Search site

Dark/Light Mode

Exhibitions

An Ode to Print and Paper: STPI’s Second Movement

July 12, 2022 ─ Sheryl Gwee

Normalising the Abnormal: A Conversation with Photographer Woong Soak Teng

June 7, 2022 ─ Rachel Loh

A world worth protecting: Mulyana’s playful and environmentally engaged art

May 4, 2022 ─ Naima Morelli

Harmony 26, Harmony 23, Harmony 24 (Left to right). 2021. Mulyana. Courtesy of Sapar Contemporary and the Artist.

Infusions Into Contemporary Art: Unravelling the world with Indonesian Women Artists

April 19, 2022 ─ Amanda Ariawan

Indah Arsyad, The Ultimate Breath (2022), Digital video projection, acrylic, boxes, glass vessels, water, sound, 6'43". Installation view at the National Gallery of Indonesia, Jakarta, 2022.

Between Figuration and Abstraction with Cambodian artist Pen Robit

Regional Shows

April 16, 2022 ─ Naima Morelli

Songs to Sing Beyond Mankind: REFUSE by The Observatory at Singapore Art Museum

April 2, 2022 ─ Sheryl Gwee

Mushrooms housed in second-hand musical instruments. Image courtesy of Singapore Art Museum.

The Most Intimate Art Fair Philippines

March 30, 2022 ─ Nicole Soriano

Whimsical art project Stranger(’s) Touch moved me to buy a cup with bite marks

March 26, 2022 ─ Stephanie Yeap

Intimacies of Scale: An Aesthetic Journey Into Singapore’s Psyche

March 12, 2022 ─ Usha Chandradas

Memories ‘Take Route’: Calvin Tay’s Mapping of Old Tanglin Halt

March 1, 2022 ─ Usha Chandradas

Sustainability and Sociality: Artist Giacomo Zaganelli on the Thailand Biennale Korat

February 25, 2022 ─ Naima Morelli

Youths hanging out by the Center

Buen Calubayan’s Intricate Musings on Filipino Art and Identity

February 20, 2022 ─ Amanda Juico Dela Cruz

Buen Calubayan. Pasyon and Revolution: Light and Brotherhood, 2019. Hammock crafted from the second chapter of the book Pasyon and Revolution by Reynaldo Ileto. Paper, pen markings, bamboo stick, rope. Photo courtesy of Mind Set Art Center.