Exhibitions
The Supper House presents The World Is Flat After All: A Creative Journey into Fashion, Friendships & Fun
July 30, 2022 ─ Usha Chandradas
Private apartments, private lives: Samantha Chia and Finbarr Fallon investigate what it means to be “at home”
July 23, 2022 ─ Megan Miao
Complicated Contemporaneity and Impossible Dreams: The Taiwan Pavillion at the 2022 Venice Biennale
July 16, 2022 ─ Naima Morelli
An Ode to Print and Paper: STPI’s Second Movement
July 12, 2022 ─ Sheryl Gwee
Normalising the Abnormal: A Conversation with Photographer Woong Soak Teng
June 7, 2022 ─ Rachel Loh
A world worth protecting: Mulyana’s playful and environmentally engaged art
May 4, 2022 ─ Naima Morelli
Infusions Into Contemporary Art: Unravelling the world with Indonesian Women Artists
April 19, 2022 ─ Amanda Ariawan
Between Figuration and Abstraction with Cambodian artist Pen Robit
April 16, 2022 ─ Naima Morelli
Songs to Sing Beyond Mankind: REFUSE by The Observatory at Singapore Art Museum
April 2, 2022 ─ Sheryl Gwee
Whimsical art project Stranger(’s) Touch moved me to buy a cup with bite marks
March 26, 2022 ─ Stephanie Yeap
Intimacies of Scale: An Aesthetic Journey Into Singapore’s Psyche
March 12, 2022 ─ Usha Chandradas
