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    Shiyun Lin

    Contributed 2 posts
    Lin Shiyun is the creative director of 3Pumpkins, a socially-engaged arts company that believes in creating inclusive arts-based platforms that build human relationships and community...
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    Artworld Insider

    Contributed 2 posts
    Our artworld insiders are a pool of anonymous writers and art industry workers, bringing you unvarnished stories and experiences right from the horse's mouth. Got...
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    Amanda Oon

    Contributed 2 posts
    Amanda is an editor and journalist, with extensive experience in writing for trade and features publications. Her particular focus is on arts, culture and social...
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    Cheryl Tan

    Contributed 2 posts
    Cheryl wishes she had been raised in a circus. She is a theatre practitioner and circus student passionate about art and photography amongst other things...
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    Vanessa Yeo

    Contributed 2 posts
    Vanessa is a freelance art curator and writer with a keen interest in current Southeast Asian sculptural practices and intersections with political ecology. She holds...
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    Amirahvelda Priyono

    Contributed 2 posts
    Amirahvelda Priyono (or Velda) is an emerging art writer and researcher, focusing on Southeast Asia, war, and politics through photography. She is also interested in...
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    Usha and Michelle

    Contributed 2 posts
    Plural Co-Founder Usha and Plural Editor Michelle writing collaboratively.
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    Rachel Seah

    Contributed 2 posts
    Rachel Seah is a doctoral student at the Centre of Chinese Visual Arts in Birmingham School of Art researching on contemporary private photography in East...
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    Mary Leadbetter

    Contributed 2 posts
    Mary Friday Leadbetter is a perpetual student of Asian Cultures and Arts. Now residing in North Carolina USA, she spent 30 years living in Europe...
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    Jord Earving Gadingan

    Contributed 2 posts
    Jord Earving Gadingan thrives in the provinces and their communities as a development worker and biodiversity advocate. In between, he writes. Art, nature, and governance...
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