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Imelda Cajipe-Endaya leaves no woman behind

December 3, 2022 ─ Nicole Soriano

Plural’s hotlist of things to do at the Affordable Art Fair 2022

November 16, 2022 ─ Usha Chandradas

Chan Li Shan’s Searching For Lee Wen dives into the life and mind of the celebrated performance artist

October 19, 2022 ─ Stephanie Yeap

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Documenta fifteen: A question of contexts

September 25, 2022 ─ Kwok Kian Chow & Shirlene Noordin

Reflecting on Southeast Asia at the 59th Venice Biennale

September 13, 2022 ─ Naima Morelli

Art World Insider: Art Teacher

September 2, 2022 ─ Artworld Insider

Complicated Contemporaneity and Impossible Dreams: The Taiwan Pavillion at the 2022 Venice Biennale

July 16, 2022 ─ Naima Morelli

Walking the Tightrope: Batik Kita: Dressing in Port Cities at the Asian Civilisations Museum

June 22, 2022 ─ Usha Chandradas

Curate like an Artist, Make Art like a Curator: A Conversation with Berny Tan

May 18, 2022 ─ Sheryl Gwee

Old New Media: The Art of Conservation

March 22, 2022 ─ Sheryl Gwee

Technological hardware often plays a sculptural role in Paik’s installations — the projectors and scaffolding are as much a part of Paik’s Sistine Chapel (1993, reconstructed 2021) as the flickering images on the wall. Image courtesy of National Gallery Singapore.

Pay As You Wish: Building a Sustainable Bali Art Ecosystem

March 15, 2022 ─ Richard Horstman

Biji Art and Culture, a collaboration with TiTian Art Space. Image courtesy of TiTian Art Space.

Tjutju Widjaja: When Chinese Calligraphy Meets Contemporary Expressionist Art In Indonesia

February 12, 2022 ─ Carla Bianpoen