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From Modern to Contemporary, Vietnamese Art Makes Waves in Paris
February 28, 2025
No Regrets: Teo Eng Seng on Life and Art
January 26, 2025
Our Top 7 Picks for Singapore Art Week 2025
January 11, 2025
“Are NFTs still worth buying?”
October 12, 2022
Ask a Critic’s Top Ten List for 2021
December 25, 2021
“How Do You Value Art?”
June 12, 2021
Art, Abridged
The ABCs of Asian Art
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V is for Video Art
January 18, 2023
U is for URL
November 23, 2022
T is for Textile Art
October 29, 2022
Ghostwriter: Communicating with Jo Ho’s
a developing slate
April 12, 2025
Preserving Barbershops of Yesteryear:
Barber
by Ng Siang Hoi
June 18, 2024
How Memory Persists in Anthony Chin’s
From Silver to Steel
September 19, 2023
4 Arts Events to Enjoy during the School Holidays
June 21, 2023
Our Top 6 Events at Singapore Art Week 2023
January 2, 2023
6 Ways Art Moves Beyond the Canvas at Mindanao Art 2022
November 2, 2022
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“Meant to Be”: Richie Chen on His Years in New York
April 30, 2025
Home Bound
: Daniel Kok and Luke George Explore Our Ties to People and Place
April 7, 2025
Time and Transience: Christine Chua Makes Her Mark
March 30, 2025
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Dive into Wisma Atria’s Christmas Decor: A Conversation with Bae Kyungsoo
December 22, 2023
Coming Full Circle with Ceramics Studio Mud Rock, a decade on
September 26, 2023
Knuckles & Notch Founder Marl Goh on Risography and Resilience
March 29, 2023
Sight, Sound, Style: 5 Stores to Check Out at Millenia Walk, an Arts-Meets-Lifestyle Destination in the City
March 18, 2025
‘Tis the Season! International and Local Artists Take Over Millenia Walk — A New Way to Look at the Ordinary
December 10, 2024
The Not-So-Peaceful Last Days of Peace Centre
January 19, 2024
Red House Cafe
: Celebrating the History of a Bras Basah Bakery
September 4, 2024
NOODIES: Southeast Asian Creatives Celebrate Instant Noodles with Delicious Designs
February 3, 2024
Have Your Modern Art and Eat It Too at ANTI:DOTE and PÁAN
November 26, 2023
Exhibitions
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Singapore Ceramics Today
May 9, 2025
Mansau-Ansau
: Yee I-Lann Weaves Heritage, Culture, and Power
March 14, 2025
What Doesn’t Kill You
: Dr. Michelle Lim on the Resilience of Women in the Arts
March 11, 2025
A Hike Through the Screen: Personal Notes on
The Possibility of Forests
April 25, 2025
A Walk Through Korakrit Arunanondchai’s Theatre, Where Things Burn to Begin Again
March 4, 2025
Bangkok Biennale 2024: A Call for Care
February 1, 2025
Home Bound
: Daniel Kok and Luke George Explore Our Ties to People and Place
April 7, 2025
From Modern to Contemporary, Vietnamese Art Makes Waves in Paris
February 28, 2025
The Gwangju and Busan Biennales: Southeast Asian Artists Speak
November 15, 2024
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May 9, 2025
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April 30, 2025
“Meant to Be”: Richie Chen on His Years in New York
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Victoria Hertel
April 12, 2025
Ghostwriter: Communicating with Jo Ho’s
a developing slate
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Aastha Agrawal
April 7, 2025
Home Bound
: Daniel Kok and Luke George Explore Our Ties to People and Place
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March 30, 2025
Time and Transience: Christine Chua Makes Her Mark
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Rachel
January 26, 2025
No Regrets: Teo Eng Seng on Life and Art
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Theresa Wong
January 21, 2025
Finding Light: An Interactive Game Experience by Climate Artist Elizabeth Mak
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Plural Art Mag
January 11, 2025
Our Top 7 Picks for Singapore Art Week 2025
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Rachel
January 2, 2025
Yesterday, Today, Tomorrow: Southeast Asian Artists Explore Alternate Realities at the New Art Museum
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Plural Art Mag
December 14, 2024
Crossing Borders: An Exchange Exhibition between Silpakorn University and the Modern Art Society Singapore
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Zhai Qiutong
December 7, 2024
Boat Models and “Watery Worlds”: In Conversation with NUS Museum Curator Sidd Perez
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Daryl Lim Wei Jie
November 26, 2024
“How do we reckon with him?”: Looking Back at Ng Eng Teng, Grandfather of Singapore Sculpture
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