A Musician and a Burlesque Dancer Walk into a Museum: Highlights of Museum Programming in 2020 December 29, 2020·
An Art Prize for the Digital Age: Calling Southeast Asian Digital Artists for the Julius Baer Next Generation Art Prize December 5, 2020·
Ugly/ Beautiful: WOHA’s Richard Hassell on the Curation and Collection of Indonesian Art October 31, 2020·
Participatory Art in the time of a Pandemic: The Little Old Cooking Club That Could September 26, 2020·
Departing, Arriving and Standing Still. Contemplating “Margins: drawing pictures of home” January 12, 2021·
East is West and West is West? The Asian Financial Crisis Through the Eyes of an Artist October 18, 2020·
Features, Opinions Michelle December 29, 2020 A Musician and a Burlesque Dancer Walk into a Museum: Highlights of Museum Programming in 2020
Features Pauline December 5, 2020 An Art Prize for the Digital Age: Calling Southeast Asian Digital Artists for the Julius Baer Next Generation Art Prize
Features, Opinions Seet Yun Teng November 28, 2020 What Does it Mean to Curate? Thinking about Curating for the 21st Century with Nalina Gopal and Seng Yu Jin
Features, Opinions Syar August 29, 2020 Straight to Video: Thoughts on A+ Online Festival of Video Art
Features, Opinions Nathalie May 26, 2020 Letter from Yangon: If the Heat Doesn’t Get You, the Monsoon Will
A Musician and a Burlesque Dancer Walk into a Museum: Highlights of Museum Programming in 2020 December 29, 2020·
An Art Prize for the Digital Age: Calling Southeast Asian Digital Artists for the Julius Baer Next Generation Art Prize December 5, 2020·
Ugly/ Beautiful: WOHA’s Richard Hassell on the Curation and Collection of Indonesian Art October 31, 2020·
Participatory Art in the time of a Pandemic: The Little Old Cooking Club That Could September 26, 2020·
Departing, Arriving and Standing Still. Contemplating “Margins: drawing pictures of home” January 12, 2021·
East is West and West is West? The Asian Financial Crisis Through the Eyes of an Artist October 18, 2020·
