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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Singapore:20261011T120000
DTEND;TZID=Asia/Singapore:20261110T180000
DTSTAMP:20261026T141331Z
CREATED:20261026T141331Z
LAST-MODIFIED:20261026T141331Z
UID:10012010-1791720000-1794333600@pluralartmag.com
SUMMARY:Shifting Images: Photography from Singapore 2000 - 2025\, Systems of Seeing\, Where Images Gather
DESCRIPTION:Artist: Chua Chye Teck\, John Clang\, Geraldine Kang\, Lai Yu Tong\, Bob Lee\, Robert Zhao Renhui\, Zen Teh\, Chow and Lin \nExhibition Period: 11 October 2026 – 10 November 2026 \n  \nPhotography has often been understood through the singular image—the decisive moment\, the iconic photograph\, the picture that stands alone. Yet meaning can also emerge through relationships between images. Through repetition\, accumulation\, comparison and connection\, photographs become part of larger structures through which we observe\, organise and understand the world. \n  \nSystems of Seeing: Where Images Gather brings together eight Singapore artists whose practices approach photography as a means of gathering\, classifying\, connecting and constructing knowledge. Across the exhibition\, images form collections\, inventories\, sequences and networks of relationships. Rather than functioning independently\, individual photographs become components within larger systems\, gaining meaning through their relationship to one another and to the structures in which they operate. \n  \nGeraldine Kang’s By Unit of Measurement (2016)\, extending from the gallery entrance into its interior\, introduces the exhibition’s central proposition: the ways we see and assign value are shaped by systems that are rarely neutral. Kang considers how people\, objects and experiences are measured\, while Under the guise of surface (2014) extends this inquiry into public space. Through a staged act resembling municipal maintenance\, Kang draws attention to how the urban environment is continually regulated\, maintained and represented\, determining what remains visible and what disappears. \n  \nQuestions of classification and authority continue in Robert Zhao Renhui’s A Guide to the Flora and Fauna of the World (2013)\, which adopts the language of scientific documentation to construct a speculative archive of nature. Lai Yu Tong’s Corners (1–35) (2015) turns repetition into a sustained exercise in looking\, transforming overlooked corners into a sequence shaped by duration\, constraint and persistence. \n  \nElsewhere\, comparison becomes a means of understanding larger social structures. Chow and Lin’s The Poverty Line (2010–2026) brings together photographs made across different cities to examine inequality\, allowing individual observations to become part of a broader comparative study. Chua Chye Teck’s Memories (2015) gathers discarded construction wire as traces of Singapore’s changing built environment\, turning accumulation into an act of remembering. 4 selected works from this series are titled Remains of Memories. \n  \nBob Lee’s Memory Blocks (2009-ongoing) similarly builds meaning through accumulation. Portraits of families living in HDB flats come together as a collective image of domestic and social life in Singapore. In John Clang’s Being Together (2010–2012)\, photography becomes a means of connection\, temporarily bringing together families separated by migration and physical distance. \n  \nZen Teh’s Un-knowing (2014) shifts these processes towards landscape. Combining fragments photographed across Singapore’s parks and nature reserves\, Teh constructs landscapes that appear familiar yet cannot be located in any single place\, unsettling the distinction between observing the environment and producing it through images. \n  \nAcross Systems of Seeing: Where Images Gather\, photography extends beyond recording what is before the camera. Through measurement\, classification\, repetition\, accumulation\, comparison and connection\, these artists reveal how images participate in constructing ways of knowing. The exhibition asks us to consider not only what photographs show\, but the systems through which they acquire meaning: what is gathered\, measured\, classified\, connected\, preserved or erased—and how these structures ultimately shape what\, and how\, we see. \n__________________________________________ \nSystems of Seeing: Where Images Gather is part of Shifting Images\, a series of exhibitions exploring the diversity and evolution of photographic practices in Singapore. Across eight exhibitions\, Shifting Images brings together different generations of artists and approaches to photography\, reflecting on how the medium has developed\, expanded and responded to changing social\, cultural and technological contexts. \n  \nCurated by Gwen Lee\, with curatorial assistance from Cavin Lim and Luna Chang.
URL:https://pluralartmag.com/event/shifting-images-photography-from-singapore-2000-2025-systems-of-seeing-where-images-gather/
LOCATION:ShanghART Singapore\, Block 9 Lock Road #02-22\, 108937\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/10/Acr301794056547200-6855-scaled.jpg
ORGANIZER;CN="ShanghART Singapore":MAILTO:shanghartgallerysg@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261016
DTEND;VALUE=DATE:20261110
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009777-1792108800-1794268799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-16/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261017
DTEND;VALUE=DATE:20261111
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009778-1792195200-1794355199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-17/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261018
DTEND;VALUE=DATE:20261112
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009779-1792281600-1794441599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-18/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261019
DTEND;VALUE=DATE:20261113
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009780-1792368000-1794527999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-19/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261020
DTEND;VALUE=DATE:20261114
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009781-1792454400-1794614399@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-20/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261021
DTEND;VALUE=DATE:20261115
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009782-1792540800-1794700799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-21/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261116
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009783-1792627200-1794787199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-22/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261023
DTEND;VALUE=DATE:20261117
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009784-1792713600-1794873599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-23/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261024
DTEND;VALUE=DATE:20261118
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009785-1792800000-1794959999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-24/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261025
DTEND;VALUE=DATE:20261119
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009786-1792886400-1795046399@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-25/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261026
DTEND;VALUE=DATE:20261120
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009787-1792972800-1795132799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-26/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261027
DTEND;VALUE=DATE:20261121
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009788-1793059200-1795219199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-27/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261028
DTEND;VALUE=DATE:20261122
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009789-1793145600-1795305599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-28/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261123
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009790-1793232000-1795391999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-29/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261030
DTEND;VALUE=DATE:20261124
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009791-1793318400-1795478399@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-30/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261031
DTEND;VALUE=DATE:20261125
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009792-1793404800-1795564799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-10-31/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261101
DTEND;VALUE=DATE:20261126
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009793-1793491200-1795651199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-01/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261102
DTEND;VALUE=DATE:20261127
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009794-1793577600-1795737599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-02/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261103
DTEND;VALUE=DATE:20261128
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009795-1793664000-1795823999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-03/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261104
DTEND;VALUE=DATE:20261129
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009796-1793750400-1795910399@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-04/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261105
DTEND;VALUE=DATE:20261130
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009797-1793836800-1795996799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-05/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20261201
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009798-1793923200-1796083199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-06/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261107
DTEND;VALUE=DATE:20261202
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009799-1794009600-1796169599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-07/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261108
DTEND;VALUE=DATE:20261203
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009800-1794096000-1796255999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-08/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261109
DTEND;VALUE=DATE:20261204
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009801-1794182400-1796342399@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-09/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261110
DTEND;VALUE=DATE:20261205
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009802-1794268800-1796428799@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-10/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261111
DTEND;VALUE=DATE:20261206
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009803-1794355200-1796515199@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-11/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261112
DTEND;VALUE=DATE:20261207
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009804-1794441600-1796601599@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-12/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261113
DTEND;VALUE=DATE:20261208
DTSTAMP:20261026T141124Z
CREATED:20261026T141124Z
LAST-MODIFIED:20261026T141124Z
UID:10009805-1794528000-1796687999@pluralartmag.com
SUMMARY:Source Code: A Solo Exhibition by Jemana Murti
DESCRIPTION:Gajah Gallery Singapore presents Source Code\, the second solo exhibition by Balinese artist Jemana Murti\, opening in October 2026. The exhibition presents a focused examination of Jemana’s evolving practice in response to his Balinese identity within modernity\, exploring the tensions between cultural heritage and technological advancement. \nRaised in a family of artists and deeply influenced by Balinese Hindu traditions\, Jemana’s practice is rooted in an ongoing engagement with the cultural forms and knowledge systems of his home. His work is informed by his interest in ethnomathematics and by the use of proportion\, repetition\, and spatial relationships within Balinese artistic and architectural traditions.  \n  \nIn Source Code\, Jemana brings these inherited forms into dialogue with technologies of the present\, using 3D scanning\, 3D printing\, and artificial intelligence to create sculptural works marked by deliberate distortions and “glitches.” These visual disruptions signal the inherent limitations of technology in replicating the cultural and spiritual significance embedded within these forms. At the same time\, he draws a parallel between the reverence once accorded to divine figures and the growing authority given to technologies that are increasingly perceived as “all-knowing.”   \nThis tension takes on a new material dimension in a recent expansion of Jemana’s practice\, through a series of bronze sculptures created in collaboration with Yogya Art Lab. The works begin as digitally reconstructed and warped forms\, which are then translated into bronze\, carrying the distortions of the virtual realm into physical form. The resulting sculptures bring together the instability of digital manipulation with the weight and permanence of bronze\, a material long associated with durability. Through this process\, Jemana brings a central tension within his practice into sharper focus: the fluidity of technological systems alongside the persistence of cultural forms\, and how technological transformation might nevertheless carry forward or reconfigure something of their cultural and material continuity.
URL:https://pluralartmag.com/event/source-code-a-solo-exhibition-by-jemana-murti/2026-11-13/
LOCATION:Gajah Gallery Singapore\, 39 Keppel Road\, Tanjong Pagar Distripark #03-04\, 089065\, Singapore
CATEGORIES:Singapore
ATTACH;FMTTYPE=image/jpeg:https://pluralartmag.com/wp-content/uploads/2026/09/Jemana-Solo-Invitation-scaled.jpg
END:VEVENT
END:VCALENDAR