Singapore Shows
Notes From the Ether : A Snapshot into the Shifting Boundaries Between Art and Technology
September 21, 2023 ─ Carla Castle
Tang Da Wu’s 3, 4, 5 I Don’t Like Fine Art provokes our perception about what art is
September 16, 2023 ─ Stacy Huang
“The Silent Conspiracy of the Majority”: ophthalmologist and artist Chng Nai Wee on his work Sin of Apathy
August 26, 2023 ─ Catherine Kausikan
Kult of Personality: An Interview with V. Raja from Kult Studio & Gallery
August 1, 2023 ─ Lizzie Wee
Scratching the surface?: Port/raits of Tanjong Pagar’s endearing quirks and playful perspectives
July 22, 2023 ─ Dawn Hou
What we can learn about creativity from Milenko Prvacki’s solo Abstraction for Beginners
July 2, 2023 ─ Carla Castle
GIFFEST: Where the Eccentric, Digital and Imperfect Collide
June 27, 2023 ─ Carla Castle
How A Piece of Home’s relentless authenticity expands our ideas of art
June 18, 2023 ─ Stephanie Yeap
Swallow Your Pride: A look at Serving Thots at Ultrasupernew Gallery
June 17, 2023 ─ Lizzie Wee
Transforming kinships: Aki Hassan’s Entangled Attachments at Yeo Workshop
June 10, 2023 ─ Sheryl Gwee
To Game or Not to Game?: reviewing the video games from Singapore Art Museum’s Open Systems 1: Open Worlds
June 4, 2023 ─ Stephanie Yeap
