel Rd #03-04 Singapore 089065 Singapore;X-APPLE-RADIUS=500;X-TITLE=39 Keppel Rd\, #03-04\, Singapore:geo:103.8366846,1.2719097
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T190000
DTEND;TZID=Asia/Singapore:20260708T220000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10008763-1783537200-1783548000@pluralartmag.com
SUMMARY:Collagraphy Class | Mapping Memories
DESCRIPTION:Create monochromatic collagraphs inspired by Zarina’s minimalist musings on histories and geographies. \nCollage a variety of materials to form textured printing plates based on archival and current maps of Singapore. Learn inking techniques to transfer these collaged compositions onto paper\, creating tactile works that capture the beauty of personal cartographies. \nRecommended for ages 12 and above. \nParticipants are encouraged to bring materials with textured surfaces such as cardboard or thin pieces of wood for this class.
URL:https://pluralartmag.com/event/collagraphy-class-mapping-memories/2026-07-08/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/2.-Collagraphy-Class-Mapping-Memories.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260708T180000
DTEND;TZID=Asia/Singapore:20260719T190000
DTSTAMP:20260709T024703
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009178-1783533600-1784487600@pluralartmag.com
SUMMARY:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto
DESCRIPTION:LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto\nA solo exhibition by Giovanni Tozzetti\nJuly 08 – 19\, 2026\nPalazzo Velli\, Rome \nITSLIQUID Group is extremely proud to present “LONG WALK FROM AUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto”\, the highly anticipated solo exhibition by Italian-Australian artist Giovanni Tozzetti. Hosted from July 08 to July 19\, 2026 during the ROME INTERNATIONAL ART FAIR 18th Edition at the prestigious Palazzo Velli in Rome\, this exhibition represents a profound emotional and creative homecoming\, marking the definitive Roman showcase of a brilliant contemporary figurative artist.
URL:https://pluralartmag.com/event/long-walk-from-australia-to-roma-e-ndo-so-nato-vissuto-cresciuto-e-pasciuto/
LOCATION:palazzo velli\, Piazza di S. Egidio n. 10\, Rome\, Rome\, Roma\, 00153\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/solo_giovanni_tozzetti_007.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260708
DTEND;VALUE=DATE:20260720
DTSTAMP:20260709T024703
CREATED:20260708T140813Z
LAST-MODIFIED:20260708T140813Z
UID:10009183-1783468800-1784505599@pluralartmag.com
SUMMARY:ROME INTERNATIONAL ART FAIR – 18TH EDITION 2026
DESCRIPTION:ITSLIQUID Group is proud to announce the 18th edition of ROME INTERNATIONAL ART\nFAIR 2026\, taking place from July 08 to July 19\, 2026\, at ITSLIQUID Art Space – Rome\,\nlocated in the historic district of Trastevere. Hosted in a remarkable 15th-century palace\,\nthe exhibition brings together contemporary artistic languages from around the world\,\ncreating a dynamic platform where artistic research encounters the timeless cultural\nheritage of the Eternal City.\nExploring the relationship between body and space\, ROME INTERNATIONAL ART FAIR\n2026 reflects on the ongoing hybridization between identities and cultural\, physical\, social\,\nand urban contexts in contemporary society. Through its two curatorial sections\, MIXING\nIDENTITIES and FUTURE LANDSCAPES\, the exhibition invites visitors to investigate\nperception\, memory\, transformation\, and the evolving interaction between individuals and\nthe environments they inhabit.\nMIXING IDENTITIES analyses the hidden dimensions of identity through an immersive\njourney into the labyrinths of consciousness. At the same time\, FUTURE LANDSCAPES\nexplores the concept of boundaries – between body\, mind\, and spirit; between individuals\nand the city; and between space and ground – transforming everyday surfaces into fluid\nterritories of open and evolving ideas. Within this framework\, the selected artists offer\nunique perspectives on contemporary existence through deeply personal visual narratives.\nPresented as a compelling solo exhibition\, Giovanni Tozzetti’s “LONG WALK FROM\nAUSTRALIA TO ROMA – E ‘ndo so nato\, vissuto\, cresciuto e pasciuto” masterfully opens a\nvibrant dialogue between individual narrative and collective experience. The project\nunfolds as a deeply personal yet universally resonant journey\, bridging vast geographical\ndistances with intimate roots to explore how private memories intersect with shared\ncultural identities. Through this fluid interaction\, the exhibition invites the audience to\nreflect on the universal themes of migration\, home\, and the continuous evolution of self.\nRooted in a practice that explores the relationship between painting and photography\,\nTozzetti transforms observed reality into a refined painterly language\, preserving the\nimmediacy of the original image while emphasizing its symbolic and communicative power.\nGestures\, symbols\, and shared spaces become communication vehicles\, revealing how\npersonal narratives are continuously negotiated within broader cultural and urban contexts.
URL:https://pluralartmag.com/event/rome-international-art-fair-18th-edition-2026/
LOCATION:ITSLIQUID Art Space Rome
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/riaf18-26-001.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260704T110000
DTEND;TZID=Asia/Singapore:20260705T170000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
UID:10009168-1783162800-1783270800@pluralartmag.com
SUMMARY:Pocket Fest
DESCRIPTION:ABOUT POCKET FEST 2026\nhttps://artdis.org.sg/pocket-fest-2026/\nStep into a vibrant celebration of creativity\, connection and community. Back for its second edition\, ART:DIS’s Pocket Fest returns from 4-5 July at Objectifs with exciting opportunities for people of all ages and abilities to create\, learn and connect through inclusive workshops\, performances\, activities and exhibitions. Best of all\, the festival showcases the creativity of more than 50 artists with disabilities\, sharing their talents and stories with the wider community. \nMore than just a festival\, Pocket Fest is a welcoming space where everyone is invited to take part. Whether you’re crafting something new\, discovering an artist’s perspective\, joining a community activity or simply enjoying a performance\, every experience is designed to bring people together. Through creativity and shared experiences\, Pocket Fest celebrates the idea that everyone has something valuable to contribute and that the arts are for everyone. \n\n\n\nFree admission\n(Includes free activities and performances for all to enjoy) \nRegister for ticketed workshops: \nhttps://www.eventbrite.com/cc/pocket-fest-workshops-4847787
URL:https://pluralartmag.com/event/pocket-fest/
LOCATION:Objectifs Centre for Photography and Film\, 155 Middle Road\, Singapore\, 188977\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/ARTDIS_Pocket-Fest-2026_Digital_1920x1080px.jpg
ORGANIZER;CN="ART%3ADIS":MAILTO:suzanna@artdis.org.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260704T090000
DTEND;TZID=Asia/Singapore:20260704T130000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260708T140742Z
UID:10008767-1783155600-1783170000@pluralartmag.com
SUMMARY:Double Bill Programme | From Site to Print | Hidden Treasures\, Uncovered Textures
DESCRIPTION:Explore Singapore’s lesser-known architectural sites and create prints from your urban adventure! \nInspired by Zarina’s revisiting of memory and displacement\, this double bill invites participants on a tour of a unique residence in Singapore\, followed by a hands-on printmaking class at STPI. \nExplore the memories and personal treasures that turn a house into a home with Stanley and Amanda from Hidden Heritage Singapore. Capture interesting textures you find along the way with relief printing. After the tour\, return to STPI for a monotype class to create a print inspired by the stories and textures collected on the tour. \nRecommended for ages 16 and above.
URL:https://pluralartmag.com/event/double-bill-programme-from-site-to-print-hidden-treasures-uncovered-textures/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/4.-Double-bill-tour-class.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260703T110000
DTEND;TZID=Asia/Singapore:20260705T190000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009172-1783076400-1783278000@pluralartmag.com
SUMMARY:Illustration Arts Festival (IAF) 2026
DESCRIPTION:The Illustration Arts Festival (IAF) returns this year in a landmark celebration as part of the 10th anniversary of OIC Singapore. As Singapore’s leading independent festival dedicated to the vibrant world of illustration\, this special edition continues OIC Singapore’s commitment to championing creativity shaped entirely by human hands\, imagination\, and lived experience. In an era of rapidly evolving AI\, the festival reaffirms the value of authentic artistic expression\, where every line\, texture\, and story is crafted by artists themselves. \nThis year\, IAF brings together more than 260 participating artists from 16 countries\, forming a diverse international creative community that fosters rich cultural exchange and collaboration across the region. \nThe festival also proudly features artists from our partner networks\, including \n\nCo-curators FLABSLAB\, Tell Your Children\, and Gofy\nSoutheast Asia Illustration Council\, with artist exchange initiatives involving BKKIF (Bangkok Illustration Fair) and KLIF (Kuala Lumpur Illustration Fair)\nTokyo Illustrators Society\n\nThese partnerships strengthen regional connections and celebrate the shared spirit of illustration across Asia. \nAs part of the celebrations\, visitors can collect the IAF 10th Anniversary Commemorative Cards\, available in a series of three designs\, alongside exclusive one of one hand drawn cards created by participating artists are available for purchase during the festival.
URL:https://pluralartmag.com/event/illustration-arts-festival-iaf-2026/
LOCATION:New Art Museum Singapore\, 39 Keppel Rd\, #05-03/06 Tanjong Pagar Distripark\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/png:https://pluralartmag.com/wp-content/uploads/2026/06/iaf1400.png
ORGANIZER;CN="Thirtytwocm":MAILTO:hello@thirtytwocm.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260628T140000
DTEND;TZID=Asia/Singapore:20260628T170000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009165-1782655200-1782666000@pluralartmag.com
SUMMARY:Honey\, I Shrunk the Kids!
DESCRIPTION:We spend so much time chasing the big things in life that we often miss the tiny details worth holding onto. Whether it’s your fur kid\, your favourite human\, or that friend who somehow appears in every camera roll\, carry a little reminder of them wherever you go. \nUsing shrink film\, design and create your own pop socket and bag charm—tiny keepsakes inspired by the people\, pets\, and memories closest to you. Think of it as turning big feelings\, fond memories\, and even questionable doodling skills into miniature works of art. \nNo experience needed. Just come doodle with your friends\, enjoy a drink from Glasshouse to keep your ideas flowing and leave with miniatures made by you — to keep or to gift.
URL:https://pluralartmag.com/event/honey-i-shrunk-the-kids/2026-06-28/
LOCATION:Glasshouse\, 136 Neil Road #01-01\, Singapore\, Singapore 088865\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/HISTK1-scaled.jpg
ORGANIZER;CN="Still":MAILTO:wearestill.co@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260627T160000
DTEND;TZID=Asia/Singapore:20260808T180000
DTSTAMP:20260709T024703
CREATED:20260708T140826Z
LAST-MODIFIED:20260708T140826Z
UID:10009179-1782576000-1786212000@pluralartmag.com
SUMMARY:pbdq 排排
DESCRIPTION:A small shift in orientation\, and one thing becomes another. Like the letters p\, b\, d\, q — which become one another through simple rotation — each work in the exhibition carries traces of something that came before\, then landing somewhere new. In pbdq\, exhibiting artists Catherine Hu\, Cally Tan and Genevieve Leong revisit works\, materials and obsessions from past experiences\, revealing an intimate and sustained relationship with the physical\, visual and sensorial in their everyday life.  \nCatherine Hu’s process often involves recreating existing objects to explore the gradient between looking like and being something. One of her exhibited works\, Found Tile Stool (2023)\, is a stool made with stray mosaic tiles\, collected over three years from various locations: on the street\, in drains\, in nature parks\, at public playgrounds\, washed up on beaches\, in carparks\, or half-buried in the soil of a stranger’s garden. Perfect squares of colour shed from buildings that might no longer exist\, or from walls and floors that might have since been remodelled\, are repurposed and given a new lease of life.  \nCally Tan\, a textile-forward object-maker whose practice explores the representation of objecthood and potency in non-human matter\, presents Milky Way Finds (2025)\, a series of small items encased in double-woven pockets. Contributed by friends\, these items that have been tucked away\, accumulated\, and often forgotten\, represent traces and memories of their owners’ lives: a grocery receipt tucked into a coat pocket bearing witness to a loved one’s cooking\, an accumulation of sweet wrappers marking the rhythm of daily habits. Lingering at the edges of daily life\, they become akin to drifting debris in the Milky Way – also the name of the woven silk material given by its Nagano manufacturers in Japan.   \nan attempt at solidifying make-believe landscapes (2026) is a series of object assemblages by Genevieve Leong\, that draws from the nostalgic vocabulary of children’s imaginative play and ‘masak masak’\, or make-believe cooking. It follows an earlier print series An attempt at exhausting a place from my window (2020–21) of 26 variations of a landscape\, that explores various possibilities of looking at a single vantage point. Continuing this inquiry\, an attempt at solidifying make-believe landscapes extrapolates the two-dimensional landscapes into three-dimensional object constellations arranged on the ground.
URL:https://pluralartmag.com/event/pbdq-%e6%8e%92%e6%8e%92/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/Exhibition-poster_pbdq-scaled.jpeg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260627T150000
DTEND;TZID=Asia/Singapore:20260627T163000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009166-1782572400-1782577800@pluralartmag.com
SUMMARY:Small Gestures: At the Table
DESCRIPTION:Rather than being observed from a distance\, ceramic wares are made to be used\, lifted\, and held\, revealing their presence through weight\, texture\, temperature\, and the irregularities formed by hand. \nSmall Gestures: At the Table reflects the showcase’s focus on physical closeness\, attention to small gestures\, and the act of slowing down to notice what is often overlooked. A single dessert course\, curated by Glasshouse and served on chosen hand-built ceramic ware by @kiln_wanday (which participants will bring home after the experience)\, extends this attentiveness through flavour\, texture\, warmth\, and pause.
URL:https://pluralartmag.com/event/small-gestures-at-the-table/
LOCATION:Glasshouse\, 136 Neil Road #01-01\, Singapore\, Singapore 088865\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/SG1.jpg
ORGANIZER;CN="Still":MAILTO:wearestill.co@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260626T100000
DTEND;TZID=Asia/Singapore:20260628T180000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009163-1782468000-1782669600@pluralartmag.com
SUMMARY:Meet At Eye Level
DESCRIPTION:Meet at Eye Level centres on our encounters with animals\, those who share our daily lives\, and those that live quietly within us. \nThrough ceramic and illustration practices\, the showcase invites visitors to consider how shifts in posture\, rhythm\, and attention shape the way we relate to those around us. \nAcross the works\, artists approach the theme from both outward and inward directions. The ceramic works focus on shared rituals of care\, revisiting moments of dining through hand-built vessels. The illustrations turn inward\, where the fragmented perspectives of horses reflect the complexities of identity and our ongoing search for self. \nMeet at Eye Level invites viewers to adjust their stance and discover new ways of encountering animals\, both beside us and within us.
URL:https://pluralartmag.com/event/meet-at-eye-level/
LOCATION:Glasshouse\, 136 Neil Road #01-01\, Singapore\, Singapore 088865\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/meet-at-eye-level-official-poster--scaled.jpg
ORGANIZER;CN="Still":MAILTO:wearestill.co@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260626
DTEND;VALUE=DATE:20260712
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009175-1782432000-1783814399@pluralartmag.com
SUMMARY:Of Light and Matter
DESCRIPTION:Of Light and Matter explores the relationship between light\, materiality\, and the natural world through a diverse collection of paintings\, mixed-media works\, and sculptural forms. The exhibition brings together artists whose practices are rooted in observation\, transformation\, and reflection\, inviting viewers to reconsider how we perceive and connect with our surroundings.\n\n\n\nNature is never merely a backdrop in these works. Mineral crystals pressed into paper\, mirrors casting full spectrums of colour\, figures reaching toward streaks of light breaking through storm clouds\, and landscapes distilled into rhythmic patterns all reveal the subtle interplay between physical matter and intangible experience. Through their distinct artistic languages\, the participating artists explore themes of renewal\, resilience\, memory and wonder.\n\nThe exhibition brings together nine contemporary artists from Singapore\, China and Japan\, each offering a unique perspective on the relationship between light\, materiality and the natural world. Participating artists include Daiki Nishimura\, Karina D. Simon\, Kim Xu\, Wang Jiang\, Yin Chua\, Zhang Qiao\, Zhang Yihan\, Zhang Ziheng and Zhu Feng.\n\n\n\n\nThe exhibition is presented by Y Art Project in collaboration with Art Seasons Gallery. Through this partnership\, the two galleries share a commitment to supporting contemporary artists\, fostering artistic exchange and creating meaningful opportunities for public engagement with the arts.
URL:https://pluralartmag.com/event/of-light-and-matter/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/WhatsApp-Image-2026-06-22-at-6.05.59-PM.jpeg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Indian/Maldives:20260621T103000
DTEND;TZID=Indian/Maldives:20260705T200000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10009142-1782037800-1783281600@pluralartmag.com
SUMMARY:The Shape of Us Exhibition
DESCRIPTION:The Shape of Return exhibition on 21 June to 5 July\, 2026\, brings together fifteen Maldivian artists in a single\, distilled narrative moving through myth\, oceanic memory\, ecological fragility\, longing\, and ultimately\, return. The works now gather not as separate pieces\, but as chapters in a shared epic. \nThe Maldives is a place the world thinks it knows: turquoise\, pristine\, suspended in paradise. The Shape of Return looks beneath that surface: at ancestry\, craftsmanship\, folklore\, environmental vulnerability\, and the ongoing negotiation between tradition and modernity in a small island nation shaped equally by story. \nPresented collaboratively by Suvãsthi\, Oaga Art Resort\, and Oevaali Art Gallery\, this exhibition situates Maldivian contemporary art within a broader regional conversation\, while remaining firmly rooted in its oceanic heritage.
URL:https://pluralartmag.com/event/the-shape-of-us-exhibition/
LOCATION:Oevaali Art Gallery\, 10 Bussorah St\, Singapore 199488\, Singapore\, 199488\, Maldives
CATEGORIES:Singapore
ORGANIZER;CN="OevaaliArt Shop":MAILTO:chevyn@oevaaliartshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260620T080000
DTEND;TZID=Asia/Singapore:20260801T170000
DTSTAMP:20260709T024703
CREATED:20260623T023508Z
LAST-MODIFIED:20260623T023508Z
UID:10008772-1781942400-1785603600@pluralartmag.com
SUMMARY:Zarina: Directions to My House | Guided Tour
DESCRIPTION:Join our expert docents for a guided tour and ruminate on Zarina’s ideas of belonging\, displacement and memory. Gain a deeper understanding of how her she translated her lived experience into minimalist print and paper works—endearing expressions of yearning and searching for home. \nThe tour will include a glimpse into our Workshop\, where Zarina’s legacy continues to inspire contemporary print and papermaking practices. \nGuided tours at STPI are free of charge. Drop-in guests are welcome. \n20 June – 1 August 2026\nSelected Wednesdays\, Thursdays and Saturdays
URL:https://pluralartmag.com/event/zarina-directions-to-my-house-guided-tour/
LOCATION:STPI – Creative Workshop & Gallery\, 41 Robertson Quay\, Singapore\, 238236\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/05/7.-Guided-tour.jpg
ORGANIZER;CN="STPI %E2%80%93 Creative Workshop &amp%3B Gallery":MAILTO:stpi@stpi.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260619T180000
DTEND;TZID=Asia/Singapore:20260703T203000
DTSTAMP:20260709T024703
CREATED:20260623T023748Z
LAST-MODIFIED:20260623T023748Z
UID:10009174-1781892000-1783110600@pluralartmag.com
SUMMARY:CONSCIOUSNESS – ANIMA MUNDI 2026
DESCRIPTION:CONSCIOUSNESS – ANIMA MUNDI 2026\nJune 19 – July 03\, 2026\nPalazzo Albrizzi-Capello\nITSLIQUID Group\, in collaboration with ACIT Venice – Italian-German Cultural Association\,\nis pleased to announce the opening of CONSCIOUSNESS\, the second appointment of\nANIMA MUNDI 2026. The exhibition will open on June 19\, 2026\, at Palazzo\nAlbrizzi-Capello in Venice and will remain on view until July 03\, 2026.\nANIMA MUNDI is the vital energy that flows through all things\, the subtle force connecting\nevery form of existence\, from natural to artificial\, visible to invisible. Understood since\nPlato’s Timaeus as the soul of a living universe\, it returns today as an intuitive awareness\nof an invisible but active network that sustains transformation\, coexistence\, and renewal\nacross matter\, time\, and life. It is the underlying rhythm that links ecosystems\, human and\nnon-human entities\, and balances the continuous evolution of the world. Within this\nframework\, artists\, designers\, and architects are invited to explore how this universal\nenergy manifests today\, investigating the subtle correspondences between soul and body\,\nhumanity and nature\, and organic and synthetic worlds.\nIn the works of Amira Yaakoubi\, the female body becomes a site where memory and\ndesire continuously intertwine: through layered compositions and expressive gestures\, her\npainting gives shape to figures suspended between strength and vulnerability\,\ntransforming the image into a reflection on identity and the female condition. A related\nsensibility emerges in the photographic practice of Maciej Max Dominik\, who reduces the\nbody to its essential form through black and white imagery and a rigorous control of light\,\nin which each photograph seems to strip away every superfluous element\, allowing\nmovement and presence to surface in a dialogue where the body never appears fixed or\ndefinitive\, but rather constantly shaped by emotional and perceptual transformation.\nNadine Collado\, instead\, develops a practice driven by intuition and spontaneity through\nabstract compositions that take form through layering\, tonal variations\, and free gestures\,\ncreating open and mutable images that shift according to the viewer’s gaze\, in an intuitive\ndimension that resonates with the photography of Romina Calini\, where each image\noriginates from an immediate response to reality. Light and atmosphere transform the\nphotographic act into a personal perception rather than a simple registration of the visible\nworld\, moving between inner experience and a sensitive interpretation of their\nsurroundings.\nThe theme of waiting runs through the work of Paolo Cristiani\, who observes airports\,\nhotels\, and transitional spaces as suspended environments\, almost detached from time:\nhis images transform the experience of contemporary travel into a rarefied dimension\nwhere architecture and human presence coexist in silent balance.\nIn Conrad Schirmann’s painterly research\, depth becomes a generative force from which\nabstract landscapes slowly emerge from matter itself; built through layers and sudden\nopenings\, his chromatic surfaces evoke contemplative states and inner dimensions.\nThe photographs of Charlotte Stoffels conclude this journey through images that preserve\nfragments of time\, subtle details\, and delicate atmospheres. Her gaze focuses on a\ndiscreet and unconstructed beauty that reveals itself within the intervals of everyday life in\na perpetual research for the invisible and the imperfect\, where the vision of ANIMA MUNDI\nfully emerges as a subtle network of connections between perception\, memory\, and\nhuman experience.\nCONSCIOUSNESS offers a cohesive journey through contemporary visual practices\,\nfurther enriched by a great selection of video artworks (see\nhttps://drive.google.com/drive/folders/1dIyZDQk2jYpJcuAL-r2rchEmicAUvQqU?usp=sharin\ng).
URL:https://pluralartmag.com/event/consciousness-anima-mundi-2026/
LOCATION:Palazzo Albrizzi-Capello Associazione Culturale Italo-Tedesca (ACIT)\, Cannaregio 4118\, Venice\, Cannaregio 4118\, Venice\, Veneto\, 30121\, Italy
CATEGORIES:International
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/06/consciousness-2026-002-3.jpg
ORGANIZER;CN="Itsliquid Group":MAILTO:exhibition@itsliquid.com
END:VEVENT
END:VCALENDAR