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X-WR-CALDESC:Events for pluralartmag.com
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260420T124416
CREATED:20250915T073727Z
LAST-MODIFIED:20251005T024644Z
UID:10007851-1757635200-1784505599@pluralartmag.com
SUMMARY:Talking Objects
DESCRIPTION:Singapore Art Museum (SAM) presents Talking Objects\, its latest exhibition at the dedicated collection gallery. Drawn from the museum’s collection\, the exhibition explores how everyday objects – commonplace items\, familiar scenes and everyday representations — become vessels of memory\, meaning\, and emotion when seen through the lens of artists and their practices. Beyond materiality\, Talking Objects considers how even the most everyday forms can become instruments of expression. In the hands of artists\, the ordinary takes on new significance\, inviting us to look again at the world around us. \nFeaturing works by widely recognised artists from across Asia\, including Alwin Reamillo\, Suzann Victor\, and Christine Ay Tjoe\, Talking Objects showcases a diversity of artistic voices and practices\, while offering insights into SAM’s ongoing research into the material and conceptual languages of contemporary art in the region. These artworks resonate with shared human experiences while remaining grounded in the particularities of place and personal history. The exhibition invites visitors to slow down\, reflect\, and rediscover the quiet power of objects in shaping how we see and understand the world.  \nTalking Objects is housed alongside The Living Room in SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/talking-objects/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/1-a3302637.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260720
DTSTAMP:20260420T124416
CREATED:20250915T073740Z
LAST-MODIFIED:20251005T024644Z
UID:10007852-1757635200-1784505599@pluralartmag.com
SUMMARY:The Living Room
DESCRIPTION:Singapore Art Museum (SAM) presents its latest exhibition The Living Room\, as part of the final chapter of Collection Project: Communicating\, Convening\, Commoning—a long-term collaboration between SAM\, Seoul Museum of Art (SeMA)\, and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Housed at SAM’s refreshed collection gallery\, the exhibition brings together performance-based works from the collections of all three institutions to explore how performances – fleeting by nature – can be remembered\, reactivated\, and carried forward through different forms of engagement. At its heart is a central question: What happens to a performance when it ends? Where does its liveness go\, and how might we make sense of what remains? \nFeaturing works by renowned local and international artists such as Ezzam Rahman\, Chuyia Chia\, Kim Garam\, Brian Fuata and others\, The Living Room presents a breadth of practices spanning live performances\, video\, installation\, performance traces\, re-enactments\, and artist-led activations. Taking inspiration from the living room as a space for gathering and presence\, the exhibition invites visitors into an evolving environment that is brought to life through activation\, conversation\, and exchange. By bringing together works grounded in lived experience\, The Living Room opens new ways of understanding how performance lives on through objects\, memory\, interaction\, and shared encounters. \nThe Living Room is showcased alongside Talking Objects at SAM’s collection gallery. Together\, they create a reflective space where personal and collective experiences converge\, offering insights into individual narratives and broader social and cultural conditions.
URL:https://pluralartmag.com/event/the-living-room/
LOCATION:Singapore Art Museum at Tanjong Pagar Distripark\, 39 Keppel Rd\, #01-02 Tanjong Pagar Distripark\, Singapore 089065\, Singapore\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/09/The-Living-Room.-Image-courtesy-of-Singapore-Art-Museum-1-min-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20251213T120000
DTEND;TZID=Asia/Singapore:20260215T180000
DTSTAMP:20260420T124416
CREATED:20251215T070208Z
LAST-MODIFIED:20251215T070208Z
UID:10008033-1765627200-1771178400@pluralartmag.com
SUMMARY:Yao Qingmei: Steel Garden
DESCRIPTION:Opening Reception : 13 December 2025\, 4pm\nExhibition Period : 13 December 2025 – 15 February 2026 \nSingapore\, November 2025 — ShanghART Gallery is pleased to present Steel Garden\, a solo exhibition by Paris-based artist Yao Qingmei\, marking her first major presentation with the gallery. Known for an interdisciplinary practice that bridges performance\, video\, photography\, and installation\, Yao examines how bodies move through—and are shaped by—structures of power\, public ritual\, and the choreography of collective life. \nAt the heart of the exhibition is Steel Garden\, her latest two-channel video installation. The work draws from the grand floral displays erected annually during moments of national celebration. Through a series of precise and lingering images—close-ups of flowers\, birds foraging among cracks\, weeds growing between paving stones\, the varied postures of visitors\, and the synchronised gesture of crowds during the flag-raising ceremony—Yao reveals the subtle relationships between individual action\, collective ritual\, and the constructed natural landscape. \nThis multi-chapter video work begins with news reports on specially cultivated festival flowers and culminates in a floating\, dust-like vocal poem from the artist’s own perspective. Drawing upon the concepts of the “moving garden” and the “third landscape” by French gardener Gilles Clément\, the work also references descriptions of pain and hallucination experienced by the soldier Pavel Korchagin in the Soviet novel How the Steel Was Tempered (1934) to reveal the biopolitical framework that underlies this monumental ritual. \nThe exhibition also brings together works spanning more than 10 years\, offering a contextual understanding of Yao’s sustained inquiry into symbolic gesture\, embodied practice\, and moving-image construction. Beginning with early public space interventions and documented performances\, Yao initially used video as a means of recording her embodied actions. Over time\, she has increasingly turned toward filmic construction\, developing a more deliberate cinematic language that positions her both in front of and behind the camera. \nThis evolution is visible in works such as The Third Internationale in Monaco (2012) and Dance! Dance! Bruce Ling! (2013)\, in which Yao performs as a protagonist navigating staged situations that parody ideological choreography. In more recent projects\, including Prelude to Love (2023)\, she adopts the role of a director\, shaping narrative\, movement\, and mise-en-scène to investigate how collective identities are formed\, reinforced\, or unsettled. \nAcross her body of work\, Yao Qingmei articulates a distinctive\, incisive voice within contemporary art—one attuned to the shifting dynamics of nationalism\, memory\, and public space in the twenty-first century. Steel Garden offers a focused yet expansive lens into her practice\, foregrounding an artist whose observations of ritual\, power\, and lived experiences resonate far beyond their point of origin.
URL:https://pluralartmag.com/event/yao-qingmei-steel-garden/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2025/12/YQM-Steel-Garden-poster.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260216
DTSTAMP:20260420T124416
CREATED:20260112T063338Z
LAST-MODIFIED:20260112T063338Z
UID:10008093-1768608000-1771199999@pluralartmag.com
SUMMARY:Mirror Straits: A Taiwan-Singapore Joint Presentation
DESCRIPTION:In conjunction with Singapore Art Week 2026\, artcommune and Liang Gallery are delighted to present ‘Mirror Straits’\, a joint Taiwan-Singapore joint show featuring the works of 8 major Taiwanese and Singapore artists: Cheong Soo Pieng\, Chen Wen Hsi\, Lim Tze Peng\, Wong Keen\, Chen Cheng-Po\, Yang San-Lang\, Liao Shiou-Ping\, and Lee Chung-Chung. ‘Mirror Straits’ is on view at artcommune gallery from 17 January to 15 February 2026\, and will travel to Liang Gallery for its Taipei Leg in September-October 2026. \n‘Mirror Straits’ opens officially on Saturday\, 17 January\, 3pm at artcommune gallery. The opening prefaces a panel discussion titled ‘Parallel Modernities: An Examination of ‘Chinese Diaspora Aesthetics’ in Taiwan and Singapore—A Conversation between Takamori Nobuo and Kwok Kian Chow’\, that will take place between 4.30pm-5.45pm on the same day. All are welcome; RSVP required at kenix@artcommune.com.sg \nCurated by Taiwanese independent curator Takamori Nobuo (chief-curator of 2021 Asian Arts Biennial\, Phantasmapolis\, organised by National Taiwan Museum of Fine Arts\, and chief-curator of the current 2025 Green Island Biennial)\, the presentation explores the evolving identity of ethnic Chinese communities in the pre- and post-World War Il era\, tracing their diasporic histories and the ways in which artistic expression transitioned\, diverged\, and flourished across regions.
URL:https://pluralartmag.com/event/mirror-straits-a-taiwan-singapore-joint-presentation/
LOCATION:artcommune gallery\, 76 Bras Basah Road\, #01-01\, Singapore\, 189558
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/EL-E-Invite-Mirror-Straits-鏡之海峽聯展.jpg
ORGANIZER;CN="artcommune gallery":MAILTO:admin@artcommune.com.sg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20260122T120000
DTEND;TZID=Asia/Singapore:20260228T180000
DTSTAMP:20260420T124416
CREATED:20260105T123344Z
LAST-MODIFIED:20260105T123344Z
UID:10008087-1769083200-1772301600@pluralartmag.com
SUMMARY:Dialogue of Differences\, presented by ART SEASONS Gallery
DESCRIPTION:Dialogue of Differences brings together artists whose practices confront the frictions shaping today’s geopolitical\, cultural\, and social landscapes. At a time when rising nationalist sentiment and renewed “war economies”— both literal and ideological\, seek to reinforce old hierarchies\, the exhibition offers a counterpoint through artistic dissent\, complexity\, and exchange. Rather than collapsing perspectives into simple binaries\, it opens a space where contradiction and nuance become modes of resistance. \nParticipating artists: Awang Damit Ahmad\, David Chan\, Lester Lee\, Umibaizurah Mahir@Ismail and Yin Chua. \nAll works are for sale.
URL:https://pluralartmag.com/event/dialogue-of-differences-presented-by-art-seasons-gallery/
LOCATION:Art Seasons Gallery\, 50 Genting Lane\, Cideco Industrial Complex #03-02\, Singapore\, Singapore\, 349558\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/01/Dialogue-of-Differences.jpeg
ORGANIZER;CN="Art Seasons Gallery":MAILTO:info@artseasonsgallery.com
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