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Opinions
Opinions
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- “How To Look at an Art Exhibition”
  October 12, 2019
- The Warp in the Weave
  September 7, 2019
- “Biennales – What Are They Good For?”
  June 22, 2019
- Features
- Ask a Critic
Art, Abridged
Art, Abridged
See all
- To a Light That Never Goes Out
  December 1, 2019
- Beyond The Spectacle – SG Biennale 2019
  November 22, 2019
- How to Navigate an Art Fair: Expert Advice
  November 19, 2019
Conversations
Conversations
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- Artists & Their Studios: Alpana Vij
  September 14, 2019
- Nikki Luna’s Contagious Courage
  August 13, 2019
- When Amanda Met Donna
  July 27, 2019
Lifestyle
Lifestyle
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- A Three Way with Snails
  December 3, 2019
- An Uncommon Touch
  November 13, 2019
- Ila’s Ikan Pais
  November 6, 2019
- People
- Places
- Plates
Exhibitions
Exhibitions
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- Sisters Are Doin’ It for Themselves
  November 27, 2019
- Beyond The Spectacle – SG Biennale 2019
  November 22, 2019
- Remedy for Rage
  November 10, 2019
Events

#donnaong

Adventures on Instagram

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“The process of preparing them is tedious: first, starve the snails on just water for 3 days, then feed them only carrots until their poop turns orange. This entire process, which takes about a week, ensures that the innards of the snails are detoxified.”⠀
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What on earth does this have to do with art? The link in bio will tell you ! ⠀
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📸: Artist Chang En Man, courtesy of @singaporeartmuseum

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Must art be confined to the white walls of galleries? In this day and age, the answer is of course a resounding no. And that is why @nationalgallerysingapore continues to add to its OUTBOUND series, which commissions artists to create works in the Gallery's transitional spaces. Take a look at what you can expect to encounter on your way to the exhibitions when you visit the National Gallery from now on!⁣
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Since each commission of the OUTBOUND series will be displayed for at least three years, you are sure to have the opportunity to come across it when you visit. Happy hunting!

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Yogyakarta-based artist Muhammad “Ucup” Yusuf has always sought to give voice to the people through his art, and his work at the recent group show, "Fracture/Fiction", at ILHAM Gallery @ilhamgallerykl remains true to form. ⠀
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Our writer Amanda takes us through the socio-political issues that gave rise to his woodcut print, "Tak Kunjung Padam", in the link in bio.⠀
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We asked the female curators of @gajahgallery’s ‘Shaping Geographies: Art | Woman | Southeast Asia’ if they might have chosen a male curator to work with, and this was their response: ⠀
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“I guess a counter to your question would be, well, who would we pick? If we needed to pick a man to be involved, who would we pick and why?”— Dr. Michelle Antoinette⠀
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“(We’re) not saying it’s unnatural for male curators and female curators to work together.. but we also don’t want to have collaborations that are forced.”— Dr. Wulan Dirgantoro⠀
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Intrigued? Eavesdrop on the rest of our conversation with these ladies, in the link in bio. (And yes, that is our editor @anothermichellelim standing on a discarded crate) >
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This story was produced in partnership with Gajah Gallery)

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“This is an exhibition that brings together 11 Southeast Asian artists who’ve delivered really powerful works. The show represents different generations of Southeast Asian women artists and it gives you a perspective on what some of the constants are, across the generations. It also taps into the differences in what Southeast Asian women artists are doing (now). These are powerful new works that address urgent things and they do it in a way that’s refreshingly intimate and beautiful.” – Dr. Michelle Antoinette (right) and Dr. Wulan Dirgantoro (left), Academics & Curators of ‘Shaping Geographies: Art | Woman | Southeast Asia’⠀
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This week, we bring you a series of reflections from participants involved in @gajahgallery’s groundbreaking new art exhibition. Stay close for more !

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“The history of art is the history of innovative artistic consciousness... we are artists not because we are able to manufacture and replicate beautiful objects ... but because we are ‘inventor,’ ‘artificer,’ ‘shaman,’‘magician,’ ‘thinker,’ even ‘clown..’ “ — “Things Change,” by Raymundo Albano & Johnny Manahan⠀
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These lovely thoughts stayed with us over the last couple of days as we took in the #singaporebiennale which opens to the public today. ⠀
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It’s a mammoth of a show spread out over 11 locations islandwide, but we were particularly struck by a handful of quiet, contemplative works. ⠀
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Click on the link in bio for a deep dive into the 5 works from the Biennale that stole our hearts, not with fireworks and dazzle, but with the sense of wonder that they spark, and the reflection that they encourage.⠀
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📸: Min Thein Sung, “Time : Dust” (Image courtesy of the artist) ⠀
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