In Esmond Loh’s (b.1995) debut solo exhibition with Haridas Contemporary, Cliffhanger provides various alternate commentaries on a hyper- connected society at the brink of existential cliffhangers. Featuring fourteen paintings depicting scenes of climate dystopia, urban isolation, and the precious intimacy of mourning, Loh’s work concocts entities beyond human figures. Ranging from animals, trees, buildings, abstract forms, and enigmatic objects, an orchestrated interaction is fostered between his characters to heighten seemingly ordinary scenarios, teetering into surreptitious endings.