Exhibitions
What we can learn about creativity from Milenko Prvacki’s solo Abstraction for Beginners
July 2, 2023 ─ Carla Castle
GIFFEST: Where the Eccentric, Digital and Imperfect Collide
June 27, 2023 ─ Carla Castle
Behind the glossy, grand gestures of Jefrë’s Points of Origins
June 24, 2023 ─ Sean Carballo
How A Piece of Home’s relentless authenticity expands our ideas of art
June 18, 2023 ─ Stephanie Yeap
Swallow Your Pride: A look at Serving Thots at Ultrasupernew Gallery
June 17, 2023 ─ Lizzie Wee
Transforming kinships: Aki Hassan’s Entangled Attachments at Yeo Workshop
June 10, 2023 ─ Sheryl Gwee
To Game or Not to Game?: reviewing the video games from Singapore Art Museum’s Open Systems 1: Open Worlds
June 4, 2023 ─ Stephanie Yeap
Singapore’s Rainbow Families Campaign on broadening ideas of love, acceptance, and the family unit
May 31, 2023 ─ Stephanie Yeap
Finding Ourselves in Every Commute: Insight from Art Outreach’s Art in Transit North East Line Tour
May 24, 2023 ─ Alëna Ong
Cold brew for the soul: Calvin Tay brings art to a coffee bar
May 21, 2023 ─ Usha Chandradas
Pixel Paradise on Interconnectivity and the Fluidity of Meaning in the Technological Realm
May 20, 2023 ─ Carla Castle
